The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “.
Some of her work focuses on women, and they incorporate criticism and cultural protest.
Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia.
Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics.
The structural composition of some of the works is influenced also by her many years of working in the architects’ office.
Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.
When one day ends another starts, don't allow yourself to think about the day when it's the end, because, at the beginning of tomorrow, there is always a start.
The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “.
Some of her work focuses on women, and they incorporate criticism and cultural protest.
Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia.
Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics.
The structural composition of some of the works is influenced also by her many years of working in the architects’ office.
Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.
The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “.
Some of her work focuses on women, and they incorporate criticism and cultural protest.
Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia.
Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics.
The structural composition of some of the works is influenced also by her many years of working in the architects’ office.
Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.
Another illustration for today! I will tell you a little story. Once upon a time there was a very bad monstrous employer. They hacked all my emails. Trespassed human rights in every way. Shame none of them made it to be an artist! Haha! They held a grudge and spread it like jam everywhere! I shall make a picture book someday! This is not them by the way! It’s just a beautiful Irish ☘️ lady woman just walking in a rainy day celebrating ST. Patrick’s Day.
The Edge of Night
We are living in the days on the edge of night
You can see the darkness swallowing up the light
As the world of man accepts wrong for right
Time is short, and it is foolish to waste it
By debating with skeptics that faith in God is intellectually
bright
We are living in the days on the edge of night
The enemy’s delusion is thick
So, walk by faith and not by sight
Don’t lie around sunbathing in the light
We must pick up the banner of Christ
And work as long as there is light!
(January 23, 1994)
I created a series of mini-flyer to promote Jesse Lent's show. The show venue becomes the inspiration and the series was produced with hand-drawing line-marker style with one punchy bold color.
Queen Of Peace.'
Part of the proceeds of each sale will go to some good causes. On www.artpal.com/Toddjess
This piece was created on drawing paper. 11x15. Acrylic paint.
The message within the piece. Philippians 4:4-7
4 Rejoice in the Lord always. I will say it again: Rejoice! 5 Let your gentleness be evident to all. The Lord is near. 6 Do not be anxious about anything, but in every situation, by prayer and petition, with thanksgiving, present your requests to God. 7 And the peace of God, which transcends all understanding, will guard your hearts and your minds in Christ Jesus.
He may seem like a mobster but he's a greedy,sleazy, impatient boss.he is the owner of the snazzy bar and Alamea's brother.he has a thick new jersey or Italian accent.he out of all the ghost OC's doesn't have much of a personality although he does become more sympathetic later on.he was reluctant on hiring Al but eventually hired him.their relationship grows steady, Alanzo then becomes fond of Al especially when he found his true talent (being a magician) he has his hair fringes resembling devil horns because most of the time his behavior is devilish.
This illustration tells me that I need to push myself forward. I was in my comfort zone while painting. And I didn't go out.
It's an important lesson for me. I'm glad I can analyze it and draw conclusions.
My submission for the Doodle Addicts album cover challenge. Thank you so much for the votes, I appreciate them all! Here's the original description for the submission: Future you calling is a group that mixes electronic pop and rock with some vintage and retro vibes thrown in the mix. To Whom It May Concern is their newest album. It's like that strange record that you once found on the slightly shady flea market that closed down after one month. You wish you had bought it back then, so now is your chance to repair the damage and get this album instead. It's almost the same. We promise. (Future you calling is an invented band. I'm not musically skilled enough to make the band reality but I can always imagine how their albums would look like if existed. This illustration was painted in Photoshop using reference photos found on Pexels.)
Drawing trees and other landscape elements was my daily routine for the last two months.
For two months, I've been developing my style.
It's essential to create consistently in one style for a long time. It's the way you get to know better:
- yourself,
- what you like,
- what you enjoy.
Drawing florals in the landscape scenery was a pleasure I gave myself on Friday afternoon.
Just a relaxing and creative process without any expectations is something every artist needs.
Give yourself a bit of pleasure today
It's a quick digital recreation of my last gouache painting.
And I don't like it very much.
- I had trouble finding a good brush for painting leaves on the top of the tree.
- There is no magic like in traditional art.
- I didn't enjoy drawing as much as painting with gouache.
- I couldn't peel off the tape when I was done.
I changed the composition, types of silhouettes, and background texture a few times.
I didn't have any expectations about the finished work. It was a creative flow with many changes. I think the creative process looks like this.
Don't be afraid to try.
If you make your art digitally, it's simple. You can:
- create a new layer,
- use shortcut Ctrl+Z.
In traditional art, it depends on the art supplies you use. Sometimes you can try more times. Sometimes you need to start again.
But any attempt is better than giving up.
Drawing water with reflections was a new challenge for me.
I decided to use a less saturated color palette. It looks like a foggy atmosphere around the forest. Something different
BEING GREEDY CHOKES ANANSI From Favorite Folktales around the world by Jane Yolen. One time, Anansi lived in a country that had a queen who was also a witch. And she decreed that whoever used the word five would fall down dead, because that was her secret name, and she didn’t want anyone using it. Now, Buh Anansi was a clever fellow, and a hungry one too. Things were especially bad because there was a famine, so Anansi made a little house for himself by the side of the river near where everyone came to get water. And when anybody came to get water, he would call out to them, “I beg you to tell me how many yam hills I have here. I can’t count very well.” So, one by one he thought they would come up and say, “One, two, three, four, five,” and they would fall down dead. Then Anansi would take them and corn them in his barrel and eat them, and that way he would have lots of food in hungry times and in times of plenty.
A lino print that I made early art therapy. This was my second lino cut, after my practice cut, and the third I've done in my life. There are mistakes but I'm.still super happy with the outcome.
I just saw a circus tent and thought:Hmm I can make a demon oc out of it and behold!I didn't use the classic red and white colors mainly because I'm not a fan of red I did use blue however.I was going to give him circle eyes but then Fiore Pazzo (the flower demon has them) so I used different shaped eyes instead,one bigger than the other to emphasize his insanity.he and him have very similar personalities although cirko is a little smarter than him.both of them love collecting the souls of children the star demon (glistles) enjoys playing with children rather than to torment them.
This is the second painting of my dragon series, and it was actually the moment at which I decided to make it a series. It was at the beginning of this year when I was trying to decide on a topic for a series to exhibit. I had gone through quite a few subject matters and even started researching on one of them, when I got really mad at a relative's attitude and just felt the need to paint a dragon. And with a second finished dragon piece in hand, I said: "This is it. I'm gonna make a series on dragons."
Actually I saw this scene when I was traveling in bus early morning. In the foggy outskirts of city. I spotted this farm. I loved the one small patch of farm with Greeny patch.
Couldn't paint the fog, but tried to give the sky a feel of foggy.
