Hello guys. I just found this website and its seems really cool. I paint now and then and this is one of my paintings. I received a school assignment for my art class to do an artwork based on the society. Without doubting i chose my theme which is "body type". A very close friend of mine belongs to the not so "accepted" body types and it has been a really though time for her even though she doesn't really show her emotions. I painted a girl vs another girl with an atmosphere around them, based on their looks. U can see the difference on how they bring themselves to the society just by looking at their body position. So how the society influence their mental state.(I can only post 1 pic so the next post will be of the another girl) I got a B+ \(^O^)/
I'm working on a series of childhood stuffed animals versus child monsters (i.e. the safety of home vs the real world and its bullies). I haven't done the monsters yet, but here are the stuffed animals. I drew them from memory as opposed to referencing what Cheer Bear and Rainbow Brite's dog looked like. I looked after. I didn't get them quite right. That's OK; I think the wonkiness adds to the charm. These are drawn in reverse for a woodcut effect, then scanned and printed and gone over with gouache and watercolor.
6"×8" watercolor, marker and ink on Strathmore Toned Tan 140# paper with Swarovski crystal embellishments. This is for sale in my etsy shop, you can find the link on my Facebook page
An article/rant/annotation to an illustration. A #Hackney bar and its flies.
This picture is not as sad and blue as it might at first seem, I promise.
It is early in the week and the pub becomes the territory of the most outspoken drinkers. Raised somewhere between Churchill and Harold MacMillan, a night such as this is time for them to spin out a yarn of nostalgic fantasy. Encouraged by the lack of a crowd and with space to fill, statements start to fly.
In the opening rounds the barman athletically hits back with factual blocks and reality-check haymakers; statistics and personal experiences are given. Two histories cross examined, one where 1982 means Thatcher and the Falklands, the other renders Reagan and the AIDS crisis. Stoicism and national pride vs mental health and realism.
In the latter rounds the barman is fatigued, swaying on the backbar, glasses begin to stack up as form begins to drop. The older men seem stronger than ever.
The barflies come in close now, they scrutinise his generations work ethic and make wild political comments on poverty, immigrants and the minimum wage.
The barman is close to sheer bloody despair, he maintains his defence and focuses on breathing while maintaining his professional stance.
But at the end of the night the barman knows HE will ring that bell, they will politely leave and they will return again in a week and maybe, just maybe there will be a change, common ground or maybe at least polite silence.
But what these interactions have given despite the salt in the eye is community and an exchange between generations, culture and class of those participating. No home is ever straight forward, no relative without their good and bad traits and in a world where we often slide into echo chambers online or in our physical environments, the pub is still a place where society is family, face to face, pint to pint. Or maybe it's just a room with alcohol on tap?
This is the first and only portrait I've done of my daughter [Rae] when I decided to get back into drawing and start trying portraits 2 yrs ago. I've worked on other portraits since and my skills are improving however this is still one of my favs
My sister-in-law called me on the phone while playing Giant Sandwich VS Princess Ballerina with my (then) 3-year-old niece, (who I assumed was the Princess Ballerina.) From what I could hear over the phone, my niece was using a "flying fist punch" to devastate the evil "Giant Sammich," (which was later described as a ham and swiss on white with flimsy leaves of lettuce.)
After that call, I imagined what that fight looked like and put it down on paper.