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tension

Dean C. Graf Dean C. Graf Plus Member
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What Matters?

Health matters. A healthy person can have several goals. A sick person has one goal. Make good choices, because they will make you. Easy to say. Not always easy to do. Eat well. Move with intension. Read to learn. Meditate and pray, and receive from that. Do what I say, not what I do. This writing is for me, not you.

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David Terrill David Terrill Plus Member
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The Seasons Skateboard Deck
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The Seasons. Acrylic Gouache on Wood Skateboard Deck. 7.75” x 32” Almost finished! I’ll be donating this hand-painted skateboard deck to support the Kansas City Artists Coalition’s 37th Annual Benefit Art Auction taking place on February 29, 2020. This is an extension of my steam of consciousness sketchbook practice. Having fun!

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Bleu Hope Bleu Hope Plus Member
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“What’s Noo Their (Composition For Sea Dragons And A Malapropism Of Mine)”, February 2021.

Repeated psych-folk listenings/last night’s drunken pretensions informed a misspelling of things or two...

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Dean C. Graf Dean C. Graf Plus Member
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The Other Game

Relaxed tension. Two parents at a national chess competition. Their kids squared off at the board, and so did they — one leaning back, shoe propped up, trying for calm; the other sitting stiff, watchful. The game played out in more ways than one.

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Dean C. Graf Dean C. Graf Plus Member
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Held Still in the Moving World

The lake was busy with light, the grasses busy with wind, but the boat sat quiet against the shore. There is a gift in this tension: to be held still while everything moves, to be carried without effort, to find rest in the very heart of motion.

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Chris Mang Chris Mang
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New Illustration using Sketch Create

Hey guys, hope yall had a great weekend! I couldn't resist doing another iPad drawing on using the Sketch Create plug-in this weekend. I think its awesome that you don’t even need to buy app to do drawings like this-Simply get this Edge extension!

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julie m elman julie m elman
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Hello Anxiety
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These illustrations are part of an ongoing series on anxiety I started in early April 2018, as part of #The100DayProject. (See @helloanxiety_illustrated on Instagram to see more complete stories of each individual). This project is an extension of the fear illustrations I've been creating since 2012 (www.fear-illustrated).

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Maia Palomar Maia Palomar
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Sketch

The past two days have been interesting, to say the least. My anxiety kicked up again, yielding two more panic attacks...oh joy. There's an increasingly chaotic external environment: COVID-19 positivity rates rising, looting, SAT nonsense (thank you College Board for not giving anyone information and for being very uncooperative). Am I angry at people in the world? Yes, and I know that's a generic, over-used phrase, but I truly am. I'm tired of all of this. I'm aggravated with the current state of the U.S. There's moments where things feel fine, and others when it feels like things are closing in. No one knows what the next few months will bring and tensions are high. Will things work out? They will eventually; they better. But, at the same time, what the heck is even going on anymore?

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Sabina Hahn Sabina Hahn
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Dmitry Shostakovich (1906–1975)

Dmitry Shostakovich (1906–1975) Shostakovich’s contemporaries do not recall seeing him working, at least not in the traditional sense. The Russian composer was able to conceptualize a new work entirely in his head, and then write it down with extreme rapidity—if uninterrupted, he could average twenty or thirty pages of score a day, making virtually no corrections as he went. But this feat was apparently preceded by hours or days of mental composition—during which he “appeared to be a man of great inner tensions,” the musicologist Alexei Ikonnikov observed, “with his continually moving, ‘speaking’ hands, which were never at rest.” Shostakovich himself was afraid that perhaps he worked too fast. “I worry about the lightning speed with which I compose,” he confessed in a letter to a friend. Undoubtedly this is bad. One shouldn’t compose as quickly as I do. Composition is a serious process, and in the words of a ballerina friend of mine, “You can’t keep going at a gallop.” I compose with diabolical speed and can’t stop myself.… It is exhausting, rather unpleasant, and at the end of the day you lack any confidence in the result. But I can’t rid myself of the bad habit. - From Daily Rituals: How Artists Work by Mason Currey #dailyrituals #inktober #shostakovich @masoncurrey

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Ty patmore Ty patmore
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Elevated patience

A quiet study of restraint at altitude. Framed through an aircraft window, the world below drifts by while the interior remains still—objects worn, familiar, and waiting. Subtle distortions in perspective and muted tones emphasize the tension between motion and pause, progress and endurance. This piece captures the discipline of waiting while suspended between departure and arrival, where patience is not passive, but practiced under pressure.

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Ty patmore Ty patmore
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Time under tension

30 minute quick sketch of a wrench. Done on printer paper with a mechanical pencil and highlighter. Shaded with a Kleenex.

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Brianna Eisman Brianna Eisman
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Tension by Brianna Eisman

The theme was 'tension' in which we had to create a work of art using brown paper bags. In the midst of high school drama and stressful testing seasons, I created this mixed media drawing of a woman screaming and pulling at her hair. The hair is made of the brown paper bags to give it depth and texture. The drawing was created on brown paper with white pen highlights.

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Ty patmore Ty patmore
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Drafting the Future

A striking, high-contrast graphite study of a hand in the act of writing. Created in a rapid 45-minute sitting through self-observation, this piece captures the intricate anatomy and focused tension of the artist's own hand as it holds the pen. The tip being pencil the top being pen and finger tips slightly smudged incorporate all aspects of the mediums used to create it.

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Elle Duffey Elle Duffey
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I am learning

I've been thinking about visual tension recently and making things more interesting with contrast and depth. I am learning!

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Ty patmore Ty patmore
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Knot on Call

A calm shelf scene capturing the tension between rest and responsibility, where nothing is happening—and everything could.

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Ty patmore Ty patmore
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From time to time.

A whimsical yet haunting reflection on the passage of time, From Time to Time imagines a fragile machine built to bend reality itself. The “Tempus Machina” stands as both invention and relic — humming with promise but tethered by a frayed cord and a warning: Watch Your Step. The cracked wall, warped floorboards, and distorted clock hint that tampering with time comes at a cost. Blending humor, nostalgia, and existential tension, Patmore’s work transforms a steampunk curiosity into a metaphor for our human impulse to repair, rewind, and relive what’s already slipping away.

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Ty patmore Ty patmore
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Industrial timeout

"Industrial Timeout" presents a meticulously rendered scene of solitude and tension within a utilitarian setting. The composition is split between a vast, empty white space and a tightly constrained, detailed industrial corner. In the foreground, a single, unassuming cardboard box sits on a pallet. It is labeled "FRAGILE" and "M.P.C." (possibly a reference to 'Minimum Package Content' or a similar industrial acronym), suggesting a precious, yet standardized, cargo awaiting movement.

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Ty patmore Ty patmore
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Mask Up

"Mask Up" by Ty Tatmore (2024) is a powerful and unsettling piece of contemporary social commentary. This work throws the viewer into a scene of post-apocalyptic anxiety where an individual, wearing a striking conical hairdo and a defiant "MASK UP" t-shirt, sits amidst the wreckage of a dilapidated room. The artist uses dark humor and surreal imagery to explore the cultural tensions surrounding public health mandates and personal responsibility. The sign "CHOOSE WISELY!!" acts as a stark warning, while symbols like the gas mask and the Scream mask and also wearing a mask suggest a spectrum of survival and fear. The massive explosion breaking through the window is a haunting, almost surreal symbol of the unstoppable outside forces impacting daily life. With its raw, graphic style and intense atmosphere, this painting is a memorable and thought-provoking statement that captures the isolation, uncertainty, and dark irony of living through a moment of global crisis.

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BeastGurl1989 BeastGurl1989
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Chump

I completed reinvented Chump. Ok, so story time. When I was 16 I created Chump. The name came from a nickname I received, I won't go that deep. But, I created her in black and white. The original design was inspiration from Tim Burton. But over the years she had changed due to my own imagination and maturity. But I suppressed her for a long time. A few years ago I brought her back to life. But I wasn't happy with how she was turning out. So the last few years my life spiraled and I have grown and changed. So now I felt it only right to change Chump as well. She has been an extension of me. I wanted so much for Chump, but she got lost in static and time. But here she is new and improved. She represents the part of me that keeps fighting and will not stop despite the odds and opinions.

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kanaiyah ward kanaiyah ward
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cows

it was an idea I got from Megan weller.it was super tension relieving. I made a cow pattern then put the same inside.I used pen and pencil

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Abby Abby
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Shopping Spree

Ta-da! Finally done! This was inspired by my annual back to school shopping trip in August with my mom, my siblings, and my grandma. The sign is a bit of a clue to that, the heart is similar for he logo of one of my favorite stores (until they closed last month), and the tan thing in the corner reminds me of the dusty playground we stop at between stores. The hair clip, butterflies, and purple corner (it's really a hair extension) are all from my favorite accessory store. The railing is for the walkway between stores and I don't really have to explain the shirt, skirt, pants, and shopping bag. No trip is complete without a bucket of pretzels to eat on the way home! Anyway, I hope you like my art!

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Just Another Monster Just Another Monster
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Small Mistakes

I use to draw to create. Now, when I do, it's to speak to myself. To relieve some tension. To say something I can't say out loud. I'm not looking for anything here. I just hope that throwing these things out into the world will somehow take them off of my mind. Sorry, and thank you.

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Liz Liz
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tension

a redraw of an older drawing

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Beresford Beresford
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Industrial Art Project

What was created? A concept exerciser (aka: homemade workout machine) made mostly out of wood components, that was a contraption full of hinges, pulleys, weights, and grips (see pin 1). With my system, a person could perform both the butterfly and lat pull down exercises and transition between them with minimal effort. The unit stood about 8 feet tall and was about 6 ft wide when the butterfly arms were connected to it. Why was it created? I have always been fascinated with weight training machine design. I had a bench press weight set at home that did not come with a butterfly attachment, so I decided to make one of my own. I was able to get a steady supply of material (scrap wood) from a local source and constructed a workout routine by stacking columns of weight (instead of accumulating weight plates) in a moving grid generating even or uneven resistance (see pin 3). I also consider what I made could be a benefit to others since it does: (1) represent an extension of DIY culture (i.e. advancing individual knowledge, learning new skills, and the feeling of satisfaction that comes from building from your own ideas), (2) how to apply simple machine principles (i.e. pulleys, leverage, changing the direction or amount of force, etc.) in making a project and, (3) promote woodworking (which allows a person to be creative and is a wonderful medium for artistic expression). What makes it special? What makes my work distinctive concerns the butterfly arms and the weight container. Butterfly Attachment The butterfly attachment arms can be quick disconnected and re-mounted easily. The jackknife motion that the butterfly arms travel in as they flex forward and return to their starting position is an original conception. Weight Grid (see pin 3) Unlike traditional stacked weight plate machines, a person is allowed to make a variety of pattern configurations on the grid (X,□, /,\, —, etc.) by using cup shaped ballast inserts (up to 24) that changes the amount of force a user exerts for each repetition (see figure 2). An individual can position the weights in organized horizontal/vertical patterns or treat them more as random objects in the load basket. In their current form my system’s weight supplements are ½ pound each (about 2 ¾ inches long and 1 14/16 inches in diameter): making them easy to manage. If solid roll stock were used in their construction, they would be estimated to weigh 2 ½ to 2 ¾ pounds (see pin 2). When not in use, weights can be placed in the grid case for compact storage. As a point of fact, the sight holes cut into the drop tubes were drilled by hand with a fixture and not with the use of a drill press. At one point, I contemplated that one could focus on certain muscle groups in the upper body by placing inserts on the weight grid in particular patterns (X,□, /,\, —, etc.). This may have been beneficial for those in need of rehabilitation (through segregation of muscle areas that needed treatment) in such disciplines as Kinesiology or Physical Therapy. What was learned creating it? I learned how much ideas on paper can change drastically when fabricated physically. I learned how challenging it was to develop removable butterfly arms that hang and pivot in mid air. The exerciser’s weight box glides up and down on a vertical guide. I researched various ways of how to make that move while keeping the friction between the connectors on the weight box and the track surface it to a minimum. This was in order to make the climb and drop motion as fluid and controlled as possible. I considered using various sprays, waxes, greases, lacquers, covers, wheels, and even ball bearings to accomplish that. I ended up sanding the inside of the track extensively and then mounted small furniture mover inserts to the weight box on its four corners for a successful connection. Therefore, I learned here how important considering a variety of ideas provides solution to a problem. If I were to start over and do things again? I probably would have done some more background research in the areas of Fluid Dynamics or Biomechanics. I figure, if I had consulted with people in those areas, the time it took to design and redesign the overall unit as well as the weight box might not have taken about 3 years to fully complete. Miscellaneous In the back the machine was a counterweight of tube sand (60 lbs.). Without that, the whole thing would have toppled forward when trying to use it. Thank you for your time. Best Regards. Matthew Link: https://www.pinterest.com/meb206/industrial-art-project/

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Jo Arnell Jo Arnell
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The Green Hairstreak

The Green hairstreak. Couldnt decided between backgrounds, after a bunch of fun with a hair extension and paint... and getting paint on the walls, floor, desk, tv screen, laptop, bed, Joey the lot

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Mike Sheehan Mike Sheehan
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Untitled

Hit the coffee shop last night for our fast sketch class. Quick sketches and demos of various customers. #backtothegrind #coffee #coffeeshop #riverside #downtownriverside #ucr #ucrextension #ucriverside #cafesketching #sketches #sketch #sketchbook #charac

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misheal victor misheal victor
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