window

This is a 2,5 x3x7 meter mural in my living room. it schows two capricorns in front of the mountain view i can enjoy out of my livingroom window

Part of the drawing a day challenge. A challenge I set myself......it's not easy!!

Window in my room. 2016 Sketchbook. Coffee and Ink. Faceboook: https://www.facebook.com/ANIA.PAWLIK.Fine.Art.Illustration/

A Window from the past that reminds us al memórias, good and not so good, because that's what life is made of.

Hello again, Gale. I've mailed a photograph of the window with this letter. I hope both reach you safely on Par Tritus. Eclipse City thrives, contrary to Luncara's beliefs. Tell James that I've missed her. But the Jagged sets and my light is spread thin, so I must conclude this letter. Best wishes to you, James, and the king. Sincerely, Cyrus

This oil painting was , for me, an explosion of a new freedom I found after finally getting a home nearly 40 years ago, a room with a sink and a bed and a window. I hadn't painted for years, and never without extreme self-consciousness. But years of homelessness changed me and my appreciation of "art". That freedom eludes me these days, that 'ignorant' notion that I can do whatever comes to me. I'd love to get it back. Surely it's in us all. It may be better to paint to be satisfied than to paint to satisfy...

Pencil, Watercolour pen, conte pastel. The view from the sofa I've spent a lot of time watching the trees and the seasons change from this still spot.

People passing my window. 0.3 fineliner

A window into the strange and colorful world of wonder .... ............... https://www.youtube.com/channel/UCKXBKF6a2BWVDy_SgMvk8GQ?view_as=subscriber

Jellyrol pen on Sketch paper from photograph I took of my cat Alex looking out the window.

TheStephen Vattimo 7 mins The Three Witnesses Acrylic on Canvas Size :48"x68" Year finished: 2004-14 This painting illustrates three witnesses who are taking part in the salvation of a homeless person. the figure in the background is angled, this imposed by them being Positioned on second-floor balconies, symbolizing they are not humans, they are a higher class of beings. To the left side of the painting a demon and to the right side an angel of God . the kingdoms they serve are identified by the breastplate emblems of their armor. The demon has a dragon head overlaid on a pentagram. The angle of God has a lions head overlaid on a cross. The demon face is partly hidden by a hood which represents deception, where in contrast the angle of God is wearing nothing on his head that hiders the view of his face., representing honest. Angel is always involved in the affairs of the human race. The demon is warring against man to turn their heart against God, and lead them to destruction. God's angel is always warring lead mankind to salvation through Jesus the Christ, and lead him away from the path of destruction that comes from sinful living. The ally way is representing three kingdoms, to the left, the kingdom o Hell. The center road, the kingdom of mankind. To the right side, the kingdom of Heaven. The path of these kingdoms is represented by the direction of stairs. To go the way of Hell is to take the stairs down to the sub-level door. To the go, the way of heaven is to take the fire escape upward. The lighting and the condition of the structures of the walls also identify the nature of the kingdoms they represent. The kingdom of Hell is represented by the dark and crumbling wall. Man's kingdom is represented by a boarded up windowed wall that is a dead end. Symbolizing that mankind only has two roads to chose from, there is no such thing as a third reality. The left side of the paint is a cardboard box and a newspaper floor which serve as a makeshift shelter for the homeless man. The turned over bottle reveals which devise he had that lead him to a life of living in the street. The tipped over trash can which spills its trash onto the light source that is lighting the alleyway, which is in the shape of a cross, represents mankind's sin which Jesus The Christ paid in full the debt which God demand for the payment for sin which is death. So that The guiltless took the place of the guilty, that by faith in this truth all will escape Hell and enter the Kingdom of God as children and heirs of The Highest God. The Homeless man, who is dirty,ill-clothed, cold, tired, hungry, hopeless, symbolizes the condition of Mankind outside a flourishing relationship with God. The Christian witness is better dressed implying he is walking with God, and his life is blessed through God provision. The witness is showing compassion and the love of Christ to this homeless man by wrapping his arm around the shoulder of the dirty smelly homeless man. He points the homeless man in the direction of the path that leads to salvation through faith in the work of Jesus The Christ which is His work on the Cross, receive Jesus as his Lord and Savior. That through a relationship with the Christ, He can receive the guidance, the strength, the willpower to leave his old life of being a drunkard and living in the street. Because in Christ old thing pass away, and all thing are made new. The light that falls on the Christian witness and the homeless man and opens up in the shape of the cross in the alleyway, comes from a heavenly source outside the picture. Written by Stephen J.Vatttimo June 16, 2014

I went to the kitchen to make some tea, still a lot left to do, the night seemed to be long. I looked up the window in front of me. The moon was orange.

looking out of the window / doodle

A quick sketch of my outlook.

Inspired from a dream I had. Digital / Photoshop. https://leglessmermaid.blogspot.com

This painting was done with the Tuscan style in mind. The Tuscan style favors a rustic look. To me this never goes out of style because it’s as if the new and the old have found a common medium and have agreed to blend so well. There’s plenty of green, beautiful grass. The windows are complimented by the various colors of flowers that are perfectly placed below them. I love how there’s a table set outside of the building with a string of lights (even more beautiful at night) for people to enjoy the scenery as they eat some tasty, authentic Italian cuisines. There’s a group of people walking past the wall of yellow flowers and vines on the way to the inside of the building. In this scene, the ladies are wearing some long, beautiful dresses with gentlemen by their side to accompany them. This gives the impression that this group is out to have a good time. The white birds tops it off in this painting by giving it an inviting feel...”a moment to remember” feeling.

made with gel ink pen for a future art book about mediterranean way of life

One of my first doodles using my new Micra fineliners.

Did a drawing of the front drive from the window in the dinning room

I have made of book of these maps of whimsical nonsense. I strongly feel we need more nonsense & mindless meaningless windows of imagination & for those who r not afraid to go on a courageous personal adventure... enjoy! In other words, whatever u see... u r correct. There is no hidden message. No persuasion or guiding philosophy... just silly fun if u will allow yourself the freedom to revel w-out reason.

Soft Pastel. My studio is in a converted church with big GotHic windows. In the morning the sunlight streams in createing beautiful shapes on the studio furniture rolls of paper and general studio detritus.

People passing my window. Wax crayon.

People passing my window. Drawn with Sipa brush pen.

https://www.youtube.com/watch?v=-ZYwY7w6LrQ

This is done freehand with chalkboard markers on my front door.

in my idle time over Christmas holidays, i was inspired to make something unlike any of my other art. so i raided my recycle bin and made this fun little thing that sits between my window and the blinds.

Igor Stravinsky (1882–1971) “I get up at about eight, do physical exercises, then work without a break from nine till one,” Stravinsky told an interviewer in 1924. Generally, three hours of composition were the most he could manage in a day, although he would do less demanding tasks—writing letters, copying scores, practicing the piano—in the afternoon. Unless he was touring, Stravinsky worked on his compositions daily, with or without inspiration, he said. He required solitude for the task, and always closed the windows of his studio before he began: “I have never been able to compose unless sure that no one could hear me.” If he felt blocked, the composer might execute a brief headstand, which, he said, “rests the head and clears the brain.” - From Daily Rituals: How Artists Work by Mason Currey