vines

A botanical explosion to celebrate Mother Nature in all her floral glory! Drawn in pen and ink and really therapeutic to do!

Dragonflies, flowers, leaves and vines

#earth #environment #nature #plants #sustainability #green #globe #blueplanet #supportyourlocal #plant #planetearth #greenery #illustration #art #phrase #JoseloRochaArt #naturelover #plantlover #garden #gardening #botanical #aesthetic #botany #ecofriendly #gardener #greenthumb #earthy #sustainable #JoseloRochaArt

vines in blooms in retro-inspired colors

A feast of all things flora and fauna!

Chairs are more than wood or iron. They are metaphors, quiet keepers of what it means to be present. They wait, as Wendell Berry might say, for us to “make a place to sit down. Sit down. Be quiet.” I draw them because they embody the humblest love—affection, as Berry calls it, that “gives itself no airs.” In their stillness, chairs hold the weight of relationships, the churn of thought, the grace of silence. They are where we meet, where we linger, where we become. These three drawings are offerings—sketches of chairs that invite connection, reflection, and the slow work of being. Each is a small sacred place, as Berry reminds us, not desecrated by haste or distraction, but alive with possibility. Drawing 1: The Coffee Shop Chairs Two wooden chairs face each other across a small round table in a coffee shop, their grain worn smooth by years of elbows and whispered truths. The table is a circle, a shape that knows no hierarchy, only intimacy. These chairs are for relationships that dare to deepen—for friends who risk vulnerability, for lovers who speak in glances, for strangers who become less strange. They ask for eye contact, for mugs of coffee grown cold in the heat of conversation. Here, sentences begin, “I’ve always wanted to tell you…” or “What if we…” These chairs shun the clamor of screens, as Berry urges, and invite the “three-dimensioned life” of shared breath. They are the seats of courage, where presence weaves the delicate threads of togetherness. Drawing 2: The Sandwich Café Chairs In a sandwich café, two wooden chairs sit across a small square table, its edges sharp, its surface scarred by crumbs and time. These chairs are angled close, as if conspiring. They are for relationships of a different timbre—perhaps the quick catch-up of old friends, the tentative lunch of colleagues, or the parent and child navigating new distances. The square table speaks of structure, of boundaries, yet the chairs lean in, softening the angles. They wait for laughter that spills over plates, for silences that carry weight, for the small confessions that bind us. These are chairs for the work of relating, for the patience that “joins time to eternity,” as Berry writes. They ask us to stay, to listen, to let the ordinary become profound. Drawing 3: The Patio Chair A lone cast-iron chair rests on a patio, its arms open to the wild nearness of nature—grass creeping close, vines curling at its feet, the air heavy with dusk. This chair is not for dialogue but for solitude, for the slow processing of thought. It is the seat of the poet, the dreamer, the one who sits with what was said—or left unsaid. Here, ideas settle like sediment in a quiet stream; here, the heart sifts through joy or grief. As Berry advises, this chair accepts “what comes from silence,” offering a place to make sense of the world’s noise. Its iron roots it to the earth, unyielding yet tender, a throne for contemplation where one might “make a poem that does not disturb the silence from which it came.” This is the chair for becoming, for growing older, for meeting oneself. These three chairs—one for intimacy, one for the labor of connection, one for solitude—are a trinity of relation. They are not grand, but they are true. They hold space for the conversations that shape us, the silences that heal us, the thoughts that root us. They are, in Berry’s words, sacred places, made holy by the simple act of sitting down. My drawings are but traces of these places—postcards from moments where we might remember how to be with one another, or how to be alone. So, pull up a chair. Or three. Sit down. Be quiet. The world is waiting to soften.

A quick drawing of a plant in the garden.

bees + daisies + viness

8.5 X 11 cardstock

8.5 X 11 cardstock

8.5 X 11 cardstock

8.5 X 11 cardstock

18x24 watercolor paper, technical pen and probably pastel pencil or just regular pencil blended with a q-tip. This was done for a friend who owned a wine and spirits shop, so I guess it's a vine. Or a tree. Whichever....

It's starting to feel a little bit fall-like around here so I'm playing with some new colors.

The concept for this painting started as a design for a pumpkin carving contest. I felt the message of the design is so important for people to hear, I decided to make it into a painting. The original design, done in pen and ink. The design only shows the two doors of the entrance to a fortress. I tried to keep the design simple, because the carving event is both timed and live. You must create your masterpiece on the pumpkin they provide, on their location, Infront of live spectators. The evolution of the design? I added a wall on each side of the entrance, with matching pillars. Explaining the design of the pillars The triangle top: the triune God. Representing three persons of God: Father, Son, Holy Spirit. The cross shape opening in the pillars: The cross is the only path to God, to have the debt of sin satisfied. To reconcile humankind back to himself. To be released from being a slave to the Devil. To be a new creation empowered by God Spirit. Explaining the design of the entrance way(gate) The top of the entrance is in the shape of a heart, represents the seat of human passion, ambition, and allegiance. The cultic three petal flower is used to represent God in three persons united. The symbol inside the flower: God’s ministry toward humankind. Crown: Highest authority Cross: God’s loving salvation and restoration plan. The dove: Spiritualty made alive, fellowship with God, empowerment to weather the storm of life, and equip for service to God. Change in the design of the door. In the original design, one door had roses carved on it. The pattern took up the whole door. The other door had a grape vine carved on it. The pattern took up the whole door. I modified the emblem on the doors by making them smaller and simplified, so I could place them inside heart shapes, so the new images would more clearly communicate what they are meant to represent. I also added color to the emblems (color pencil) to make them clear of what they are, because of their size and the ink medium ,they were hard to interpret. Understanding the symbol of the two doors. The door with the rose inside the heart emblem represents a heart whose passions, ambitiousness, allegiance are focused on the cares, worries, and abstaining riches of the world. Only giving God lip service. I chose the rose to represent the heart of spiritual allegiance to the world, because roses are pretty, but you can’t eat them to nourish your body. They also have thorns that can cause injury to the body. So, the parallel point is, just as flower fade and turn to dust, so will the person who chases the thing of the world and has no time for God. For life is very short, we know not which will be our last breath on this side of eternity. But if a person leaves this earth without excepting the gift God offered them which is salvation from penalty of sin and given enteral life through the work that was done on the cross by God’s son. Then that soul will appear before Jesus, and just as they did not know him in their life on earth, He will tell them he knows them not. Into the lake of fire, they will spend eternity. The door with the grape vine in the heart emblem represents a heart whose passions, ambitiousness, allegiance are for God. To know Him intimately, to obey His teachings, to serve his will. I chose the grapevine to represent the heart of spiritual allegiance to God, because grapes are nourishing to the body. Jesus also used a grape vine in one of his parables. He paralleled the spiritual relationship he had with his disciples and the grapevine. He told them just as branches of a vine must depend on the base of the vine to live and bare fruit, so they must abide him to have abundant life. Abiding in Christ is not a religious act. It is outside of religion. It is an intimate relationship. Example: you can belong to a fan club of Paul McCartney and know a lot of things you have heard about him, but he doesn’t even know you exist. Where, if Paul is your father, and you have a good parent to child relationship, then you know him intimately. So, abiding in God, we commune with him through read his word and living by its teachings. It is spending time in prayer. Sharing our hearts with God and spending time listing to him. Trusting in him as our provider and giving thanks for his provision. Living our lives, with the purpose of pleasing him with the work of our hand and loving our neighbors in the workplace as well as in the community. Just as a healthy grapevine continues to grow and produce much fruit. Having an imitate relationship with God should be more and more evident in the way we live our lives. So, when the angel of death pays you an unexpected visit, he escorts you to Jesus’s throne, you know for certain he going to welcome you with loving arms and said welcome home my faithful servant. Now to which door I chose for my life? It’s the one that is open. This bible verse one of a couple that inspired me to design this illustration. 1 Corinthians 3:12-13 King James Version 12 Now if any man builds upon this foundation gold, silver, precious stones, wood, hay, stubble. 13 Every man's work shall be made manifest: for the day shall declare it, because it shall be revealed by fire; and the fire shall try every man's work of what sort it is. This verse is not referring to the rebellious people who have rejected God, this is referring to people who are children of God, who failed to serve God faithful. Written by Stephen J. Vattimo. 3 Jan 2024 Evolution of the design of this painting. I believe God through His Holy Spirit guided me to change the crosses on the two pillars, one on each side of the doors. Instead of these windows being fill with darkness, which would represent death by crucifixion, which Jesus endured for humanity, that who so ever is willing may be delivered from the power of sin and be adopted by God to become a member of His family. I was inspired to put light in both cross windows. The cross window on the side the open door, with the grape vines on it, the light matches the color of the light that is coming out the windows of Icons shapes representing the ministry of tri union God. The color I used is a bright firry orang yellowing color. For the bible says God is a consuming fire. The cross windows on the side of door with the flower on it, I used the color greenish yellow lite; to represent a false light, the bible call it a form of Godliness without power. Who so ever tries to approach God another way, than the path God has ordained. They will not be received. The Devil distorts the truth, to lead many to their demise. The only way to know the difference between truth and fallacy, is to study God’s word. Written by Stephen J. Vattimo August 7,2024

This painting was done with the Tuscan style in mind. The Tuscan style favors a rustic look. To me this never goes out of style because it’s as if the new and the old have found a common medium and have agreed to blend so well. There’s plenty of green, beautiful grass. The windows are complimented by the various colors of flowers that are perfectly placed below them. I love how there’s a table set outside of the building with a string of lights (even more beautiful at night) for people to enjoy the scenery as they eat some tasty, authentic Italian cuisines. There’s a group of people walking past the wall of yellow flowers and vines on the way to the inside of the building. In this scene, the ladies are wearing some long, beautiful dresses with gentlemen by their side to accompany them. This gives the impression that this group is out to have a good time. The white birds tops it off in this painting by giving it an inviting feel...”a moment to remember” feeling.

I’m gonna start reading more on human proportions and the human anatomy and how to draw it so for today I have some cones from when I was trying to teach my brother how to drive. I first painted the entire cone in two coats of gesso and then afterwords I painted the background first, put on a clear gesso and then a painted on the vines. I was trying to go for a positive space negative space look I do have other cones so I hope to try doing more of this in the future but for today this is what I made. #365daysofart #workinprogress #painting

Just a doodle

Nothing super intricate or special. Just a doodle!

Sower and the Seed This painting illustrates the parable “The Sower and the Seed,” a teaching of Jesus recorded in the book of Matthew chapter 13. The four hearts in the sky represent four different responses of those who hear the Gospel message. The heart on the lower left represents those who have heard the gospel but reject it. The devil then comes and takes it away from their hearts. This is illustrated by the crows flying away with the seed that fell on the road side. The second heart on the upper left side of the sky represents those who receive the gospel message with joy, but it doesn’t take root in their faith, and their faith is temporal, falling away when trials or affliction come their way because of the gospel. This is illustrated by a grape vine withering away in the heat of the day due to a lack of a deep root system. The heart in the upper right corner of the sky represents those who received the gospel and believe, but the worries of the world, and the deceitfulness of riches, choke the word, and it becomes unfruitful. This is illustrated by the grapevine being choked out by a purple, flower-bearing, climbing, strangling vine called, morning glory. These vines produce pretty flowers, but they are an organic farmer’s enemy because they will choke out his crops. I learned this firsthand in organic farming when I was a missionary for a couple of summers. The heart in the lower right corner of the sky represents those who hear, believe, and are committed to living for the gospel, so they produce much fruit. This is illustrated by a healthy, strong, fruit-bearing grapevine. The tilled field represents the world that God has prepared to receive the Gospel message. The sower represents all Christians that are commanded to go into the world and proclaim the gospel message. The seed being thrown by the sower represents the gospel message going out to the world. The seed bag has written on it, “The Word Seed Co.” (October 28, 2017)

Trying out henna vines..

Inktober prompt #8: Frail. Broken mirror with vines surrounding it.

A full page portrait of the legendary British industrial metal band Godflesh. Prints for sale @etsy.com/shop/DrawingsByLucia.

This one is called "Geometric Flower and Vines." I did this very early on in my junior year Astronomy class. I have it available as posters, prints, clothing, and more on Redbubble, Society6, Fine Art America, Zazzle, and Threadless. If you're interested, check out those sites via this link: https://linktr.ee/okhismakingart

This is a very early doodle from Astronomy class (that is once again oriented wrong on here for goodness knows what reason). It started as an attempt to draw a decent cat, but abstract flowers encroached as usual. I have this as a print on Redbubble, Society6, Zazzle, and Threadless. You can check it out at all sites via this link: https://linktr.ee/okhismakingart

Beaten mention through words that of a dark age reveal vines that bleed into the hearts of many. To present your reflective waves, to be ridiculed by voices lacking the complete understanding. In thoughts, a depression emerges.

Here are several steps in the process of making a particularly complex pattern and some color variations.

This is a concept sketch that i might use on a bigger piece, it has a bit more to the design that ive added on to the top of the sketch as i was playing around with different ideas and angles to look at things. i love playing around with different symbols and markings that are quite tribal and almost mystical giving a depiction of mother earth or something shamanic also playing around with the vines and branches in the hair was a cool concept.