tech

Deep blue sees.

For robbing hoods?

Tasteful isolation.

Fun fact: This, some 34 years ago, nearly became the title of Pixar’s first short “The Adventures Of André & Wally B.”. You learn something new every day folks...

The product of killing time with some beer, wings and of course, doodling away.

When you still have some energy left over from a creative marathon that happened the night before...

I wrote some words, cut them up and rearranged them. What else is new?

*writes a few words, masticates a few more he found reading Doctor Who books* An ode to the more saccharine yet saltier tasting things in life. Faff and fluff aside, find your own meaning folks.

A stylized architectural illustration capturing the intricate beauty of a classic brick gateway and decorative ironwork. This design blends traditional sketching techniques with a modern, vibrant color palette, making it a perfect statement piece for those who appreciate urban history and fine masonry details.

Personal reference for one of my OCs. Was testing out some colour combinations, while figuring out some colouring techniques.

A6 format fine liner, ink, pencil on paper with photo element

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For Julesthetic Day 26, today's aesthetic is techcore. For this day, I decided to make this little mosh pit based on a cell phone with various apps on a tech background

I am a developer, and coding is my world. But when it comes to, say, the "life" part of life skills? Not so much. After a grueling 72-hour coding marathon, fueled by nothing but caffeine and questionable decisions, I made a mistake I now regret on a cosmic level: I spilled coffee on my external hard drive, the very drive that stored access to my digital wallet, holding a significant sum. At first, I told myself it wasn't that bad; surely a little splash wouldn't be a big deal, right? With confidence in my tech skills, I turned to the internet for answers. One search result boldly asked: "Can you dry a hard drive in the microwave?" Spoiler alert: absolutely not. Don’t try this under any circumstance. I’m lucky I didn’t end up with melted plastic or worse. After my solo data recovery efforts failed catastrophically, panic set in. This wasn't just lost files, this was years of effort, wiped in a moment. That’s when I found Digital Resolution Services. Desperate and admittedly a bit embarrassed, I reached out, hoping for a miracle. From the moment they answered, I could tell I was in capable hands. The team was calm, professional, and reassuring, never once mocking my questionable DIY methods (which, looking back, I probably deserved). Instead, they got straight to work, applying specialized tools and expertise to my situation. The process wasn’t easy. It involved long nights, constant updates, and a rollercoaster of emotions. But Digital Resolution Services never gave up. They stayed committed, persistent, and focused every step of the way. When they finally restored access to my wallet, I was overwhelmed with relief not just because the funds were safe, but because I could finally sleep without stress. That experience taught me something valuable: sometimes, it’s not about being the expert in everything, it's about knowing when to trust the right ones. Now, I keep my coffee and hard drive far apart. And every time I take a sip of that morning brew, I remember: if your data matters, don’t gamble, reach out to professionals like Digital Resolution Services. TELEGRAM: @DIGITALRESOLUTIONSERVICES WHATSAPP: +1 (361) 260 8628

(0.18 Technical Pen on 130mm x 35mm card) I did these with a tech pen I was cleaning, deciding to make use of the ink that was diluted within it. The pieces of card were off-cuts, so I was making the best of everything there. They're not too bad for what they are and make decent enough bookmarks.

This portrait was created using mixed media like colored pencils, markers, and ink. The portrait features the face of a man resting in his hand, and staring dead-eyed at the viewer. I used non local color techniques to create depth and form using colors not typically found in the human face, like blues and violets for shadows and yellows and oranges or highlights. Parts of his face include small pink stars which originally faded from the previous page, but I really like the look it gives, they almost look like celestial freckles.

digiitale sketch stormy weather stormy nightmare

This is entirely made with dots (or a shading technique called Stippling)

This is my first ever digital drawing. i did it a while ago for the semester final in my Design class

it is a tangle I made for my fake art class. I used a marker, tech pen, and pencil. took I hr and 7 minutes.it was very fun and relaxing.i felt more relaxed than before

A quick doodle. I want to get into landscape drawings as well. I bought a Staedtler Mars Technico lead holder. It feels cheap in my hand. I've been using Nic Pro lead holders from amazon - they feel solid. The hexagon shape sits well in my hand. The leads that come with them - they lay down well.

I drew this girl to keep my creative juices flowing, and I love how it turned out! Not a lot of technique involved, mostly just drawing shapes. I LOOOOVE colorful things.

And Finally it's Saint Matthew giving a high-five to his Symbolic Angel (Or "human with wings" technically)! I Made it more like a fairy or something, it's not like a mount like the other symbols of the evangelists. So Matthew looks a little more Fatherly because in the Gospel of Matthew the theme of God the Father is the strongest of the gospels (mentioned more times etc.), also it's the only account that gives the account of the Annunciation to St. Joseph and lots of details on St. Joseph, the virginal Father of Jesus on Earth. (I should probably redo St. John since I did the others with more detail, I actually I did that version of St. John a few years ago but I finally decided to color and outline it recently. All the others are new though.) Let me know if you want to see anything! I'll probably do the mysteries of the Rosary next. ^_^

Technique: ink and colored pencils

Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory. https://www.pierretomyleboucher.fr

Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory. https://www.pierretomyleboucher.fr

Watercolor technique. Portrait

Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.

Remake : Francis Bacon – autoportrait Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.