Been developing in a way to free myself from external reference-based OC concepts, which was where I started from in drawing. In a way, exploring how I view characters from my own eyes. Here, is an example of drawing myself in two contrasting counterparts. Personal preferences are actually pretty simplistic by appearance.
Igor Stravinsky (1882–1971)
“I get up at about eight, do physical exercises, then work without a break from nine till one,” Stravinsky told an interviewer in 1924. Generally, three hours of composition were the most he could manage in a day, although he would do less demanding tasks—writing letters, copying scores, practicing the piano—in the afternoon.
Unless he was touring, Stravinsky worked on his compositions daily, with or without inspiration, he said. He required solitude for the task, and always closed the windows of his studio before he began: “I have never been able to compose unless sure that no one could hear me.” If he felt blocked, the composer might execute a brief headstand, which, he said, “rests the head and clears the brain.”
- From Daily Rituals: How Artists Work by Mason Currey
The background tries to represent the noise around in the environment and in the mind. Its a silhouette art which asks the viewer to stay quiet and find escape from noise.
This captivating ink drawing features a fantasy character standing still, deeply rooted to the earth and seamlessly merged with nature. Surrounded by a complex web of trees and plants, the figure embodies the essence of the natural world. In the background, a mesmerizing sunset casts a warm glow over abstract waves of clouds, creating a harmonious blend of light and shadow. This artwork symbolizes the profound connection between humanity and the environment, inviting viewers to reflect on the beauty of nature.
(Gel fineliner on A5 paper) This is a preview drawing before the Inktober2024 challenge starts. Not something I usually take part in, as I don't really need to, but I thought I'd have a bit of fun with it this year.
Detail of Hiroshige's Akasaka Kiribatake, from 100 Famous Views of Edo, 4th month of 1856.
I loved the foggy outlines of the leaves, the extreme foreground, the colors. And his skies! His skies are magical.
The exhibit at the Brooklyn Museum closes in 2 days on August 5. It is wonderful.
#museumsketching #hiroshige #sketch
for day 5 of Juneforest today it's ladybug's turn
For this day I decided to draw mico el micofono who is looking for someone to interview in a forest out of nowhere a ladybug approached him, and he decided to look at it for a while
Here’s a charcoal drawing of a design. Of course, I have a plethora of curvatures that range from narrow to wide in some areas. The curvatures are mirror images when comparing the left from the right. They come together to form the shape of a chandelier hanging from the ceiling. Some may even view the drawing as being similar to the pelvic area of a female. A dark blue is highlighted on the drawing to add more charm. Finally, the background is a lattice style with a light smear.
This study is for an upcoming painting about the life of Christ.
The drawing itself took about two weeks’ time of working on it off and on. The
research stage took about two months. This study is attempting to capture the spirit
of being out on the water, walking with Jesus during a storm on the sea of Galilee. I
hope the viewer can feel Peter’s anxiety as he is sinking into the lake as a fierce storm
drains Peter’s faith in his ability to walk on water through the ability the Lord gave
him. I wanted to show how compassionate Jesus is to quickly crouch down to rescue
Peter from drowning and get him back to the safety of the boat with the rest of the
disciples, which is outside of the illustration.
Some people feel that I should have Jesus’s feet visible above the water so people don’t
get the notion that Jesus is sinking in the water too. But if I’d done that, it would have
altered what it would really look like in the natural world, because even if Jesus’s feet
were on top of the water, this might not be visible to the viewer because the waves in
front of Jesus might block the view of his feet.
This illustration makes me think about trying to accomplish a task that the Lord has
called us to do by depending on our own strength instead of the strength of the Holy
Spirit. Then we find ourselves sinking instead of making headway, and we must call
on the Lord to rescue us and put us back on the right track.
(September 22, 2015
This portrait was created using mixed media like colored pencils, markers, and ink. The portrait features the face of a man resting in his hand, and staring dead-eyed at the viewer. I used non local color techniques to create depth and form using colors not typically found in the human face, like blues and violets for shadows and yellows and oranges or highlights. Parts of his face include small pink stars which originally faded from the previous page, but I really like the look it gives, they almost look like celestial freckles.
The idea is to show a figure crossing over two ` scripts’ with a bilingual suggestion. By standing in between worlds, we see opposing viewpoints.
Many artists have incorporated typography as symbols in their paintings since the 60s, but no one has attempted to approach lines in this `written’ manner. How different it is are the two writing styles of the East and the West; one with angular lines while the other in a smooth flow! This work juxtaposes the symbolism of cultures – script. At the same time, it questions the need to grasp the full meaning of the script to appreciate the aesthetic flow of calligraphic lines.
segments , steps, blindfolded, a difference of language between the body and something subtle , lack of movement.click -switch! the union of body and soul , the disappearance of the blindfold from the eyes and the flight between the immensely endless bright layers of fields .I am very curious about the sophisticated nature of things and phenomena: myself, people the Universe, I like to consider and feel them like a multi-layered cake, where each layer has its own history, worldview, and even its own temperature. I love to listen lectures of charismatic lovers of philosophy, design, music, human psychology and I enjoy the excitement it brings and the birth of new layers inside me. I rarely manage to silence my inner critic and for many years I have been learning how to be able to do it productively. I am still in the process though. I treat my life as a long voyage, changing directions and yes - sometimes those around me. I understand that even 24 hours a day is not enough and I definitely realize that my life today is much more colorful and interesting than when I was 20 years old.
Hey everyone! This is an interactive website I did for my BFA thesis this year. The piece explores the struggles I’ve faced as a black, lesbian woman. This piece features events that happened when I was in an unhealthy relationship in high school, from late-2016 to mid-2017. The work combines CSS, JavaScript, jQuery, and HTML with digitized images that I drew on paper, using black colored pencil. I'd really appreciate some feedback and critique for this work. It's best viewed on laptops or monitors, using Chrome or Microsoft edge. It does weird things with Safari. Thanks :). Here's the site link: https://artportfolio.bgsu.edu/~kiraw/
We just finished reviewing The Avengers for the holiday weekend... Captain America is a truly magnificent man. But you know who else is amazing? Chris Evans! He’s gonna be the voice of Buzz Lightyear this year, and we’re looking forward to it.
Ghost_Recursive, or just Ghost, is a character in my new story Metropolis Subatlantica. He's 94, has cybernetic implants, and can control many robots simultaneously with his powerful mind. He is a loner in life, but very influential online. Some view him as a prophet. He is usually found levitating in his quarters while jacked into the line.
This artwork started as a doodle. I love chaos & i love the freedom to meander endlessly w a pencil. However i also like 2 have a 'Conversation' w viewers. So to encourage this i often 'name' the doodle. Suddenly by defining the scribble it almost gives folks permission to comment & offer their perspective & input. Luckily i am not swayed either way w this conversation but i do love a forum for ideas & this usually turns into even more optimistic exercises allowing me to continue discovering the unknown & undrawn. Quite frankly i am lucky since i can draw & create any reality i choose... for me the visual possibilities r truly endless. Yep, Eternity is the limit.
https://www.webtoons.com/en/challenge/orki-n-friends-/granny-mayflower-part-2-/viewer?title_no=383303&episode_no=2 ,Yes, I mad e a webtoons comic, like, a really long time ago, its still there, because I regret nothing and shall never remove it . Click link for more
