Started this with 4 or 5 random horizontal lines (drew with eyes closed). While free drawing, decided to add little eyes and faces etc. Undecided if I should color or not. Main thing is I had a lot of fun making this. (I have a bunch of time lapse videos of this spontaneous project).
Joey Diaz is a Cuban-American comedian who was on the Joe Rogan Podcast (for the 1000th time). Shown here smoking a blunt that created a cloud in the podcast studio. Always a fun face to draw.
I think Art is the only good thing came out of religion. Maybe centuries from now when science will only be the thing people believe in, we will finally appreaciate the art we've created out of religious competency.
At that time we are living out there in space because of the nuclear disaster we've made on earth making it inhabitable for us to live. Because somebody thought that his god is better than somebody else's.
So now revisiting after centuries, looking at the marvels our ancestors have created make us hope that always good things come out of bad things. We just have to search for it.
Another class assignment. We had to draw the Farnese Hercules' gratuitously muscled torso 4 times from different angles and with different light sources. We had thirty minute time limits. I thought I was going to lose my mind. Medium: Charcoal on newsprint. Time: 30 minutes x 4.
Tried drawing a mermaid yesterday because why not, as I always say… unfortunately my first few attempts looked like someone punished a toilet, so I nixed that idea until now. Third (I think) time lucky?
Daily drawing (#309) of the Joe Rogan Podcast of the 2020 democratic presidential candidate, Andrew Yang. Pencil drawing and colored in Procreate. (Time lapse animation of color being applied can be seen here; https://www.instagram.com/garybernardart)
I was supposed to be doing homework yesterday. I did not. Instead I drew fan art of random thought bunnies me and my friend wandered through. So...enjoy. Floofs cuddling and being grumpy. Medium: Procreate on iPad. Time: I have no idea, wasn't paying attention.
Sometimes wisdom comes in a joke,
and sometimes laughter carries truth.
Brian spoke like a sage,
Mike answered like a friend,
and together they held the room.
We draw to remember.
Not only the lines of faces,
but the presence of goodness,
the gift of voices that echo
long after the chairs are empty.
In “I Love Lamp,” Ty Patmore blends nostalgia, humor, and subtle unease into a surreal domestic scene where time, space, and memory feel slightly off-center. A lava lamp—softly glowing with drifting shapes—sits on a worn wooden table, acting as the sole beacon of warmth inside a room that is quietly falling apart. The wallpaper peels back to reveal fractured brick beneath, as if the structure itself is shedding its old skin.
A melting wall clock drips down the surface like time losing its grip, while a framed picture of a UFO drifting over pine trees hints that even the outside world may not be quite right. Every object bends reality just enough to make the viewer question whether this room is comforting… or unsettling.
An idea sitting around in my head for some time. It came out today as a sketch, but I still feel that I am not ready to draw this for real. Next time, maybe.
This one take some time, I am still trying to figure out how to not make the art "messy" but adding some thicker line did help with it! Thanks for reading this :D
Pencil with digital color. This is character development for a book + coloring book I'm working on. Reed is also my mascot for the time being. Patreon link to the project is in my profile.
"Nowhere Fast" is a compelling still life that blends mundane domesticity with surreal, slightly ominous undertones. The scene is anchored by a wooden table where a spilled glass, a pack of matches, and an ashtray with a smoldering cigarette suggest a moment of interrupted pause or quiet, long-term stagnation. Dominating the foreground is an oversized, weathered cigarette carton boldly labeled "WARNING", its subtle but unsettling presence hinting at a consumption that leads nowhere.
In the background, a vintage RCA television set displays a stylized amanita mushroom, a recurring symbolic motif that adds a layer of psychedelia and altered perception to the otherwise drab setting. The earthy, muted color palette and soft lighting create a feeling of weary introspection, capturing a sense of being perpetually stuck in a cycle. The piece masterfully uses everyday objects to explore themes of vice, time, and the quiet, slow march toward an uncertain destination.
Another little fox drawing. I loved the reference picture and wanted draw a smiling fox. Even was the first time I tried to draw the nice fure... red, orange, yellow, brown, mahogany makes the wonderful red fure which I do love.
This painting is a technique I enjoy mostly because I see figures in the ordinary and draw them out from what I see in abstract backgrounds I paint. In it you see a group of people enjoying time together. I used Acrylics on Aquaboard, a surface especially made for many layers of wet media.
She is screaming.
You just can’t hear her.
Cinch tighter.
The paper crumples.
She takes up less space.
Sometimes, silencing is just making someone smaller.
