This is the finished drawing. It took me about 6 hours over the course of two days. I decided to just lightly shade the background so my finger prints didn’t show so much. I was afraid that going darker would make the horse blend in too much. I’m happy with how it turned out! Done in charcoal, marker, colored pencil, and pencils.
I decided to do this piece because one of my friends argued that bits aren’t invasive and horses enjoy the clear commands. I ride in a bit so if you are a rider and you use bits I’m in no way attacking you. I merely wanted to express that bits are painful and invasive to horses and how important it is to keep light hands and only pull on the reins when necessary.
Behind the Russian Church there is an abyss.
The moss and the rubbish are slippery and jagged old tins glitter at the bottom. For hundreds of years they have piled up higher and higher against a long dark-red house without windows. The red house crawls round the rock and it is very significant that it has no windows. Behind the house is the harbour, a silent harbour with no boats in it. The little wooden door in the rock below the church is always locked.
Hold your breath when you run past it, I told Poyu. Otherwise Putrefaction will come out and catch you. Poyu always has a cold. He can play the piano and holds his hands in front of him as if he were afraid of being attacked or was apologizing to someone. I always scare him and he follows me because he wants to be scared.
- Sculptor's Daughter by Tove Jansson
#dailydrawing #tovejansson
Father's (https://www.doodleaddicts.com/uploads/68546/cosmic-horror/) crooked hand, with six fingers (one looks like a fang) of different weird lengths (because He doesn't understand human anatomy well), holding a Gotham snow globe. And of course, the eyes. He loves eyes.
I have been making a lot of thank you cards lately and I thought I’d share. Haven’t had a ton of experience with watercolor lately, but I find the best way to get back into using a medium is using it on small projects and gradually working up to bigger pieces.
The Edge of Night
We are living in the days on the edge of night
You can see the darkness swallowing up the light
As the world of man accepts wrong for right
Time is short, and it is foolish to waste it
By debating with skeptics that faith in God is intellectually
bright
We are living in the days on the edge of night
The enemy’s delusion is thick
So, walk by faith and not by sight
Don’t lie around sunbathing in the light
We must pick up the banner of Christ
And work as long as there is light!
(January 23, 1994)
First attempt at overlapping my original drawing digitally. It's not perfect by any means, but I'm happy with the results considering I only used my finger to draw lines and add detail, colour etc on my phone
I’m getting ready to do a really big drawing of a full horse for a friend so I’m just practicing the muscles and legs in little sketches. If you see anything I should change, I would love feedback.
I would like to place a red rose somewhere in the vicinity of the red circle. Should I make the background darker than the Friesian, lighter (grey-ish) than the Friesian, or keep it how it is? Any opinions/comments would be very helpful.
