I finally finished this piece for my Aunt. It was based on a goofy picture she sent me. I am pleased with the depth I achieved and can see improvements. I am not most experienced with portraits or anatomy/characters.
I keep coming back to this Vice headline I saw and took a screenshot of this time last week, which inspired the title of this piece. Seems like a relevant metaphor to me (and others I know) for so many reasons right now! Thankfully nothing too traumatic in my case...
So I wanted to pay tribute to my amazing friends who get me through each and every day. Most of them don’t know I did this, they are more cartoony versions of each person. I love them so much.
A bit of a departure from my usual style. I wanted to try something a bit messy, fast, and loose. The scene is an ancient woodland in Pembrokeshire called Tŷ Canol, an atmospheric place and full of inspiration for artworks. Pen and watercolour in Seawhite sketchbook.
A suit I designed for a fantasy SWAT (TSWATT, or the Taured Special Weapons And Tactics Team). They have wings which can fold into themselves, so far that they cannot be seen unless you look behind the back. They have special long fall boots (sort of like the ones from Portal) that allow them to fall from great heights. They have special glass goggles that act as sort of a VR set, in which they can see through smoke and walls if the area they are in is mapped out. The little orange thing on their chest records everything they witness. Drawn with FireAlpaca.
I am a professional Healer, and I believe in stepping up to shed our past, so that we can become the best version of ourselves. Then we're happier, and those around us become happier - the ripple effect is both needed and profound! I love drawing in my orange sketchbook that my hubby bought me.
Part of a tattoo project on going to build on a portfolio. Also art therapy in the later night owl hours when the mind wants to sketch but not to think :) A perfect subject here reflects that balance and time of peace
My painting professor drew this diagram on the board and suggested that it is a diagram for a painting. "Begin with large areas, covering the canvas with general colors and shapes. Refine the shapes and begin adding details. Refine the details and work with smaller brushes. When you are adding marks that your viewers would not notice, be done." There is more, but that is enough to ponder for now.
A cute bonsai character with a fierce expression holds two swords, wearing an orange martial arts outfit and a headband with a red symbol. Its head is stylized as a bonsai tree, with vibrant green foliage, set against a dynamic red background and the words "BANZAI BONSAI!" above.
A vibrant scene depicts bright blue water flowing through a lush, green landscape, with a small waterfall cascading down the center. The surroundings include dense foliage and a floating patch of grass in the water.
He stares at the small square black device. The red led in it keeps blinking simultaneously with the beep and, except for one small button, Neal sees no other modules.
“…This is weird,” he says aloud.
When Satchmo makes another louder puff, Neal decides to go ahead with his friend’s advice and press the button.
I really struggle with the sumo wrestler pose. Difficult perspective and proportion as the body should lean forward. Difficult volume as a sumo wrestler is some kind of maximal volume of a body. Difficult balance in crouch position.
I had so much fun drawing the concept art for the Liz Cat's crew, that I decided to make all the other Altitone animatronics (including a smaller Dellusion) as these more kid-friendly designs! They aren't quite canon, though, because the real Liz Cat's cast only had five animatronics: Elizabeth, Preistor, Altor, Lexibo, and Dexter. Drawn with FireAlpaca.
