Galacons are these giant space robots, and there's two variants. The Solar Galas are much larger and thinner, and sport huge solar sails like frills along their necks and tails, a few even have sails on their long limbs, somewhat like wings. The Solar Galas are surprisingly passive, despite hosting hundreds of concealed turrets (some with EMP missiles), blue/white laser flames from their mouth cannon, and smaller lasers from the lights down their body and limbs. The Solar Galas can hold fleets of cruisers in their chest-like docking bay, and smaller ships down the rest of its body to the hips. Solar Galas are still dangerous though, as their diet consists of metallic asteroids, and small ships can be mistaken as food. Magma Galas (not featured in drawing) are much more bulky, sporting massive drills on either side of the head, as well as drills instead of front claws. They also have much larger and more powerful lower jaws, also used to tear through planets to eat the cores. Though they're much smaller, most have huge tails to store lava/magma, and most can spew superheated laser-like blasts of white magma from their mouths and tails. Magma Galas also have extremely tough armor all down their body, the largest having plates nearly 80 miles thick. They are hyper aggressive until they find a planet to bore into and slowly devour, however if attacked while feeding they won't hesitate to vaporize their enemy.
I've been exploring these great coloured pencils, Lyra Polycolor, ans I'm loving it! They are buttery and so vivid on my moleskine sketchbook. These drawings are inspired by the trending tattoo designs. I'm thinking of creating some for an old tattoo cover-up too..
NNick Seluk, a cartoonist, authored and illustrated The Awkward Yeti and all of its work. He is well-known for creating the New York Times Bestselling series: Heart and Brain.
The DODOSAURUS lived during the late Triassic period when dinosaurs ruled the earth with the average brain size of a peanut. This peaceful carnivore spent most its time roaming the desert lands of what is now South America hunting mice and various rodents. It wasn't until the reptile was discovered by early prehistoric humans that this majestic creature became a valuable and easily hunted food source until it was eventually hunted to extinction. ☠☠☠
RIP Dodosaurus
It's definitely been a bit since I've posted, sorry about that, things have gotten very chaotic very quickly. I'm officially less than a month out from graduation (the finish line is almost here!), which also means it's time for my teachers to cram in projects. Other than that, I'm happy to say I received two official art commissions! I'm hoping to get something set up to hopefully begin selling some pieces, but, for now, I'll have some pieces in a gallery soon. Things, things, things, and Tony's face. Part of a larger project, hopefully to be completed soon.
this is the powerful mantra that I Kanaiyah Ward drew out in block letters and it states that I am rising every day. and I'm conquering my fears, too. how true! I used just a pencil and a little bit of pen. Thank You for believing, liking, and supporting me!!!!! @tigger
Another Korra fanart I did in 2014. The artwork is quite messy because it was more of a quick doodle rather than a proper drawing. And there are some anatomy "bugs" that I didn't fix. Anyways, I hope Korra fans can enjoy this piece. Really wanted to convey her character through the colors, face expression and pose. I hope I managed, even if a tiny bit. (Deviantart had taken this drawing down back in 2014 because I didn't put some nudity/NSFW flags, but I wonder how do I put these flags on this website? Hmmmm?)
This artwork was supposed to be a self portrait but it quickly turned into a more charming, awesome stylized portrait (not mine, obviously). This piece has a color scheme similar to midnight gospel and katana zero (video game), I have added the blue and pink color shades to make it a little bit interesting. To make things better, it would be very helpful if you could share your feedback or comment with me. Thanks. . . . . . .
