(Done on 110gsm acid free sketch paper. Trees,ducks,land dine with sankura micron pen. All the blurry things done with hints of hard charcoal pencil)
Serenity... the lighting outside seemed to be playful today due to misty weather. Hence this outcome.
I swear i didn't use any filter
We have finished the second season of The Witcher and I was inspired to make a composition with Cirilla. I have decided to take the visuals from the game where Ciri is already a grown up and became very strong. Behind her is Geralt who looks after her. I hope you like the story as much as I do! https://www.youtube.com/watch?v=m6cfNkwJY6k
Luisa was my favorite character in this beautiful, fun Disney animation. I drew this in Adobe Fresco in about 6 hours. Still learning the program and testing brushes. Be sure to check out the time-lapse of the drawing on my Instagram. Cheers!
I’m often asked about my Bic pen drawings and how I do them. It starts with a good foundational drawing, the ballpoint pen part is just trying to colour within the lines. I try to do my best to explain the process, but the best way to show my progress is by posting my efforts to master pen drawings over the span of 3 or so years. I have been doodling/drawing with ballpoint pens as far back as I can remember - they were cheap, readily available and always lying around the house. It wasn’t until I was bored during a particularly long team meeting-conference call (around 2016-17) that I started to think about the possibilities of ballpoint pens as serious portrait illustration tools. My first experiments with full colour ink portrait drawings were rather crude, but that’s the point of learning new techniques—as long as the curiosity and the love of drawing is there, you can transfer that skill and passion into any medium. Remember, the most exquisite drawings and paintings you see didn’t materialise fully formed, they started out as failed experiments. Failure after failure after failure. It’s important to remember this when you get discouraged (I've failed spectacularly over the years). The only difference between the accomplished artist and the beginner is hundreds of hours of practice. Talent can only get you so far. It’s the hard work that you do behind the scenes that makes your work look effortless. Keep doodling. Keep learning. Stay curious.
Mantid on a rose bud was done on Strathmore Bristol with Derwent Graphitint (tinted graphite) pencils. I love these insects and they are all over the rose bushes this time of year. I tried to capture her natural grace and beauty as she stepped down from her rose bud perch while eyeing her prey.
This is a new take on my old original character back from the 2018! Loved trying the new color palette, hope you'll like it too! :) https://www.youtube.com/watch?v=4IYqCL7IBt8
A silly watercolor sketch, I know, but there's a lot tied to this little thing. There are so many bittersweet feelings lately. I tend to avoid putting a numerical value to time, I don't like the count-down aspect to things, especially knowing how obsessive I can be with that. It allows me to live in some semblance of ignorance (they say ignorance is pure bliss). There's a lot of tip-toeing around what I want to say and what I'm afraid to say, or even what I'd love to explore and embrace and simply afraid to. It's something I'm not used to. It's taken me quite a while to finally sit with certain things, or even acknowledge them, and it feels like there's so much more I'm now realizing. It's odd to be so frank to some and worried that others may find out. There's a lot of shifting again, goodbyes coming soon, complicated feelings and situations.
I wanted to challenge myself with a different type of drawing without spending too much time on it. I am pretty satisfied with the results. It came out looking a lot more disgusting than I intended but it still works. lol Done in Graphite and Watercolor.
