Found him sitting on a wall in the park where I go for a jog since pandemic started. Was so mesmerised by this magnificent beast. I couldn’t stop staring at him every morning. The contrast between the white fur and black skin. So shiny yet so peacefully he sat doing his job.
A boldogság egy pillangó. Ha kergetjük, kisiklik a kezünk közül, de ha csendben leülünk, az is lehet, hogy leszáll ránk.
/Nathaniel Hawthorne /. Rajzolta: Ildikó Tuloková
Some LGBTQ+ members of the community can’t openly love who they want to love, so the bars represent that barrier. The fabric, with all its complex folds and creases represents sensuality, desire and love. Love, in all its forms is a complex thing of beauty.-------------
The companion piece to my previous post ‘Ecstasy.’ Agony and Ecstasy were always meant to be a diptych. The issue for me is that there is a two-year gap between the completion of the two - there is a noticeable difference in the the way both were drawn.
Faber Castell pastel pencils, Black and White Generals charcoal pencils on 9” x 12” Strathmore Toned Grey sketchbook paper.
Pastel pencil study of the intertwined hands of the Ambrogio Borghi sculpture, Chioma di Berenice. Faber Castell pastel pencils, Black and White Generals charcoal pencils on 9” x 12” Strathmore Toned Grey sketchbook paper.
"Whirlwind 28”, an original drawing. Micron pens on archival paper. Size: 5” x 7”. Title, signature, and date in the back of the drawing. This drawing is the 28th in a series of drawings posted over a period of 100 days. The original post date on this drawing was September 28, 2020.
"Whirlwind 27”, an original drawing. Micron pens on archival paper. Size: 4” x 6”. Title, signature, and date in the back of the drawing. This drawing is the 27th in a series of drawings posted over a period of 100 days. The original post date on this drawing was September 27, 2020.
