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Spearmint Chalk Spearmint Chalk
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John 7:24

English translation of John 7:24

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Spearmint Chalk Spearmint Chalk
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A Truth of Life

at some point, information becomes knowledge. at some point, knowledge becomes wisdom. at some point, wisdom become awareness. and so on and so forth. (my original illustration)

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Rae Rae
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SkekPsi Sketch

Sketch today, cleanup and color tomorrow? Translating Jim Henson's crazy detailed puppets from the Dark Crystal into what I feel would be an appropriate illustrative style for 2D was a lot of fun, and I might fiddle around more with it. Character is an OC Skeksis with the title of Therapist/Psychologist, so the little designs on his jacket are supposed to represent neuron synapses and the back... thing (which you can't see from this angle) would look like a brain.

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Spearmint Chalk Spearmint Chalk
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Lost In Translation

language is limited

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Enitsirhc Enitsirhc
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Grape Juice for Adults

Capturing the gradual process of turning grapes to wine in the form of color transition and solid-liquid state transition compositions

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Spearmint Chalk Spearmint Chalk
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Projects and Shadows

Tao Te Ching “A great nation is like a great man: When he makes a mistake, he realizes it. Having realized it, he admits it. Having admitted it, he corrects it. He considers those who point out his faults as his most benevolent teachers. He thinks of his enemy as the shadow that he himself casts.” ~~~~~~~ CIM Chapter 10 88 Children perceive terrifying ghosts and monsters and dragons, and they are terrified. Yet if they ask someone they trust for the real meaning of what they perceive and are willing to let their interpretations go in favor of reality, their fear goes with them. When a child is helped to translate his “ghost” into a curtain, his “monster” into a shadow, and his “dragon” into a dream, he is no longer afraid and laughs happily at his own fear. You, my children, are afraid of your brothers and of your Father and of yourselves. But you are merely deceived in them. Chapter 12 35 It is through these strange and shadowy figures that the insane relate to their insane world. For they see only those who remind them of these images, and it is to them that they relate. Thus do they communicate with those who are not there, and it is they who answer them, and no one hears their answer save him who called upon them, and he alone believes they answered him. Projection makes perception, and you cannot see beyond it. Again and again have men attacked each other because they saw in them a shadow figure in their own private world. And thus it is that you must attack yourself first, for what you attack is not in others. Its only reality is in your own mind, and by attacking others, you are literally attacking what is not there. 36 The delusional can be very destructive, for they do not recognize that they have condemned themselves. They do not wish to die, yet they will not let condemnation go. And so they separate into their private worlds, where everything is disordered and where what is within appears to be without. Yet what is within they do not see, for the reality of their brothers they cannot see. 41 Vision depends on light, and you cannot see in darkness. Yet in the darkness in the private world of sleep, you see in dreams, although your eyes are closed. And it is here that what you see you made. But let the darkness go, and all you made you will no longer see, for sight of it depends upon denying vision. Yet from denying vision, it does not follow that you cannot see. But this is what denial does, for by it you accept insanity, believing you can make a private world and rule your own perceptions. Yet for this, light must be excluded. Dreams disappear when light has come and you can see.

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Stephen Stephen
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God Provides

God Provides Mural: acrylic paint on Stretched canvas. Size: H 30 “x 40” w 1” D In this mural I seek to illustrate How God through Jesus provide for the spiritual needs of humans. The first century fishing boat with its nets stretch out to dry on the shore, Jesus calls us to leave our old live behind and join Him on a new adventure. Just as he calls his disciples to leave their lives of fishing and join Him in bring people back to God. The illustration of a boy lunch in a desolate place, we are reminded that God know our physical as well spiritual needs. If we seek to put him first in our lives, He will take care of the rest. Jesus and Peter walking on the rage ocean, God call us to weather many great storms, to be able to participate in rescuing of the spiritually drawing. We always need to be reminded to keep our eye on Christ unless we become filled with fear and we become overwhelmed by our hostel environment and being to sink. Jesus on the cross, God knowing no sin, sent His son to be a sacrifice, the innocent trading place with a vile criminal to face a horrible death on the cross. We can all identify with Barabbas, for because of our sinful words and deeds, we ourselves are criminals before a Holy God. If we identify with Christ’s death, burial, and resurrection from the dead, for the payment of our transgression. This is the only way to be forgiven and washed clean of our sinful past. We have been given the holy spirit to enable us to turn from sin and walk in the newness of life through His word and spirit. The rock with ALPA and OMEGA and Irish flower carved in it: represent Our eternal God who existed in the eternal past and will exist in the enteral future. The rock with dove facing down, represent the coming of Holy Spirit who Jesus sent, after He went back to Heaven. He came to teach us all truth about spiritual things, about God, to give us understand of His words, and to strength our bodies, minds, spirits to enable us to do the will of God. The rock with fish symbol: Represents the sign first century Christian would draw on the ground to test a person to find out if they were a true follower of Christ or if they were a spy, trying to expose were the Christians met for church. So, the Roman could arrest and kill Christians. How the test was administered: The initiator would drawl half the body of the fish in the grown, then the person being evaluated, if they were a Christian would know to draw the second half of the fish. Written By Stephen J. Vattimo 1/18/2023

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Sneezy Sneezy
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VOLCANA

VOLCANA (MARVEL COMICS) DONE 2015. ORIGINAL ART WAS THROWN AWAY Marsha Rosenberg was born in Denver, Colorado. She was a day care center employee who, along with her friend Skeeter, was among the residents of Denver transported to the Beyonder's "Battleworld" during Marvel Comics' first Secret Wars limited series. Seeking power and respect, she and Skeeter agreed to serve Doctor Doom in exchange for super powers. Doctor Doom had learned how to operate a machine utilizing alien technology. He used it to grant Rosenberg the ability to transform into a molten lava form with powerful thermal energy blasts, hence her codename "Volcana". She allied herself with Doctor Doom and the criminal faction and battled the She-Hulk in a confrontation with the heroic faction.[1] During the series, she developed a relationship with the supervillain Molecule Man, Owen Reece.[2] She bargained with the Enchantress,[3] and then battled the Enchantress with the intent to renege on her bargain.[4] During the Secret Wars II limited series, Marsha was residing back on Earth with Owen Reece. They hosted the Beyonder upon his arrival on Earth.[5] She tricked the Molecule Man into challenging the Beyonder[6] and then participated in the defeat of the Beyonder.[7] Some time later she accompanied the Molecule Man and the Fantastic Four to the Beyonder's universe. She separated from the Molecule Man when he apparently became irrevocably merged into another "cosmic cube" along with the Beyonder. Unlike her friend Skeeter who became the supervillainess Titania, Marsha did some superhero work.[8] She battled the Wizard[9] and Moonstone.[10] Volcana assisted the Avengers in repairing the damage to the Earth's crust caused by the Beyonder.[11] Volcana later took a comatose Molecule Man to the army hospital. After Molecule Man recovered, he turned the tent they were in into a hot air balloon as Captain Marvel's hologram wanted to talk. Volcana destroyed the projection. Because of the Silver Surfer, Volcana and Molecule Man were redirected to the Avengers and the Fantastic Four. After a brief fight, Molecule Man and Volcana were allowed to return to their apartment in Denver.[12] Later, she was briefly reunited with a de-powered Molecule Man (who had mysteriously returned to Earth) and battled Klaw. It was at that time that she gained the ability to assume volcanic rock and volcanic ash forms. She subsequently discovered that, just before his supposed "death," Molecule Man had secretly "willed" her a portion of his reality-warping power, and it was this power that gave her the ability to manifest these other forms at critical times, just when she needed them. Once he regained his power from her, she found herself no longer able to tolerate the darker side of his personality. She terminated their relationship, although Molecule Man vowed to one day prove his full love to her.[13] After losing a lot of weight, Volcana attended the wedding of Absorbing Man and Titania. Marsha discovered that Molecule Man was also invited. When Volcana went to check up on Titania following the supervillain attendees' fight with She-Hulk, she encountered Crystal, and Hydro-Man arrived to help Volcana until Crystal was defeated by Molecule Man.[14] Molecule Man still pined for Volcana. He captured Doc Samson, and after a fight with Doc Samson and She-Hulk, Molecule Man escaped and used his powers to carve Volcana's face in Mount Rushmore. Marsha saw the news of this on TV but did not suspect that Molecule Man was who made it happen.[15] During the "Fear Itself" storyline, Titania commented how Volcana just came along for the ride back when Titania was brought to Battleworld as she tells Dr. Wooster at the Farnum Observational Facility in Upstate New York.[16] Nightwatch later hired Volcana and Titania to fight She-Hulk in order to keep her from getting the documents that would incriminate him. With the help of her secretary Angie Huang, her supernatural monkey Hei Hei, and Hellcat, She-Hulk was able to defeat them with Huang redirecting Volcana's fire attack back to Volcana enough to melt her.[17] Powers and abilities Marsha Rosenberg gained superhuman powers through genetic manipulation by highly advanced technology performed by Doctor Doom. As Volcana, she originally had the ability to convert her entire body into a plasma form, in which she blazes with white-hot intensity, at times setting aflame any surface beneath her. In her human form, the 6 ft 5 in (1.96 m)[citation needed] tall Marsha has long black hair, and often wears only her magenta-colored swimsuit; her clothing is manufactured from unstable molecules, thus it is not destroyed when she is in her plasma form. The alien technology that empowered her makes her powers totally undetectable when she is in human form. Her plasma form grants her superhuman durability and consists of highly charged particles which surround her in white-hot flame and is able to emit controlled bursts of thermal energy up to 40 ft (12 m).[citation needed] She later gained the ability to convert her body into a stone form, a volcanic rock (basalt)-like composition which still enables movement and grants her superhuman strength. She subsequently gained an ash form, a volcanic ash (pumice)-like composition whose configuration she can shift, shape and control at will. Volcana cannot make partial transformations; she can possess the attributes of only one of her forms at a time. Monitoring devices subcutaneously implanted by Doctor Doom can be triggered to stimulate the aggression centers of her brain.

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Tony Bothel Tony Bothel
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Padre Pio

It's one of Luisa's best buddies: Padre Pio! Now in color! Doesn't seeing Capuchin colors make you feel like having a cappuccino? Just make sure you have your coffee with milk in the morning here in Italy, otherwise you will scandalize all the Italians. lol. What can I say about Padre Pio, well he knew about the Divine Will and Luisa and he had the stigmata and mystical experiences and well he's just one cool dude that don't mess around. lol (I hope this translates well enough for the italians reading this, heh). #padrepio, #LuisaPiccarreta, #StPadrePio, #divinewill, #catholic, #christian, #saint, #franciscan, #capuchin, #StPio, #Stpius, #stigmata, #mystical, #Cappuccino

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Smiley Ball Smiley Ball
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I Doodled Myself! ( ಠ‿

Just a bunch of doodles I did of myself in Krita (yes, I’m a Trans Male but sometimes likes to wear feminine clothing) Also, I absolutely love Gothic Clothing

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weiweiwang weiweiwang
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LONELINESS AND SPACE

I chose to build on the liminality of the door and its status in the imagination as a link between two worlds or identities. In this section I am using the fibres of gloves to create different forms of hands and transparent boxes to represent the idea of space. Through my art I try to express the limited space in which I live, thus focusing on the sense of self that is to be achieved by isolating one's cognitive processes through dialogue with space. The relationship between solitude and space is a subjective process of self-consciousness that involves the absence of social attributes and interaction with others. In other words, it is a non-objective state of space in which the self can find expression. Loneliness therefore manifests itself in a reluctance to approach groups.

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Sabina Hahn Sabina Hahn
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Marie Curie.

Life is not easy for any of us. But what of that? We must have perseverance and above all confidence in ourselves. We must believe that we are gifted for something, and that this thing, at whatever cost, must be attained." Marie Curie From a prompt for Transmundane Tuesdays by Carson Ellis.

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Mariana H Mariana H
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Old Toronto Streetcar

I love doodling Toronto transit

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Dylan G. Dylan G.
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Hot Rod

A quick digital sketch of Hot Rod from Transformers. Check out more of my artwork on sykografix.com.

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Richy Richy
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Pokémon Red and Green Sweater

A Pokémon sweater I drew a while ago. It represents Japanese Pokémon Red and Green. I drew a static-head wearing a smiliar sweater, which is inspired from this. The Japanese text translates to "Monster". Drawn with FireAlpaca.

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Stephen Stephen
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Fed by a Miracle of Compassion

Fed by a Miracle of Compassion Medium: Acrylic on canvas Size: 11”x14” Year: 2019 Artist: Stephen J. Vattimo Matthew 14:13-21 New American Standard Bible (NASB) Five Thousand Fed 13 Now when Jesus heard about John, He withdrew from there in a boat to a secluded place by Himself; and when the [a]people heard of this, they followed Him on foot from the cities. 14 When He went [b]ashore, He saw a large crowd, and felt compassion for them and healed their sick. 15 When it was evening, the disciples came to Him and said, “This place is desolate and the hour is already [c]late; so send the crowds away, that they may go into the villages and buy food for themselves.” 16 But Jesus said to them, “They do not need to go away; you give them something to eat!” 17 They *said to Him, “We have here only five loaves and two fish.” 18 And He said, “Bring them here to Me.” 19 Ordering the [d]people to [e]sit down on the grass, He took the five loaves and the two fish, and looking up toward heaven, He blessed the food, and breaking the loaves He gave them to the disciples, and the disciples gave them to the crowds, 20 and they all ate and were satisfied. They picked up what was left over of the broken pieces, twelve full baskets. 21 There were about five thousand men who ate, besides women and children. This illustration is part of a mural about the ministry of Jesus of Nazareth. The mural consists 9 images that depict the Miracles of Compassion Christ worked that are recorded in the Bible and He continues to perform in the world today. Understanding the symbolism in the painting. The basket of to fish and bread sits in the grass; Jesus had instructed His disciples to have the people sit down in the grass. Dead grass: the event took place in a desolate place. Historical and cultural illustration. Basket design: In the first century in the middle east people traveled on foot and when on a long journey they carried food with them. The common lunch pal during this time period was most likely a small wicker style basket with a removable lid, and a leather strap attached to it. So, a person can sling it across their shoulder for comfortable transportation. The basket would most likely be lined with a cloth wrap around the food to protect it from dust and bugs. The fish and bread: In John 6:1-15 which mentions the same event, tell us the 2 fish and five loaves of bread belong to boy, so most likely his meal was that of a poor person. The common fish that was eaten by the poor in this region and time period, were sardines. The five loaves of bread: Were most likely a type of flat bread which is commonly consumed by middle eastern people. The Bible verse that best communicates the message of this illustration is: Matthew 6:25-33 New American Standard Bible (NASB) The Cure for Anxiety 25 “For this reason I say to you, [n]do not be worried about your [o]life, as to what you will eat or what you will drink; nor for your body, as to what you will put on. Is not life more than food, and the body more than clothing? 26 Look at the birds of the [p]air, that they do not sow, nor reap nor gather into barns, and yet your heavenly Father feeds them. Are you not worth much more than they? 27 And who of you by being worried can add a single [q]hour to his [r]life? 28 And why are you worried about clothing? Observe how the lilies of the field grow; they do not toil nor do they spin, 29 yet I say to you that not even Solomon in all his glory clothed himself like one of these. 30 But if God so clothes the grass of the field, which is alive today and tomorrow is thrown into the furnace, will He not much more clothe you? You of little faith! 31 Do not worry then, saying, ‘What will we eat?’ or ‘What will we drink?’ or ‘What will we wear for clothing?’ 32 For the Gentiles eagerly seek all these things; for your heavenly Father knows that you need all these things. 33 But [s]seek first [t]His kingdom and His righteousness, and all these things will be [u]added to you. Written by Stephen J. Vattimo 3/25/2019

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Beresford Beresford
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Industrial Art Project

What was created? A concept exerciser (aka: homemade workout machine) made mostly out of wood components, that was a contraption full of hinges, pulleys, weights, and grips (see pin 1). With my system, a person could perform both the butterfly and lat pull down exercises and transition between them with minimal effort. The unit stood about 8 feet tall and was about 6 ft wide when the butterfly arms were connected to it. Why was it created? I have always been fascinated with weight training machine design. I had a bench press weight set at home that did not come with a butterfly attachment, so I decided to make one of my own. I was able to get a steady supply of material (scrap wood) from a local source and constructed a workout routine by stacking columns of weight (instead of accumulating weight plates) in a moving grid generating even or uneven resistance (see pin 3). I also consider what I made could be a benefit to others since it does: (1) represent an extension of DIY culture (i.e. advancing individual knowledge, learning new skills, and the feeling of satisfaction that comes from building from your own ideas), (2) how to apply simple machine principles (i.e. pulleys, leverage, changing the direction or amount of force, etc.) in making a project and, (3) promote woodworking (which allows a person to be creative and is a wonderful medium for artistic expression). What makes it special? What makes my work distinctive concerns the butterfly arms and the weight container. Butterfly Attachment The butterfly attachment arms can be quick disconnected and re-mounted easily. The jackknife motion that the butterfly arms travel in as they flex forward and return to their starting position is an original conception. Weight Grid (see pin 3) Unlike traditional stacked weight plate machines, a person is allowed to make a variety of pattern configurations on the grid (X,□, /,\, —, etc.) by using cup shaped ballast inserts (up to 24) that changes the amount of force a user exerts for each repetition (see figure 2). An individual can position the weights in organized horizontal/vertical patterns or treat them more as random objects in the load basket. In their current form my system’s weight supplements are ½ pound each (about 2 ¾ inches long and 1 14/16 inches in diameter): making them easy to manage. If solid roll stock were used in their construction, they would be estimated to weigh 2 ½ to 2 ¾ pounds (see pin 2). When not in use, weights can be placed in the grid case for compact storage. As a point of fact, the sight holes cut into the drop tubes were drilled by hand with a fixture and not with the use of a drill press. At one point, I contemplated that one could focus on certain muscle groups in the upper body by placing inserts on the weight grid in particular patterns (X,□, /,\, —, etc.). This may have been beneficial for those in need of rehabilitation (through segregation of muscle areas that needed treatment) in such disciplines as Kinesiology or Physical Therapy. What was learned creating it? I learned how much ideas on paper can change drastically when fabricated physically. I learned how challenging it was to develop removable butterfly arms that hang and pivot in mid air. The exerciser’s weight box glides up and down on a vertical guide. I researched various ways of how to make that move while keeping the friction between the connectors on the weight box and the track surface it to a minimum. This was in order to make the climb and drop motion as fluid and controlled as possible. I considered using various sprays, waxes, greases, lacquers, covers, wheels, and even ball bearings to accomplish that. I ended up sanding the inside of the track extensively and then mounted small furniture mover inserts to the weight box on its four corners for a successful connection. Therefore, I learned here how important considering a variety of ideas provides solution to a problem. If I were to start over and do things again? I probably would have done some more background research in the areas of Fluid Dynamics or Biomechanics. I figure, if I had consulted with people in those areas, the time it took to design and redesign the overall unit as well as the weight box might not have taken about 3 years to fully complete. Miscellaneous In the back the machine was a counterweight of tube sand (60 lbs.). Without that, the whole thing would have toppled forward when trying to use it. Thank you for your time. Best Regards. Matthew Link: https://www.pinterest.com/meb206/industrial-art-project/

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erik cheung erik cheung
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Snail

transferred to glass!

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Bre Clemons Bre Clemons
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Rebirth

Beautiful African goddess relaxing under a tree blooming and glowing with gifts of transformation and growth

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Lone Stag Lone Stag
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Pierre-Emerick Aubameyang

Progression 2 of 6. Spent some time here in the hair, beard, and eye. The transition in the hair from light to dark was done mainly by not adding in graphite in heavy amounts and using the pencil eraser to define the hair.

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Stephanie Palmer Stephanie Palmer
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Mysc

Just playing around with her design. Her face has a habit of changing and I think it may have something to do with the different style - I don't translate it very well.

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Jamila Jones Jamila Jones
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150 Hurdles, Start-Finish (Nov. 2015)

The inspiration for this collection came from a conversation I had with the Founder and Executive Director of the Underprivileged And Underserved Foundation (UAUF), George Goodwine. While discussing race and whether or not every opportunity was fair based upon someone’s familial structure or “starting line,” I was asked the following questions. How does someone overcome these hurdles? How can the playing field be leveled to make things fairer, when others may only have 50 hurdles to overcome in the same competition? My response was simple. “The person in front of 150 hurdles has two choices. They can either get discouraged before they begin, or start jumping. In the midst of the race they might get tired, unsure, or discouraged, but if they press on to the finish line they may become more physically fit than the person who jumps over 50.” I used to dance ballet and at the time, there were a lot of hurdles I had to overcome solely based upon inconveniences that came with being raised in low-income, single parent home. Above are pencil sketches and sharpie drawings that I have drawn from actual photos. I plan on making these images my own by adding more abstraction and vibrant color to them. Over the course of the project, stay tuned to see how these pictures will transform into a work of ART!!! Check out my artwork at theservingartist.com

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Kari Lynn Burk Kari Lynn Burk
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food truck (translated-bread machine)

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L K M L K M
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Pencil to Pen

transitioning from pencil to pen

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Karl Dupéré-Richer Karl Dupéré-Richer
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French puns

Those puns couldn't be translate!

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Robin Robin
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Untitled

Little drawings with the theme of transportation.

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Tony D Tony D
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Untitled

Used to be the local bank, but now transformed into a trendy hairdressers.

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Bleu Hope Bleu Hope Plus Member
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“飛脚”, April 2020.

“Hikyaku - literally "fleet feet" or "flying feet." These running messengers played a critical role in delivering items and messages, given that in Japan's mountainous terrain, other modes of transportation, like horses or carriages, weren't very practical.”

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Hua vi van Hua vi van
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Top Companies to Recover Lost Cryptocurrency: The Best Crypto Asset Recovery Service Providers  

  ZEUS CRYPTO RECOVERY SERVICES offers professional assistance for the recovery of lost, stolen, or unreachable bitcoin. They identify digital assets, restore wallet access, and support scam victims using sophisticated blockchain analytics and safe forensic techniques. For the most challenging crypto recovery instances, ZEUS provides dependable solutions with a focus on speed, transparency, and confidentiality. Go To Their Website: zeusrecoveryservices. c o m  WhatsApp: +44 784 19000 82  Mail-Box to: support @ zeusrecoveryservices.c o m

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kingsleybiuro kingsleybiuro
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Bitcoin Recovery Expert To Recover Lost or Stolen Coins: Hire Trace Hackers Crypto Recovery  ‪+447355702876‬

Bitcoin Recovery Expert To Recover Lost or Stolen Coins: Hire Trace Hacker's Crypto Recovery ‪+447355702876‬ I never thought I’d be one of those people who fell for a crypto scam, Last year, I invested $268,000 into what I believed was a legitimate trading platform. It looked professional, had active “customer support,” and even showed daily profits on my dashboard.,But the moment I tried to withdraw, everything disappeared — the website, my login, and my money. I was devastated. After weeks of research and countless dead ends, I came across Trace Hacker's Crypto Recovery., From the very first call, they were transparent, professional, and incredibly patient. They explained how blockchain tracing works, what evidence they’d need from me, and what kind of results I could realistically expect. The process took several weeks, but they kept me updated at every step., They tracked the crypto transactions across multiple wallets, worked with legal partners overseas, and managed to recover a significant portion of $258,000 my funds. When I received confirmation that $258,000 had been successfully retrieved and returned to my account, I literally cried. What stood out most was their honesty — no fake guarantees, no empty promises, just expertise, persistence, and results. Trace Hacker's Crypto Recovery didn’t just recover my money; they restored my trust and peace of mind. If you’ve lost money in a crypto scam, don’t give up. There are real professionals who can help — and this team is proof of that. Reach out to their Info below Whatsapp : +4,4,7,3,5,5,7,0,2,8,7,6 Email:support @ tracehackerscryptorecovery. com Email: info @ tracehackerscryptorecovery. com Whatsapp: ‪+447355702876‬ Website:https://tracehackerscryptorecovery.com

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