walk

Nori and the Stranger watch a hazy morning sunrise as they walk along the western shores of the Sea of Rhun.

Pyotr Ilich Tchaikovsky (1840–1893) At 9:30, Tchaikovsky set to work—composing at the piano only after he had dealt with any proofs or his correspondence, chores that he disliked. “Before setting about the pleasant task,” his brother noted, “Pyotr Ilich always hastened to get rid of the unpleasant.” After lunch he went for a long walk, regardless of the weather. His brother writes, “Somewhere at sometime he had discovered that a man needs a two-hour walk for his health, and his observance of this rule was pedantic and superstitious, as though if he returned five minutes early he would fall ill, and unbelievable misfortunes of some sort would ensue.” - From Daily Rituals: How Artists Work by Mason Currey “Truly there would be reason to go mad were it not for music.” ― Peter Ilyich Tchaikovsky “If you do not want to write, at least spit on a piece of paper, put it in an envelope, and send it to me. You are not taking any notice of me at all. God forgive you – all I wanted was a few words from you.” ― Pyotr Ilyich Tchaikovsky #dailyrituals #inktober #PeterTchaikovsky @masoncurrey

Patron Saint of small sorrows. A dead bee on a sidewalk, a dead plant, accidental break of a favorite cup. Small sorrows are many and everywhere. What is a patron saint you want to see? #patronSaint #dailydrawing

Illustration study in Infinite Painter for iPad

you step carefully around the purple flowers blooming sporadically across the forest floor. it is very late at night, and you know that you shouldn't be wandering this uncharted planet on your own at this mysterious hour. but something in the trees beckons you subconsciously. as you begin to clamor up steep, untread areas of the landscape, you discard you burdens--a first aid kit, your water, all the suddenly unnecessary contents of your pack. something primitive roars inside of you. your pace increases; you now feel the shear closeness of whatever you are chasing so starkly. your feet and hands slip as you grasp onto the trunks of trees and throw your feet ahead of you with such purpose. at last, you arrive at a clearing--and there she is. and she is like nothing you have ever seen before. she is not human, far from it, but your passion for her claws at every inch of your insides. she is not like any creature that has walked earth or neptune. she is something entirely different, and you have fallen in love with that--with her.

That time when Tyrion and Bronn walked away from the Eyrie after winning a trial by combat. I like to think of them as a couple of misfits traveling the mountain roads passing by the knights of the Vale, Vale commoners and hill tribesmen! *I have already completed the entire Inktober- you can check it out on my IG account: @dittofunkysketch123 :D

Okay, I understand that comparing any real-life animatronic bands to FNaF is practically a sin, but I made this doodle subconsciously and I'm in love with it. Introducing Rock-afire Freddy. FNaF animatronics have many differences to real life animatronics, like how FNaF animatronics are made of segments, while real animatronics consist of one big fur piece, much more flexible. And that many of the animatronics from FNaF are completely able to walk around --- but in real life, the animatronics only have moving parts that are essential to their performance. This sort of also leads to another difference; FNaF animatronics from a specific generation all have the same endo, while real endoskeletons for animatronics have their own endoskeleton --- which have several differences from FNaF endos, like having upper jaws (which real endos don't), having teeth (real endos just have a plate which can move the mask jaw), being very bare and with few wires (real endos are very complex, and unlike FNaF where the animtronics are probably powered by electricity, real animatronics usually run on pneumatics). Anyways, enough of me rambling.

I was scared of cows when I was small and felt nothing special after I grew up, but I realized how they are cute when I traveled in Laos. I was so surprised to see cows were walking freely without any human on a quiet street in the outskirts of the city. A calf one of them looked us curiously but avoided eye contact shyly. It was really cute

I designed this house. It has a really pretty blue exterior, and it has a slight curve to it that gives it a more warm and inviting feel. I like how the walkway kind of curves into the stairs and transitions back into the walkway before arriving at the front door. I like that there’s plenty of yard space with some really nice landscaping. The birds can even come and get a birdbath. I thought that was really cute. I used the multicolored stones to add detail for a more distinguished look. The hedges are neatly cut in a square and follows along side of the house. Looking through those gorgeous windows you can see the house is fully furnished. There are some really pretty chandeliers in there that adds character. There’s a stairway that leads to another level of the house as well. I love how there’s a touch of yellow that highlights the points on the rooftop. Furthermore, the swing in the backyard adds an inviting feel to the scenery. Also, it’s a nice place to sit and enjoy the view.

Walk down the right back alley in Sin City and you can find anything...

A Brief Pause at the Edge of Becoming It seems I am always seeking a place to sit— not just to rest the body, but to settle the soul. Yet even in stillness, Gary Brecka’s words whisper: “The quickest way to old age is the aggressive pursuit of comfort.” So I do not stay long. I walked until I found a picnic table beneath a canopy of bare-limbed trees, branches like open hands waiting for green. The blue spruces nearby— stoic, unchanged, whispering that some things endure. I sketched. Not perfectly. Not for anyone’s praise. Just a mark to say: I was here. Alive in this in-between. Waiting. Listening. Not for leaves— but for something truer than comfort. Thank you for joining me in this small noticing. A moment borrowed from the rush. A table. A tree. A thought. A gift.

Jesus And Peter On The Water Medium: Pen And Ink On sketch Book Paper Size: 12" X 18" Date Completed: 9/ 22/15 This study is for an upcoming paint about the life of Christ. The drawling it's self took about two week time of working on it off and on. The research stage took about two months. This study is attempt to capture spirit of being out on the water walking with Jesus during a storm on the sea of Galilee. I hope the viewer can feel Peter anxiety as he is sinking in to the lake as fierce storm drain peter faith in his ability to walk on water through the ability the lord gave him. I wanted to show how compassionate Jesus is to quickly crouch down to rescue peter from drawing and get him back to the safety of the boat with the rest of the disciples, which is outside of the illustration.. Some people feel that i should have Jesus feet visible above the water,so people don't get the notion that Jesus is sinking in the water too. But if I do that it would alter what it would really look like in the natural world ,because even if Jesus's feet were on top of the water this might not be visible to the viewer because the waves in front of Jesus might block the view of his feet. This illustration make think about the time we have all tried to do a task that the lord has call us to, but we have tried to accomplish the task depending on our own strength in stead of the strength of the holy Spirit. Then we Find our self sinking instead of making head way and we have to call on the Lord to rescue us and put us back on the right track. Written By Stephen J. Vattimo Sept 22,2015

TheStephen Vattimo 7 mins The Three Witnesses Acrylic on Canvas Size :48"x68" Year finished: 2004-14 This painting illustrates three witnesses who are taking part in the salvation of a homeless person. the figure in the background is angled, this imposed by them being Positioned on second-floor balconies, symbolizing they are not humans, they are a higher class of beings. To the left side of the painting a demon and to the right side an angel of God . the kingdoms they serve are identified by the breastplate emblems of their armor. The demon has a dragon head overlaid on a pentagram. The angle of God has a lions head overlaid on a cross. The demon face is partly hidden by a hood which represents deception, where in contrast the angle of God is wearing nothing on his head that hiders the view of his face., representing honest. Angel is always involved in the affairs of the human race. The demon is warring against man to turn their heart against God, and lead them to destruction. God's angel is always warring lead mankind to salvation through Jesus the Christ, and lead him away from the path of destruction that comes from sinful living. The ally way is representing three kingdoms, to the left, the kingdom o Hell. The center road, the kingdom of mankind. To the right side, the kingdom of Heaven. The path of these kingdoms is represented by the direction of stairs. To go the way of Hell is to take the stairs down to the sub-level door. To the go, the way of heaven is to take the fire escape upward. The lighting and the condition of the structures of the walls also identify the nature of the kingdoms they represent. The kingdom of Hell is represented by the dark and crumbling wall. Man's kingdom is represented by a boarded up windowed wall that is a dead end. Symbolizing that mankind only has two roads to chose from, there is no such thing as a third reality. The left side of the paint is a cardboard box and a newspaper floor which serve as a makeshift shelter for the homeless man. The turned over bottle reveals which devise he had that lead him to a life of living in the street. The tipped over trash can which spills its trash onto the light source that is lighting the alleyway, which is in the shape of a cross, represents mankind's sin which Jesus The Christ paid in full the debt which God demand for the payment for sin which is death. So that The guiltless took the place of the guilty, that by faith in this truth all will escape Hell and enter the Kingdom of God as children and heirs of The Highest God. The Homeless man, who is dirty,ill-clothed, cold, tired, hungry, hopeless, symbolizes the condition of Mankind outside a flourishing relationship with God. The Christian witness is better dressed implying he is walking with God, and his life is blessed through God provision. The witness is showing compassion and the love of Christ to this homeless man by wrapping his arm around the shoulder of the dirty smelly homeless man. He points the homeless man in the direction of the path that leads to salvation through faith in the work of Jesus The Christ which is His work on the Cross, receive Jesus as his Lord and Savior. That through a relationship with the Christ, He can receive the guidance, the strength, the willpower to leave his old life of being a drunkard and living in the street. Because in Christ old thing pass away, and all thing are made new. The light that falls on the Christian witness and the homeless man and opens up in the shape of the cross in the alleyway, comes from a heavenly source outside the picture. Written by Stephen J.Vatttimo June 16, 2014

Acrylic on paper

this was just a fun little doodle I did of a pretty plant I saw. it was absolutely stunning and the bright salmon/rose/red flowers just POPPED! this was a nice leisure time doodle to do in between some other projects of mine. I find my happy place sometimes being taking care of my plants, taking pictures of pretty trees and plants, walking around a plant nursery, and now drawing beautiful plants I see. my favorite fact I learned about the amaryllis was that is comes from the Greek word amarysso, which means “to sparkle” or “to shine”, as this plant does indeed sparkle and with its magnificent flowers when it blooms. I enjoyed mixing mediums and doing one as a graphic doodle with my Micron pens and the other with watercolors - it was a good study for me seeing the detail come to life by lines/dots and then come to life by colors/shadowing colors.

Coloured pencil drawing

Acrylic on canvas 18x24 cm

DONE 2023 WITH LEAD PENCIL ON 11X17 STRATHMORE DRAWING PAPER. ORIGINAL FOR SALE $100+S/H. IF INTERESTED DM me or artgod1974@gmail.com i ALSO HAVE NEW COLOR ART BOOK OF MINE UP FOR SALE GO TO THE LINK TO PURCHASE https://www.artwanted.com/artist.cfm?ArtID=115637&Tab=Books&CPID=1133 Dignity blooms on the branches of morality., ethnics, and respect for humanity. It is reflected in courtesy, good manners, and love for all regardless of race, ethnicity, or religion. Our public conduct should reflect our private selves, our manners should spring from our hearts. To be courteous costs us nothing, but buys us everything. Morality is based on ethics. We should not devalue and undermine others. It is important to preserve and honor each other's dignity if we are to promote a harmonious society. We all wish to have dignity and respect, but often we do so little to obtain it. We can be natural and truthful, real and genuine. We must treat others as we wish to be treated. If we approach someone else's anger with calmness and courtesy, we can often help diffuse that anger and foster cooperation. With sweet words we can lead an elephant by a hair. Dignity also requires that we be truthful, humble, gracious and temperate. Those who lie, cheat, steal, and abuse alcohol and drugs lose all dignity; those who are honest, work hard, and respect themselves and others gain it. Such person can walk with their heads held high. Losing one's wealth is nothing nothing compared with losing one's dignity. The whole measure of excellence is moderation. We can maintain strong morals, high standards, and a great respect and honesty. Truth cannot be buried; truth can set us free. Truth elevates our spirit, softens our souls. Truth is the mother of virtue. Our pride and our shame turn us into liars. We must resist and work hard to maintain our dignity, or regain it once it's been lost. We owe it to ourselves to have happy life, enriched with dignity, respect and peace of mind. We should remember that it means nothing to live without wealth; it means everything to live with dignity. Nobility shows from a distance. It is not offensive to deprive ourselves of wealth; it is offensive to lose our dignity.

This is another atmospheric sketch for today! This could be someone just being outdoors taking a walk away from the strange or uncomfortable streets embracing the outdoors.

Completed my first commission of the year — inspired by my Dream Tree mural in Bristol, for a couple from the neighbourhood who walk by the mural nearly every day

This one is from a photo.

Another illustration for today! I will tell you a little story. Once upon a time there was a very bad monstrous employer. They hacked all my emails. Trespassed human rights in every way. Shame none of them made it to be an artist! Haha! They held a grudge and spread it like jam everywhere! I shall make a picture book someday! This is not them by the way! It’s just a beautiful Irish ☘️ lady woman just walking in a rainy day celebrating ST. Patrick’s Day.

The Skyscraper to the Moon and How the Green Rat with the Rheumatism Ran a Thousand Miles Twice. Blixie Bimber's mother was chopping hash. And the hatchet broke. So Blixie started downtown with fifteen cents to buy a new hash hatchet for chopping hash. Downtown she peeped around the corner next nearest the postoffice where the Potato Face Blind Man sat with his accordion. And the old man had his legs crossed, one foot on the sidewalk, the other foot up in the air. The foot up in the air had a green rat sitting on it, tying the old man's shoestrings in knots and double knots. Whenever the old man's foot wiggled and wriggled the green rat wiggled and wriggled. #dailyDrawing #rootabagaPigeons #carlSandburg

Another illustration for today with warm and subtle colours!

A Virtual Sketchwalk in Tasmania