I needed to practice some techniques for some Star Wars prints, so I decided I was going to try to draw The Joker in a more modern tux. Don’t ask, it makes sense in my head. There are a bunch of anatomical errors in this, but it did its job so I'm not too worried about it.
Mixed techniques on with acrylic, spontaneous creation. Join our acrylic painters discord if you use the medium and want a community around it to learn from https://discord.gg/NcJxBfVA
Hi, completed in pencil. Softest 4B. Layered technique. Without any use of blending tools. Just the silky smooth pencil in hand bringing out the texture of the 300lb Bristol Vellum.
I am trying different techniques, also digitally. In this case, I aimed to "build" the illustration only using shapes. So, it's beyond fine drawing, but I'm curious what you think. Thanks for the prompt.
I've started an experimental phase of my art journey. It's a challenging time for me. I try to draw and paint using different techniques, brushes, and color palettes.
I'm on the way to exploring my artistic voice.
I hope it'll be a great time to share my thought and emotions about this.
The 1st thought I can say is:
I need to be an explorer as often as possible. It allows me to look inside myself. It allows me to get to know myself better. It's very motivating.
I played with some different rendering techniques in my digital lineart/with some diagonal shading in the shadows in addition to my usual cell shading. I used the same colour as the hair /skin/ clothing in for my lineart on a 'multiply' layer then duplicated that layer and added a blur/reduced the opacity for its copy to soften the look of the lines.
Spent some time last week trying to work through a new digital painting/colouring technique . It needs some more work and I haven't decided if I like It yet or not. One of the images turned out blander but the original skin tone was very orange I did like the brush textures a lot better on the orange skin but the lighting feels better on the purple-toned image.
This is more of a test than anything, but I thought this would be go a good one to test uploading with. I basically just created this character from my head. If you're interested in the materials I used, I created it with a basic watercolor set using a wet on wet technique for the background, A sharpie outline, and the color on the character was created by using Prismacolor colored pencils.
So I'm a little behind the curve, but here's my day 1 for Inktober. This was my first time using my fountain pen for drawing, so I can't complain too much. There's definitely some room to grow. Lined with a TWSBI Eco: fine nib with Organics Studio Walden ink on Tomoe River paper. I'm a sucker for sheen, what can I say. The sad attempt at shading was done with a wet paper towel, so I'm guessing I could try upgrading my technique there ;D
Albarracín, Spain. My first time trying an urban sketching. Although it's only from a reference photo, it's a good way to practice this art technique. Line art and watercolour wash on a watercolour sketchbook. I used a Sakura Micron Pigma 5.
Another attempt to work on more dynamic posing, I did a series of sketches pushing the pose into something outlandish and a tad pin-uppy for my unnamed Houdini knockoff escape artist. I used a different framework technique than usual to help me along, but I'm noticing now a few errors in the final sketch as per usual :)
Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre.
En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich.
Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse.
English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work.
As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich.
In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.
![[MS Paint Sketch] Fluttershy](/images/uploads/square/65557_shadowl_1728907836.8082.jpg)
