This week has been dedicated mainly to creating a birthday gift for my other coach (Happy 31st B-day!!). I won't ramble on for too long, but I'm so extremely lucky to have him as a coach and in my life. I can't thank him enough for all the times he's caught me/saved me from wiping out, and for being someone I can genuinely trust. Thank you to him for making the gym a safe space for me, and for letting me open up. Anyway, I really enjoyed making this, though I can't deny I got stuck (idea wise) at one point.
Colored pencil drawing on bristol of a golden pothos clipping in a glass of water. Visit https://youtu.be/5MZRA0jmGD4 for a time lapse video of the making of the drawing.
Hibernation time has definitely come to an end on this part of the globe. It is now time to eat the world and so this one decided to bring himself to life and cast some magick around. Drawings are a very powerful tool for that. This is the first bear that I have ever created on paper and I don't know much about why he came out like this but I'm sure that he knows very well all about that. He is the sigil and I trust his eyes
I have a little Moleskine (3.5 x 5.5) notebook that I only draw skulls in. I started in November of 2013 and I do one whenever the urge strikes me. It's not like a skull-a-day thing but sometimes I do get into a period where I will draw one every day for a while then I won't draw any for months. I even lost it for a while and was very sad. I think the longest gap between pages has been a year. This is the most recent skull, drawn on 05.28.2018. Most of them are posted on my Instagram but you have to scroll back a ways to get at the bulk of them.
At first I planned on keeping this drawing realistic. But over a week ago I learned that a dear friend lost their sibling in an accident. Then this past weekend I worked on a small project that really struck a chord with me. I helped a friend and her son record a song she dedicated to her father, who had recently passed away as well. They sang "Let it Be" by the Beatles. There was so much emotion in the air. And for the first time ever I was brought to tears after I mixed a song. For the rest of the weekend I thought about my family a LOT. Especially my Parents. They've done so fucking much for me and my brother. It sucks that, only as an adult, I realized that every fiber of who I am, and where I am now is due to their love, support, and sacrifice. This piece goes out to the people you can count on. They're there for you no matter what the cost... No matter the pain, even if it's literally killing them. It's Purely out of Love and they wouldn't have it any other way❤️.
"Man on the Train: Hey, are you a dreamer?
Wiley: Yeah.
Man on the Train: I haven’t seen too many around lately. Things have been tough lately for dreamers. They say dreaming is dead, no one does it anymore. It’s not dead it’s just that it’s been forgotten, removed from our language. Nobody teaches it so nobody knows it exists. The dreamer is banished to obscurity. Well, I’m trying to change all that, and I hope you are too. By dreaming, every day. Dreaming with our hands and dreaming with our minds. Our planet is facing the greatest problems it’s ever faced, ever. So whatever you do, don’t be bored, this is absolutely the most exciting time we could have possibly hoped to be alive. And things are just starting" - waking life (movie).
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So the other day I had a beautiful conversation about lucid dreaming with some friends. We shared amazing dream memories that we all had experienced and right the next day this sleeping beauty started showing up on a piece of paper.
What about you, are you a dreamer? :)
♠️
Joseph Cornell (1903–1972)
Cornell worked nights at the kitchen table, sorting and assembling materials for his boxes. It was not easy going. Some nights he felt too fatigued from his day job to concentrate on his art and would sit up reading instead, switching on the oven for warmth. In the mornings, his quarrelsome mother would scold him about the mess he’d left at the kitchen table; without a proper workroom, Cornell was forced to store his growing collection of magazine clippings and dime-store baubles out in the garage.
In 1940 Cornell finally mustered the courage to quit his job and pursue his art full-time—and even then his habits changed little. He still worked nights at the kitchen table, while his mother and brother slept upstairs. In the late morning he would head downtown for breakfast at his local Bickford’s restaurant, often satisfying his sweet tooth with a Danish or a slice of pie (and lovingly cataloging these indulgences in his diary).
- From Daily Rituals: How Artists Work by Mason Currey
#dailyrituals #inktober #JosephCornell @masoncurrey
Recently I saw beautiful Van Gogh exhibition. I really enjoyed movement of his brush and vivid colours. It was more about energy and feelings than realistic details.
I am always gravitating towards realism and always want to spend more and more time perfecting paintings like they are never really finished so this time I decided to challenge myself not to do that.
A motif I having been enjoying in my sketchbooks lately but this time experimenting with positive and negative space. Watercolor and Posca pen in 8.25x11.75 Moleskine sketchbook.
This is the centre section of a cartoon I did back in my university days for the student newspaper. It was fun to do, but took a lot of time. I hope to put it into a collection of comics.
- Oil painting of a countryside of Vietnam. When observing, it is easy to see an image erected when people are working in the field, along with the early morning time, so it has created a beautiful picture. Each object in the picture has its own highlight, full of attractive looks. Although it is a picture of a simple landscape about people in the countryside, every little detail is meticulously painted by the author. This painting is owned by the author "Uilliam Potter". This picture was drawn and uploaded to show everyone the inherent beauty of a rural village, if you have the opportunity, come and feel it. Get the beauty here in the most realistic way.
- Please contact me via Email: williampotterowners@yahoo.com
Chromatography is used in chemistry to dissolve a mixture and place it into a "mobile phase," which allows the solvent to carry it and its components up the paper. It shows the layers, exposing deeper, hidden tones and colors, something only seen when a solvent of the same polarity is used. It's odd. Life feels a bit like that, and I'm seeing the colors separate for the first time. It's all there, everything that's been hidden in the inky mess for the past however many years. And now it's smeared. Bold. Clear. But blurry. What's on me and what's on you? Where do we go from here?
I suppose this was just a tester/practice piece? My first actual still life from observation and my first time actually using charcoal (yes, I've never truly used charcoal before. Charcoal and pastels are two things I avoid. Their looseness and freeness scare me, considering how rigid I can be). Not sure how to feel about this one. I'm my worst critic, and I've known that for a long time now. There's a lot of practice and progress to be made, but it turned out half-way decent.
Here's the second pumpkin I carved (I did find the sketch, so I posted that in there too). Both carvings were really fun and very time consuming. I'm usually not good with 3D models or sculptures, but carving pumpkins seems to work out.
This is my first plant abstract in over six months because college takes up all my time during the school year now. This one was supposed to be more pastel, but the scanner washed out some of the lighter colors.
Ink and Watercolor sketch of octopus. Normally I start with a pencil outline, then go over it with micron pens. But I'm learning to skip the pencil step and just sketch with ink. I helps you not to overthink things. Once you lay the ink line down on the paper it's there to stay. You can't erase and there isn't an undo like you have when working digitally. You just have to work around any "mistakes" you make. I'm also working on sketching faster because I just don't have that much free time these days. Trying to produce a new sketch every day is a real challenge.
One of my Swirly Designs, illustrated with different tools such as Graphite, Aquarelle, Ink Pens and Ai & Tablet. Sometimes sheer Vectorillustration/design.
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Urh.-Nr:1811955
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Copyright by Carolina Matthes
UFO: A LOVE STORY from Stories for Nighttime and Some for the Day by Ben Loory.
"One night the two are parked down by the lake, when something comes floating in over the water. The something is round, pulsing, and bright. It hovers right over their car."
https://www.instagram.com/p/CgjsLi4Ou7u/?utm_source=ig_web_copy_link
