Jook’s doodle colouring books are a collection of true gems. Her anthropomorphic and surreal scenes depict a plethora of creatures, spanning from cute and innocent-looking to downright bizarre and monster-like. Flip through the pages, get colouring and get inspired. Join Jook’s world. Colouring books for ages 7 to 77.
I am a Belgian female artist & illustrator and I use a self-invented technique of automatic drawing to delve into my subconscious. I doodle everywhere and every spare moment. By quickly drawing, barring any conscious thought, I am giving as much room as possible to my imagination. Through extensive, at times even compulsive, doodling, a new and totally unique world arises. Come visit, get inspired and maybe get lost in my subconscious. Join my world and my obsessive-compulsive drawings. More info: doodleart.shop | Facebook | instagram | youtube page of the book
Trees in a reflection have always been a subject of interest to me. I have created several of this version, trying to fine-tune my skills and explore some opaque techniques.
This painting is a technique I enjoy mostly because I see figures in the ordinary and draw them out from what I see in abstract backgrounds I paint. In it you see a group of people enjoying time together. I used Acrylics on Aquaboard, a surface especially made for many layers of wet media.
Tried some papercutting. I made a stencil then copied it and put over some collage. I need to work on my gluing technique and probably try out some different paper, but glad I kept the original stencil.
Mostly wet on wet technique and then wet on dry for the white paint. I used a Mont Marte Round 2 brush and Reeves watercolor paint tubes.
Also concocted my very own magic watercolor paint that made the black background somewhat similar to gouache.
I learned this painting from one of the best artists named Maria Raczynska.
Lois's last book: "The style of Loish. Finding an artistic voice." is just AMAZING! It's:
- inspiring,
- full of tips on how to start searching own style,
- full of Lois's thoughts and experiences on her way to finding the artistic voice.
So I wanted to try something new in my digital art journey. I experimented with new techniques. I tried to use a brush type that gives a transparency effect.
I chose one picture from Loish's book as a reference.
And here it is - a colorful landscape.
Thank you, Lois, for creating and sharing your phenomenal and inspiring art!
This piece was heavily inspired by the amazing designs of Ian McQue and it was one of the very first test-drawings on my remarkable 2 e-Ink tablet. So I was still in the process of adapting to this new tech :)
These masters of leaf-like camouflage can be found throughout Southeast Asia, with some of the biodiversity hotspots being Indonesia, Malaysia, and Papua New Guinea . This is Nanophyllium suzukii watercolor painting, I like so much this technique. More like this on: https://www.instagram.com/camilojulianc/
Big-eared Brown Bat (Histiotus macrotus). Hybrid technique (digital enhanced watercolor). This species has large dark ears. The dorsal hairs are strongly bicolored, with black or dark brown bases and yellow tips. Some authors consider that H. macrotus is distributed only in Chile and Argentina. More like this on IG: https://www.instagram.com/camilojulianc/
(Red biro on a 89mm x 139mm postcard) When technology becomes so intrusive on our daily lives that we feel we simply can't live without it, then perhaps the one-eyed man is truly king.
My first attempt at digitally drawing two people from a reference and experimenting with various watercolor and ink splatter techniques. Comments and critique always welcome. ♡♡♡
Sorry I haven’t been around to post much. I’m always really busy during the summer months. I decided to buy a set of oil paints and experiment with them. When my set arrived, it was missing a blue paint so i had to improvise on this one. The painting is still wet so there is some glare in the image. I feel like it looks good, but I am definitely lacking the skill and technique in oil paints. That is why this painting is super simple and easy subject matter. Hopefully, I can start to get a feel for the oils :)
(Black biro on a 139mm x 89mm postcard). Another dreamscape piece that uses automatic drawing techniques to produce random imagery. I was going to call this one "bloodlines" due to the shaded central areas which developed, but the lettering in the bottom-left corner began to take shape and so I highlighted them and used them as the title.
"Spaced-Out" (0.18 technical pen on 120mm x 35mm card) and "Medusa" (HB pencil on 125mm x 42mm card). Another two simple images drawn on pieces of off-cut card that make great bookmarks.
The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “.
Some of her work focuses on women, and they incorporate criticism and cultural protest.
Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia.
Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics.
The structural composition of some of the works is influenced also by her many years of working in the architects’ office.
Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.
I'm playing a lot with the background texture. I'm discovering the power of brushes from Krita Software.
I fell in love with the gouache texture effect.
I like the silhouettes in this illustration, but the leaves could be better. I need to find a good brush for drawing leaves faster and with ease.
Or maybe I should try some other techniques?
Have a creative time!
