This is my friend's Magic-User character in a Basic/Expert Dungeons & Dragons game I'm currently playing (it's the version of the game from 1981). His name is Ulemataz! In this world, he's from a country called Argos that is a combination of ancient Greece and Babylon. HIs magic missile spell is "suppose to be cone shaped objects like Bugles chips" :D
cardboard 100x70 cm.
There are reasons I don't want to explain to you, and for which I will tell you this story. Suffice it to say that the kind of information that will read you is not for everyone's ears, I believe you will not use it for bad purposes. In case of misuse, you will be badly beaten.
I belong to the genus Woody Puppets, quite numerous in the Magic Valley. I was born in Puppetcity, from my father a traditional medicine doctor (herbal and energy treatment) and my mother Major Readers of phenomena. I spent my childhood normal, shaping my body into the shape I wanted, like all dolls. Wandering aimlessly and observing the relation of thought - matter, it was my favorite pastime as a little doll. On one occasion I was helping my father collect herbs on the clearings around Puppetcity. My father (who didn't talk much) suddenly started talking about topics he didn't want to answer before and I remembered his words forever:
"My little one, there are inexhaustible energies that just need to be used, and a small number of beings are used with them for the simple reason that they do not believe in their existence or they give up too soon on the apprenticeship of invisible forces. Try to keep your body healthy and in good shape, moving regularly, because only a healthy body has a strong spirit. We are currently in a phase where our spirit is attached to the body and the body depends a lot on how much the spirit of growth. The rule is also true that the spirit influences the body in which it resides much, much more powerfully than many beings are aware of this fact. I will teach you how to strengthen and purify your body and spirit in an easy way with the power of Thoughts and exercises available to those who believe. Before using this knowledge, you will have to go through a period of Observation, similar to that of a blacksmith for one year only observing the hot iron and spreading the fire to the desired temperature. The master then gives it to him tongs and hammer in the hands. Previously, the apprentice would not have used the tool, find out a lot more about Grandma Jankica at lutakzvonko.blogspot.com
I reach the crossroad, look to the right, and then to the left. Couldn't tell which way to go, downtown had always got me confusing. I crossed the street, the light was red.
Shallow, emptiness, do you feel it, while watching your screen? A Serie of dark characters and different stories I'm working on. This is the first one.
Appropriationnisme ou le « Remake » Édouard Manet : le déjeuner sur l’herbe
Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre.
En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich.
Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse.
English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work.
As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich.
In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.
https://www.pierretomyleboucher.fr
Like I said getting a good likeness of someone in a portrait is a very tenuous grasp...I start out well...looks like them...hey I captured that...just a little off...Oh Crap! Still, I keep trying.
"Facade" depicts the duality between constructed appearance and natural image. The old woman manifests societal idealization of beauty within her headpiece, burdened by the intricacy. Aesthetically pleasing symbols around her echo the notions of her manifested identity. This facade subconsciously contributes to continuing superficial values.
