helloo :). my grandfather and my family love cars like this. i drew the first version a while ago. it was so much fun. it reminded me of all the great memories we had while travelling in madagascar in the lovely car of my grandpa. thank you for reading & wish you a wonderful daay!:)
The Woman Puppet from Rome. A clay or plaster of paris puppet head that was glossy and smooth. This painting of the woman pupped is regal and dignified. It shows little animation or dramatic expression. It is unlike most of the others, say for its counterpart
Another work created in Lockdown in Berlin. Drawn on a piece of drafting paper from an ingenieering student in Leipzig, 1923. Like the cellar it was found in, it expresses a longing to be outside. A longing to feel of use, a job to go to or someone to visit. It is confusion and patience drawn out thin and ready to snap at any moment.
Probably spent too long on this one, plus lower resolution cause the file size was too large. Downtown area of an average city, though typically it's more crowded. Hope you like it. (made with krita)
showing someone a new song that you wrote or any artwork that you created needs courage.
so this lovely frog, i call him tommy, wrote a song and plays it for his friends.
he was worried about what they will think. of course his friends love the new song and he feels so supported.
wish you a wonderful day!
Many beginnings.
Beginning 3.
The mouse was going on an adventure. But he just couldn't decide what to take with him. He wanted his favorite shoes and second favorite shoes. His tennis racket and the cactus he was given for his birthday. And so he put his house on the wheels and went on an adventure in his rolly polly house.
* Starting is easy, it's the middle that is often a muddle. And I won't even mention the endings. Here are some beginnings for children stories that flitter through my head.
https://www.instagram.com/p/COktNgnhex4/?utm_source=ig_web_copy_link
I’ve really been enjoying ink lately - whether pen or Micron inks - it’s been a fun style to try. This was interesting, something different to a typical city street view.
(I had gotten some new fine-point pens last week, and I figured this was a good way to test them out.) Two very different things have been on my mind lately, maybe there's a connection? I think it's interesting how it's taken me 4 years to figure something out, become comfortable enough to open up to others about it, and then embrace it. Yet it's like living a double life, being authentic to some and keeping secrets from others. On the other hand, to the person receiving this drawing, I know I can't do anything to change the situation even though I wish I could. All I can say is I'm forever grateful for all you do, and I truly hope you decide to take advantage of all the opportunities coming your way.
I wanted to draw a crowned animal with a crest on top of its head. Originally , this was colored with colored pencils but I didn't like how it looked so I tried to save it by painting over it with acrylic paint.
I first bought some cheap soft pastels back in 2018 and did a couple of sketches. I bought a nice set of Rembrandt pastels a few months later — didn't use them. I bought some pastel pads, none if which seemed right. September 2020, I bought a couple more sets of bargain pastels and tried a couple of pieces — no good, still couldn't bring myself to use them. Jess bought me pastel pencils for Christmas — I was too scared to use them. I even bought a pad of Pastelmat which is supposed to be THE paper to use for pastel paintings in January. I was too scared to use that as well!
FINALLY, after a few unsuccessful attempts at working with watercolour (brush issues), I cast aside my fear and thought I'd mess around with pastels. Some time later, and this was the result. I've finally broken through my pastel fear-barrier.
I've got to say, I love soft pastels and I'm excited about doing more pieces in this medium.
At the top of Pentregwenlais near Llandybie is Gwenlais Quarry. In itself, the quarry is quite beautiful with its sheer rock faces and the way that nature has started to reclaim it. This scene is one of the paths that leads down from the top of the quarry back towards Pentregwenlais. I was going to do it as a pen & wash but by the time I'd finished with the watercolour I thought it was too complex to start putting ink in there. Watercolours on watercolour paper (6x8")
In 2017, I had a short run of finishing acrylic paintings after not painting for many years. Here I was pushing towards a more realistic style despite the very cheap and thin paints.
"Whirlwind 16”, an original drawing. Micron pens on archival paper. Size: 4” x 6”. Title, signature, and date in the back of the drawing. This drawing is the 16th in a series of drawings posted over a period of 100 days. The original post date on this drawing was September 16, 2020.
"Whirlwind 13”, an original drawing. Micron pens on archival paper. Size: 5” x 7”. Title, signature, and date in the back of the drawing. This drawing is the 13th in a series of drawings posted over a period of 100 days. The original post date on this drawing was September 13, 2020.
“Whirlwind 6”, an original drawing. Micron pens on archival paper. Size: 4” x 6”. Title, signature and date in the back of the drawing. This drawing is the 6th in a series of drawings that were posted over a period of 100 days. The original post date on this drawing was September 6, 2020.
"English as She is Spoke" is a delightful example of incompetence and bad judgement. Jose da Fonseca and Pedro Carolina set out to write a Portuguese-English phrasebook. The only problem was that they didn't speak any English. They did know some French and armed with French-English phrasebook, dictionaries and enthusiasm they brought forth this book. Mark Twain was an early admirer of this book. "Nobody can add to the absurdity of this book, nobody can imitate it successfully, nobody can hope to produce its fellow; it is perfect, it must and will stand alone: its immortality is secure."
“Whirlwind 1”, an original drawing. Micron pens on archival paper. Size: 4” x 6”. Title, signature and date in the back of the drawing. This drawing is the 1st in a series of drawings that were posted over a period of 100 days. The original post date on this drawing was September 1, 2020.
Meet Dr. Lorna Breen. She was in the trenches of the front line inside the New York hot zone during the first wave of the pandemic. She saw the massive influx of patients she knew she could not save (29,000 deaths reported in April, 2020). She contracted the virus and after recuperating, went straight back to work. A week and a half later, the hospital sent her home. Her family intervened to bring her back home to Charlottesville, Virginia. During her visit with her family, she seemed “detached.” She passed away April 26, 2020 at the UVA University Hospital in Charlottesville from self-inflicted wounds.
"She tried to do her job, and it killed her… Make sure she’s praised as a hero. Because she was, she’s a casualty just as much as anyone else who has died."
—Dr. Philip C. Breen, Father
Tell that do you will do.
"English as She is Spoke" is a delightful example of incompetence and bad judgement. Jose da Fonseca and Pedro Carolina set out to write a Portuguese-English phrasebook. The only problem was that they didn't speak any English. They did know some French and armed with French-English phrasebook, dictionaries and enthusiasm they brought forth this phrasebook. Mark Twain was an early admirer of this book. "Nobody can add to the absurdity of this book, nobody can imitate it successfully, nobody can hope to produce its fellow; it is perfect, it must and will stand alone: its immortality is secure." https://www.instagram.com/p/CIipkwDB0AG/?utm_source=ig_web_copy_link
This little illustration was motivated by recent changes I have experienced at work. We've been asked not to eat lunch together- even when socially distanced, due to recent outbreak of Covid 19 in our area. This captures the feel of isolation at work for me. Hope you like it!
Inktober 2020, Day 24: "Dig". Just a front-end loader based on a photo on Wikimedia commons. I have to say this one brought weird flashbacks from very early childhood. I haven’t really been drawing construction machines since I was a 5 or something like that :D Brushpens and posca on brown A4
This is part of a sequence inspired by @moonchildillustrations and her #moontoberweekends prompts (this one is apple!). This was fun, I want to start incorporating more animation/ sequences on what I create. I got inspired by my mother, when she was little she was scared of eating seeds because she thought they would grow out of her ears. With that in mind, have a great October!
