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A page of comic for a conquest The story End of the project: human species. The simulation has been achieving unexpected outcomes. Was increased free thought and the doubts fade away. At that time, I recreate my own image. However, it's behaviours came with anomalies. We aren't. You can't run away from you. Dreams were unexisted memories. The likehood was that we're living an illusion. But, we change our view. I couldn't attain the freedom I looked for. Everything became real. Everything came down. Am I still dreaming?

An animatronic especially designed for a particular individual to climb into it, only for them to get impaled by a variety of steel bits. However, this particular individual was never captured, for their execution was performed only several days after the finishing of this product... so it sits, motionless, in the unused areas of Ringmaster's Pizza Hall. Drawn with FireAlpaca. (Why does this animatronic have eyes while the rest don't? Wouldn't you like to know, weather boy? (quote Jester during an interview.))

I've already made stylized Jester, so I figured I'd make stylized Dellusion, too. This one is a full body. I did a full body because I need to develop more as an artist, and part of that is to start drawing things I'm not entirely sure of. Like, legs, or perspective, like how his claw is bigger than the rest of his body because it is closer to the viewpoint. I had a lot of fun with this, though, and I hardly ever draw something so exaggerated. Anyways, Dellusion is a private vessel for a specific soul, who works alongside Jester. They both run the pizzaria, but Dellusion is more of the co-owner. Only Jester and Dellusion are sentient, because they're both sort of possesed. Drawn with FireAlpaca.

View of a treasured town park from access road looking upward.

Reverse view of fighter jet cockpit

#blackcappedchickadee Facts A bird almost universally considered “cute” thanks to its oversized round head, tiny body, and curiosity about everything, including humans. The chickadee’s black cap and bib; white cheeks; gray back, wings, and tail; and whitish underside with buffy sides are distinctive. Its habit of investigating people and everything else in its home territory, and quickness to discover bird feeders, make it one of the first birds most people learn. Want to know more check out this link https://www.allaboutbirds.org/guide/Black-capped_Chickadee/overview

TheStephen Vattimo 7 mins The Three Witnesses Acrylic on Canvas Size :48"x68" Year finished: 2004-14 This painting illustrates three witnesses who are taking part in the salvation of a homeless person. the figure in the background is angled, this imposed by them being Positioned on second-floor balconies, symbolizing they are not humans, they are a higher class of beings. To the left side of the painting a demon and to the right side an angel of God . the kingdoms they serve are identified by the breastplate emblems of their armor. The demon has a dragon head overlaid on a pentagram. The angle of God has a lions head overlaid on a cross. The demon face is partly hidden by a hood which represents deception, where in contrast the angle of God is wearing nothing on his head that hiders the view of his face., representing honest. Angel is always involved in the affairs of the human race. The demon is warring against man to turn their heart against God, and lead them to destruction. God's angel is always warring lead mankind to salvation through Jesus the Christ, and lead him away from the path of destruction that comes from sinful living. The ally way is representing three kingdoms, to the left, the kingdom o Hell. The center road, the kingdom of mankind. To the right side, the kingdom of Heaven. The path of these kingdoms is represented by the direction of stairs. To go the way of Hell is to take the stairs down to the sub-level door. To the go, the way of heaven is to take the fire escape upward. The lighting and the condition of the structures of the walls also identify the nature of the kingdoms they represent. The kingdom of Hell is represented by the dark and crumbling wall. Man's kingdom is represented by a boarded up windowed wall that is a dead end. Symbolizing that mankind only has two roads to chose from, there is no such thing as a third reality. The left side of the paint is a cardboard box and a newspaper floor which serve as a makeshift shelter for the homeless man. The turned over bottle reveals which devise he had that lead him to a life of living in the street. The tipped over trash can which spills its trash onto the light source that is lighting the alleyway, which is in the shape of a cross, represents mankind's sin which Jesus The Christ paid in full the debt which God demand for the payment for sin which is death. So that The guiltless took the place of the guilty, that by faith in this truth all will escape Hell and enter the Kingdom of God as children and heirs of The Highest God. The Homeless man, who is dirty,ill-clothed, cold, tired, hungry, hopeless, symbolizes the condition of Mankind outside a flourishing relationship with God. The Christian witness is better dressed implying he is walking with God, and his life is blessed through God provision. The witness is showing compassion and the love of Christ to this homeless man by wrapping his arm around the shoulder of the dirty smelly homeless man. He points the homeless man in the direction of the path that leads to salvation through faith in the work of Jesus The Christ which is His work on the Cross, receive Jesus as his Lord and Savior. That through a relationship with the Christ, He can receive the guidance, the strength, the willpower to leave his old life of being a drunkard and living in the street. Because in Christ old thing pass away, and all thing are made new. The light that falls on the Christian witness and the homeless man and opens up in the shape of the cross in the alleyway, comes from a heavenly source outside the picture. Written by Stephen J.Vatttimo June 16, 2014

Cefan Sidan is an immense sandy beach in Carmarthenshire. The site of several shipwrecks, with some to still be found in the sands, the beach stretches for miles. This view is in winter looking towards the Gower.

Llyn Mymbyr, Snowdonia. This view looking in the opposite direction to Snowdon. First time using a Uniball UB-150, but the paper allowed it to bleed somewhat so the lines were a little heavier than intended. I think it would benefit from better quality paper or a finer pen.

A cartographic representation of the experience of moving to a new city in a foreign land. This work, dubbed as 'Introspectionism', provides the viewer with a snapshot over time of the inner workings of the process of the strange becoming slowly more familiar and the foreign becoming Home.

This is a doodle of a number of old buildings in my city Zwolle. This was my view from my old studio.

Happy new week!

There’s a lot of waiting in life. Waiting in lobbies. Waiting on answers. Waiting for braces to tighten, kids to grow, hearts to heal, or prayers to be answered. I sat at the orthodontist, watching dollars tighten on tiny wires, and made this sketch. A tree. A house. A street. Color helped the moment breathe. I remember once hearing a chess master say, “There is no waiting in chess.” It confused me—wasn’t there always a turn to wait for? But he explained: “There’s no waiting. Only planning. Plotting. Analyzing. You’re always thinking.” I once repeated that to a FIDE master. He got mad. Maybe because waiting and patience aren’t the same thing. We can be still and deeply active inside. We can pause without being passive. And then there’s Lindsey’s voice in the back of my head: “That sounds like a first-world problem.” “Speak life.” “Be thankful. Rejoice always.” And she’s right. So here’s to filling waiting time with something creative. Something kind. Something that turns a delay into a doorway.

Wanted a fantasy comp but with a unique color palette and a modern subject. I also wanted the foreground to appear as a very distinct layer hoping the landscape appears downhill to the viewer. I used Barad-dûr as inspiration for the castle ruins.

This is the 2nd piece that I painted during my train journey. I painted this scene after getting mesmerised by the view from the train window. We just passed by a lake which had flowers on the riverbank. A group of girls ( students ) got excited when I showed some of my paintings. So I gifted one of them this (●'◡'●)

christmas ‘24 destination spent with my people - thankful for the few days of quality family time, endless memories made, the many many laughs, and the beautiful view we were blessed with from our airbnb! enjoy a little watercolor I did while there, a breathtaking view from the Ozarks!

the two friends love to go to a different place everyday to admire the beautiful view. what they enjoy most about their little ritual is, beeing together. wish you a beautiful day!:)

Post-job interview mindful drawing time!

I designed this house. It has a really pretty blue exterior, and it has a slight curve to it that gives it a more warm and inviting feel. I like how the walkway kind of curves into the stairs and transitions back into the walkway before arriving at the front door. I like that there’s plenty of yard space with some really nice landscaping. The birds can even come and get a birdbath. I thought that was really cute. I used the multicolored stones to add detail for a more distinguished look. The hedges are neatly cut in a square and follows along side of the house. Looking through those gorgeous windows you can see the house is fully furnished. There are some really pretty chandeliers in there that adds character. There’s a stairway that leads to another level of the house as well. I love how there’s a touch of yellow that highlights the points on the rooftop. Furthermore, the swing in the backyard adds an inviting feel to the scenery. Also, it’s a nice place to sit and enjoy the view.

30 minute sketch in tinted charcoal on toned black paper. This spider lives outside my window and I have the perfect view of her catching wasps all day.

Jesus And Peter On The Water Medium: Pen And Ink On sketch Book Paper Size: 12" X 18" Date Completed: 9/ 22/15 This study is for an upcoming paint about the life of Christ. The drawling it's self took about two week time of working on it off and on. The research stage took about two months. This study is attempt to capture spirit of being out on the water walking with Jesus during a storm on the sea of Galilee. I hope the viewer can feel Peter anxiety as he is sinking in to the lake as fierce storm drain peter faith in his ability to walk on water through the ability the lord gave him. I wanted to show how compassionate Jesus is to quickly crouch down to rescue peter from drawing and get him back to the safety of the boat with the rest of the disciples, which is outside of the illustration.. Some people feel that i should have Jesus feet visible above the water,so people don't get the notion that Jesus is sinking in the water too. But if I do that it would alter what it would really look like in the natural world ,because even if Jesus's feet were on top of the water this might not be visible to the viewer because the waves in front of Jesus might block the view of his feet. This illustration make think about the time we have all tried to do a task that the lord has call us to, but we have tried to accomplish the task depending on our own strength in stead of the strength of the holy Spirit. Then we Find our self sinking instead of making head way and we have to call on the Lord to rescue us and put us back on the right track. Written By Stephen J. Vattimo Sept 22,2015

Third person view

heading for safety (watercolour)

Unfortunately, I broke up and separated with my girlfriend prior to Christmas. If there is an upside, it is that moving by myself has led me going through old work I’d packed up in various boxes - not opened for years. This is just an abstract biro doodle (+ markers for colour) I doodled, while working in a stupid telephone interview job in my early 20s.

Title: Never Forget. A quick piece I made today. I wanted to go abstract so the viewer can put their own meaning into the piece, but each paint stroke I made I had September 11th in mind. Digitally painted with watercolor in Rebelle 5 on a simple white canvas and sent over to PS.

Another illustration for today!

My first foray into oil paints in 2017. This one is inspired by the view from the mountain pass (a road featured several times on Top Gear). Being new to the medium, I had a lot to learn about how it worked. I'm still not sure whether I'm happy with it or not, but I think it would be worth doing again now a few years down the line.

Drawing on paper Ink, marker, thanks for viewing my work.