It has been a while. I have been working on a project that can't be posted. I decided to try re-doing pictures that I have already posted. This is a re-do of Paul Newman. I wanted to see if I have improved. Drawing consistently now since late November/early December 2020.
Animaux origamiques répétés et rapprochés pour former de manière subjective un vêtement ou un accessoire. Un animal seul est représenté par illustration. L’animal donne une indication sur l’apparence du vêtement en suggérant une texture, une nuance, une odeur. Dans la série, « lipstickrabbit » fait référence au testing des rouges à lèvres sur les lapins.
I am composed. I am more than just a label. Sometimes I'm happy, sometimes anxious (well more than just sometimes), sometimes playful, sometimes sad, sometimes brace, sometimes even too brave, sometimes creative, sometimes numb, sometimes... Oh by the way, I got a bipolar II diagnosis, for context. March 2020. Pastel on Canson cotton, honeycomb surface paper (32cmx24cm).
Hi, completed in pencil. Softest 4B. Layered technique. Without any use of blending tools. Just the silky smooth pencil in hand bringing out the texture of the 300lb Bristol Vellum.
I changed the composition, types of silhouettes, and background texture a few times.
I didn't have any expectations about the finished work. It was a creative flow with many changes. I think the creative process looks like this.
Don't be afraid to try.
If you make your art digitally, it's simple. You can:
- create a new layer,
- use shortcut Ctrl+Z.
In traditional art, it depends on the art supplies you use. Sometimes you can try more times. Sometimes you need to start again.
But any attempt is better than giving up.
I'm playing a lot with the background texture. I'm discovering the power of brushes from Krita Software.
I fell in love with the gouache texture effect.
I like the silhouettes in this illustration, but the leaves could be better. I need to find a good brush for drawing leaves faster and with ease.
Or maybe I should try some other techniques?
Have a creative time!
This is a 19 in by 24 in oil painting on Bristol paper. I love this piece because of the textures and the bright but muted colors. I did this in 2019 in the spring at the Fashion Institute of Technology. The professor always pronounced "fruit" in a very bazaar way. It was a great class overall.
Here's a portrait of Yuko Shimizu that I'm working on for an IlloStories project (check the group out on Facebook).
I took her pose from one of her photographs, then used colours, patterns and textures that were inspired by her artworks.
This could be a front page for a book about her, or maybe a page for when her story reaches this point!
A far-too-common archetype that i have observed frequently in people as they converse with another is one in which an individual uses two layers of defense to protect an otherwise unexamined confusion or emptiness. This relates to a defense of the ego and does not apply to all situations involving anything discussed.
First posturing:
-A mask (or wall) of mockery is sustained in which the defensive individual behaves flippantly as if in jest. This positioning is a way to be aloof from the situation, using incredulity and belittlement to keep a person or their ideas away from the defensive individual.
Second posturing:
-A mask (or wall) of rage is revealed after a certain level of perceived threat is achieved internally. This positioning is usually the one the defensive individual maintains when they have given up the argument or the introspection. Not risking an ontological or existential crisis, the defensive individual lashes out with anger, often accusatorily in manner, potentially belittling others further or just plain rushing away in a huff. This is usually the end of the engagement.
Third posturing:
-The masks (or walls) both come off, leaving the defensive individual to examine the thoughts or behaviors involved in the situation more critically. The defensive individual may find themselves feeling deeply uncomfortable, sad, uneasy, lost, or confused. This position leads to introspection and to a genuine openness, which is not something that the defensive individual had been prepared for. They may find that they were incorrect, only partially correct, or that the perceived rightness of their idea/behavior now has an expanded context, all of which may seem frightening. Individuals may become mentally paralyzed at this point. It takes a strength and an honesty to reflect in this position, which is not something that everyone expressing this archetype will be capable of doing.
(Based on my professional insights as: a cashier, as a member of various technical support staffs, as an occasional minister, and as a peer counselor. Also based on my casual and repeated interactions with both strangers and with more intimately known persons over the course of my lifetime. Observations are my own.)
Quick 1 hour sketch working with a limited palette for a moody, gritty atmosphere. I always like to think of the story behind a piece before I start, and this one was a reflection of where I see the world going - a dystopian world in which many parts of the city have been abandoned, taken over by urban foliage, and left to ruin as people flee.
I rarely add colors to my drawings but am dabbling in unfamiliar territory with the Krita app. I am enjoying the ability to add textures as well. For me, it is similar to drawing left handed. This is the same drawing with a different technique.
Golden acrylic on canvas. This is the second abstract I've attempted. It's not fully finished but it's looking pretty cool so far. I used the palette knife to create texture and metallic paints in my color mixes
I tried to catch my breath after all the running; I finally got to the bus stop. The wind was blowing vigorously, the rain clouds were approaching. It was a very typical spring morning.
this art work was made on a 24 x 30 canvas, the medium is water color and acrylic paint. come check out my website dcuellarart.weebly.com and im open to portrait commission, just shoot me a email or text.
Imagining a cover design for an imaginary self help book. Case in point. LOL. // Playing with text positioning - putting "out" outside of the cloud text bubble for literal applied meaning.
I wanted to do a piece that turns an insult into something more motivational. For context, to be called a strawberry is associated with being weak and sensitive, as strawberries are soft and easily bruised.
It may be a surprise, but I am only now reading 1st book on UFOs ( I have been mostly interested in aliens as fiction or in ttRPGs). I just learned about the Arecibo Message.
Frank Drake sent a message of 1679 bits to his fellow UFO friends and said that this was a mathematical message he wanted to send to the aliens. While not all cultures share language, we all share math.
To test if it was decode-able, he asked them to figure out what it meant with no other context. They failed.
So he sent it to more UFO friends. They failed, too.
So he put it in a decoder magazine and got exactly one correct answer from an electrician. 1679 is the product of two semi-prime numbers, which should get you to realize it’s a 23 *73 picture.
Bu needless to say if the interpretation rate was that low amongst earthlings, the hopes for alien communication seemed dim. Especially since the message will take 25K years to arrive.
But we do have C’therax and Friends’ take above – admittedly the DNA double helix (blue) does look like a butterflyish thing.
