Jon Snow’s faithful companion. In the beginning of the first few seasons, Ghost seem to come and go and Jon would wonder where he went! Like a ghost! Sometimes appearing outta nowhere! But Ghost stick with his master always and helped Jon’s friends like Sam and Tormund. *I have already completed the entire Inktober- you can check it out on my IG account: @dittofunkysketch123 :D
Being brave and having fun with colour; admittedly this took me quite some time. I'm a huge fan of the film District 9 and needed to pay tribute somehow, so here it is.
I’m coming out of another one of those periods where I’ve drew or doodled very little (all the other projects on the go until now!), but as always I got my mojo back in the nick of time, it seems. :)
Same old stuff here for now!
Last drawing of 2024 and looking forward to 2025!
Did you know 2025 is a rare, "square number year" since 45^2 == 2025. The last time this happened was in 1936 (i.e. 44 x 44 == 1936), and the next time it will happen will be 91 years from now in 2116 (i.e. 46 x 46 == 2116).
A more accurate version of a Bonnie mask; this time actually based off of a specific animatronic (classic Bonnie). It's empty this time. Drawn with FireAlpaca.
George Balanchine (1904–1983)
Balanchine liked to do his own laundry. “When I’m ironing, that’s when I do most of my work,” he once said. The choreographer rose early, before 6:00 A.M., made a pot of tea, and read a little or played a hand of Russian solitaire while he gathered his thoughts. Then he did his ironing for the day (he did his own washing too, in a portable machine in his Manhattan apartment) and, between 7:30 and 8:00, phoned his longtime assistant for a rundown of the day’s schedule.
- From Daily Rituals: How Artists Work by Mason Currey
“I like to do things certain ways and I disagree with everybody but I don't even want to argue.”
― George Balanchine
#dailyrituals #inktober #balanchine @masoncurrey
The boy calls his brother to view the Ship. It's cool cozy weather. He feels happy and excited to watch it sail. This one is my favorite painting. It's clean & minimal. Reminds me of a cool, cozy, clear sky and before a rain
Found this quote a few days back, and it really resonated with me. The message is clear that we really shouldn't wait for the "perfect moment" or spend too much time looking for the "easy way" as neither of these options truly exist, they are in effect excuses for not getting on and doing what needs to be done. in order to achieve our goals. If we are honest with ourselves "now" is always the best time, and doing rather than thinking about doing is the way forward. This is a mixed media artwork as the drawing of the girl has been reworked in Photoshop along with the wording and torn paper effect all being digital. Many thanks for looking !
Just love the concept that the little things we do can make a big difference to someone else. When I found out about 'Random Acts of Kindness Week' I thought, what a perfect time to... "TRY TO BE A RAINBOW IN SOMEONE'S CLOUD” —Maya Angelou
I was working on nighttime or dark themes and trying to get more contrast than the last piece I made. I wanted to also work on atmospheric perspective and depth with the clouds. Overall, I am pretty happy with the outcome. This is from a reference picture my husband took from our backyard. Painted with Rebelle 6 Pro.
I am an art teacher with a master’s degree—trained by brilliant professors who believed that art could do more than decorate walls. I offer safe spaces for teenagers to grow—nourishing soil where their imaginations can take root.
And yet… I am assigned to hallway duty.
This is compulsory education, after all.
So I sit—posted like a sentinel—watching young lives stream past.
“Get to class,” I say with a smile and a nudge.
The system wants attendance; I’m hungry for presence.
Armed not with a whistle or clipboard, but with a pen—
my scribble’s soft insurgency.
The hallway stretches out like a geometric hymn.
Columns and corners chant structure.
Teenagers swirl past—half-formed galaxies of limbs and laughter—
their orbits chaotic, their gravity pulling time forward.
I begin to draw.
Not their tardiness, but their motion.
A shoulder. A blur of sneakers.
A tilted head chasing freedom.
Feet flickering like seconds.
Each mark a pulse.
Each smudge a breath.
My paper becomes a seismograph of seeing—
trembling gently through the mundane.
This isn’t about making art for a frame or a feed.
It’s about refusing to leak away in the fluorescent hum of obligation.
It’s a quiet mutiny against the clock.
I do this on long car rides, too (passenger side, mind you).
Letting the lines grow wild, jagged, and unapologetic.
Not for polish—
but for presence.
This is how I remember I’m still alive.
Still growing.
Still watching.
Still choosing to see.
Because sometimes mental health looks like
a piece of scrap paper,
a moving pen,
and the simple, sacred act of
marking time with wonder.
Done 2022 with lead pencils on 11x17 strathmore drawingl paper. just wanted to draw some image with some story to it cuz usually my drawing do not look like it has stories. Original art is up for sale $60 USD (shipping fee will apply) email me jungmeister4@yahoo.com. This prequel, it is revealed that the Cârța Monastery was built somewhere in Romania by a duke centuries ago. Becoming obsessed with dark magic and Satanism, the Duke attempts to summon a demonic force from the catacombs only to be killed by the members of the Vatican who then sealed the rift with the Blood of Christ. Hundreds of years later, the monastery was bombed heavily during the events of World War II, releasing the same evil spirit from its imprisonment. The demon had since taken the form of a nun as a means of blending with the other nuns as well as to mock their faith. Throughout the years, nuns continuously prayed in communion to combat the evil, but in vain as the demonic entity walked freely around the monastery all nights, in the form of a nun to mock their faith.
In 1952, Valak had slain several of the nuns, leaving only two survivors. Sister Victoria, with a key in hand, commits suicide in order to prevent Valak from claiming her as a host. Sometime after her death, the Vatican tasks Burke and Sister Irene to investigate. Valak manipulates the characters throughout the film ranging from creating mass illusions with the ghosts of the slain nuns to weaken Sister Irene and tormenting Father Burke by taking the form of a young boy who had died from a botched exorcism at his hands. Valak then buries Father Burke alive before luring Sister Irene to become possessed. When the catacombs began to flood, Valak tries to strangle Sister Irene to death. While inspecting her for any vital signs, Sister Irene spits the Blood of Christ onto Valak, burning it severely. The rift is then resealed. However, this would prove to not be the end of the Demon Nun as when the group was leaving, Frenchie, a French Canadian otherwise known as Maurice is revealed to have an inverse cross branded on the back of his neck. This segues to the original Conjuring film during a lesson the Warrens were giving about demonic possession. Also I have my 2023 Wall calendar up for sale $19.95 with my artworks through Artwanted.com art community website. Click or copy / paste the link below and would be appreciated if you can support me on the calaneder. https://www.artwanted.com/artist.cfm?ArtID=115637&Tab=Calendar
I've been working on portraits so much that it's taken up most of my drawing time. I miss the simpler things like trees and mountains so today at lunch I drew this tree.
Commissioned portrait painting, really enjoyed doing this piece!!
Total work time: 12h
Original res: 3508 x 4544px
Strokes made: 29.558 more works at: www.Artstation.com/mauroliraart
