This is a “creative color wheel” done for an art class. I took the grey way to far over for the shoulder, but other than that I don’t hate how it turned out.
No, I can't get it out of my head, now my whole world is gone for dead. This song has been stuck in my head for a while now, kind of interesting. I apologize for the long ramble of reflection this will be, but here I go. It's been an interesting few weeks, ups and downs, odd mindsets, but here I am. I don't know, quarantine has shifted a lot of things for everyone, and I've noticed a lot of changes in myself. I jokingly say I'm becoming soft, but it's a bit true, in a good way. I'm thankful for so many people in my life, and I'm finally letting those people how much they mean to me. I know I've said this before, but gymnastics has really been getting me through, and I'm proud of all the progress I've been making recently. My coaches make my life better, they're just incredible people and I love them so much. Thank you to the person I had a whole long text conversation with tonight (you know who you are) and for always dealing with my chaotic self. And finally, I've started to accept who I am, and that's a nice feeling. There's still the dark parts, the static still consumes me from time to time, but tonight was a good night. Thank you for all the support from everyone (in and outside of this community!). I genuinely appreciate all of it
In memory of the great John Lewis. (1940-2020)
Original ink and watercolor portrait painting on Strathmore 500 Series 4-ply Bristol illustration paper.
Signed by the artist. Unframed.
A dapper gentleman. 10” x 15” Original ink and watercolor illustration on Strathmore 500 Series 4-ply Bristol illustration paper.
Signed by the artist. Unframed.
My rendition of Soft watch at the moment of first explosion by Salvador Dali 1954. Done on 32-in by 28-in piece of compressed board lightly sanded with acrylic, watercolor, enamel, nail polish coloring, food coloring, colored pencil and ink pen. Three or four hours a day over a month. About a year and a half ago.
In folklore, a will-o'-the-wisp, will-o'-wisp or ignis fatuus, is an atmospheric ghost light seen by travelers at night, especially over bogs, swamps or marshes. --Wikipedia
11” x 17” Original ink and watercolor painting on Arches 140# hotpress watercolor paper.
Signed by the artist. Unframed.