work

First piece of art for 2025. Still working on botanical watercolors. Im in love with the background tho.

I finally got back to a non-digital pen for a little while. Working on a few mountains right now for a project.

Allowing randomness in my work

This is basically the TLDR; version of every comic I ever write.

The hair needs some work before I can say that this is finished. It's the only part that I'm not happy with. Edit: I fixed the hair but made the face worse, and ended up ruining the painting. So. There you go.

A bit of a departure from my usual style. I wanted to try something a bit messy, fast, and loose. The scene is an ancient woodland in Pembrokeshire called Tŷ Canol, an atmospheric place and full of inspiration for artworks. Pen and watercolour in Seawhite sketchbook.

A winter Eladrin I'm working on developing. This was done digitally using Affinity Photo

In the spring and summer where I work we have "Yacht Rock Friday" and even though everyone is home now, it's still playing on my speakers.

working on some festive florals

Doin forest stuff, la la la

I was working on nighttime or dark themes and trying to get more contrast than the last piece I made. I wanted to also work on atmospheric perspective and depth with the clouds. Overall, I am pretty happy with the outcome. This is from a reference picture my husband took from our backyard. Painted with Rebelle 6 Pro.

Pencil work from a sketchbook.

Another work created in Lockdown in Berlin. Drawn on a piece of drafting paper from an ingenieering student in Leipzig, 1923. Like the cellar it was found in, it expresses a longing to be outside. A longing to feel of use, a job to go to or someone to visit. It is confusion and patience drawn out thin and ready to snap at any moment.

I'm a big fan of DSaF. I love the characters (kebab boy is my personal favorite), and I cried once I found out that they all freaking die in the end. But not like a little bit of programming can't do the trick, right? I'm using the same sense of Glitchtrap (aka not really being William, but rather an AI or sorts of him) to bring back (a replica of) Jack, Dave, and Henry in the modern world. They're stuck in springlock suits right now, surrounded by wires, as somebody works on them. Dave is in the Bonnie suit, Jack in the Fox suit, and Henry in the Freddy suit. The man who is working on them plans to open a pizzaria, and work alongside the three to create the "Fazfrick's experience". He will wear the Chica suit, because nobody else wants to be the girl. This is so sad. Drawn with FireAlpaca.

Current project of a carriage horse in pencil. What do you think so far

Jung here. Done 2022 with Color pencils on 81/2 x 11 comicbook board backing. This is my character that i have created and it is part 2 of the original gas face that i had created. One day I went to my comic book shop and I was looking around and i saw this comicbook board backings,which is a bit larger than regular backings cuz it is for magazine size backing boards when I asked the worker at the comic book shop he said they are not selling those backings so I asked him can I have some and he said yes, so I used one of the backings on the backside to draw this character of mine,but I noticed as i was working on the piece the backing surface of the paper start to peel off and it was not durable at all. As you can see you will see some tiny peeled off spots of the paper in the artwork. Original art is up for sale $20 (shipping fee will apply) USD email me jungmeister4@yahoo.com Also I have my 2023 Wall calendar up for sale $19.95 with my artworks through Artwanted.com art community website. Click or copy / paste the link below and would be appreciated if you can support me on the calendar https://www.artwanted.com/artist.cfm?ArtID=115637&Tab=Calendar

Freehand line work pattern study!

OC for Helluva Boss. His name is Klefttio, or something. Go stupid go crazy I imagine him being a retired imp from the circus which Blitzø used to be in; turned thief once the carnival closed. Might work for Striker. Who knows? Not me

Years ago, I sketched Gibby at work—pencil in hand, bold strokes alive with motion. I caught them from over the shoulder: just the back of their head, the soft curve of their face, and that focused arm bringing something into being. They were 9 or 10 then, already showing the spark of creativity and concentration that pointed toward who they’d become. Now in their mid-20s, Gibby is thoughtful, insightful—quick to listen, slow to speak, and wired to process the world with care. Their path has been remarkable: two degrees in 2.5 years, no debt. That didn’t happen by accident. It took grit, German immersion schooling, 16 college credits earned in high school, and testing out of 24 more once at university. That’s Gibby—quietly determined, resourceful, and steady. But their story isn’t just academic. Gibby’s always been gifted with their hands—drawn to set design, locksmithing, welding. Trades they wanted to pursue early on, and still feel pulled toward. They’re at a bike shop now. It’s not the dream, but it fits: their hands know how to build, repair, and reshape the world. There’s been frustration—maybe even anger—that we didn’t let them follow the trade route right away. I get that now. Life veers, and sometimes the path chosen isn't the one imagined. But Gibby’s resilience—their ability to adapt and press on—is what I admire most. They’ve embraced their journey with honesty, stepping into their identity as a they/them person, unafraid to define success in their own terms. That takes courage. I’m proud of them—not for a résumé, but for who they are. This old drawing isn’t just a memory—it’s a thread connecting past to present. A reminder that the creative spark, the steady hands, the deep soul I saw back then is still shining. So here’s to you, Gibby: the kid who sketched with fire and the adult who still shapes the world with quiet brilliance. Your value has never been about the path you’re on. It’s about the person you are. And I’ll be here, cheering you on—every step of the way.

More whale songs for the winter time.

Working on whales and I decided to color one. I'll add color to the others this evening.

Louise Bourgeois (1911–2010) “My life has been regulated by insomnia,” Bourgeois told an interviewer in 1993. “It’s something that I have never been able to understand, but I accept it.” Bourgeois learned to use these sleepless hours productively, propped up in bed with her “drawing diary,” listening to music or the hum of traffic on the streets. “Each day is new, so each drawing—with words written on the back—lets me know how I’m doing,” she said. “I now have 110 drawing-diary pages, but I’ll probably destroy some. - From Daily Rituals: How Artists Work by Mason Currey “I am not what I am, I am what I do with my hands...” ― Louise Bourgeois “Every day you have to abandon your past or accept it, and then, if you cannot accept it, you become a sculptor.” ― Louise Bourgeois #dailyrituals #inktober #LouiseBourgeois @masoncurrey

I've already made stylized Jester, so I figured I'd make stylized Dellusion, too. This one is a full body. I did a full body because I need to develop more as an artist, and part of that is to start drawing things I'm not entirely sure of. Like, legs, or perspective, like how his claw is bigger than the rest of his body because it is closer to the viewpoint. I had a lot of fun with this, though, and I hardly ever draw something so exaggerated. Anyways, Dellusion is a private vessel for a specific soul, who works alongside Jester. They both run the pizzaria, but Dellusion is more of the co-owner. Only Jester and Dellusion are sentient, because they're both sort of possesed. Drawn with FireAlpaca.

This art is linked to my previous work. The protogonist has entered the other side of the world. A weird place but it seems familiar as this world is nothing but his consciousness and diary is just a portal which let him in here

Title: Heart and Soul Medium: illustration pens on sketch book paper Style: surreal Category: illustration Created: Dec-Jan 2024-2024 Artist: Stephen J. Vattimo Heart and Soul This is preliminary drawing for a painting I am about to begin. The concept for this illustration started as a design for a pumpkin carving contest. I feel the message of the design is so important for people to hear, I decided to make it into a painting. The original design, done in pen and ink. The design only shows the two doors of the entrance to a fortress. It was designed for a live pumpkin carving event in mind. At this type of event, the carver must create their piece of art live on site with spectators watching and asking questions, and there is a time limit. The evolution of the design? I added a wall on each side of the entrance, with matching pillars. Explaining the design of the pillars The triangle top: the triune God. Representing three persons of God: Father, Son, Holy Spirit. The cross shape opening in the pillars: The cross is the only path to God, to have the debt of sin satisfied. To reconcile humankind back to himself. To be released from being a slave to the Devil. To be a new creation empowered by God Spirit. Explaining the design of the entrance way(gate) The top of the entrance is in the shape of a heart, represents the seat of human passion, ambition, and allegiance. The cultic three petal flower is used to represent God in three persons united. The symbol inside the flower: God’s ministry toward humankind. Crown: Highest authority Cross: God’s loving salvation and restoration plan. The dove: Spiritualty made alive, fellowship with God, empowerment to weather the storm of life, and equip for service to God. Change in the design of the door. In the original design, one door had roses carved on it. The pattern took up the whole door. The other door had a grape vine carved on it. The pattern took up the whole door. I modified the emblem on the doors by making them smaller and simplified, so I could place them inside heart shapes, so the new images would more clearly communicate what they are meant to represent. I also added color to the emblems(color pencil) to make them clear of what they are, because of their size and the ink medium ,they were hard to interpret. Understanding the symbol of the two doors. The door with the rose inside the heart emblem represents a heart whose passions, ambitiousness, allegiance are focused on the cares, worries, and abstaining riches of the world. Only giving God lip service. I chose the rose to represent the heart of spiritual allegiance to the world, because roses are pretty, but you can’t eat them to nourish your body. They also have thorns that can cause injury to the body. So, the parallel point is, just as flower fade and turn to dust, so will the person who chases the thing of the world and has no time for God. For life is very short, we know not which will be our last breath on this side of eternity. But if a person leaves this earth without excepting the gift God offered them which is salvation from penalty of sin and given enteral life through the work that was done on the cross by God’s son. Then that soul will appear before Jesus, and just as they did not know him in their life on earth, He will tell them he knows them not. Into the lake of fire, they will spend eternity. The door with the grape vine in the heart emblem represents a heart whose passions, ambitiousness, allegiance are for God. To know Him intimately, to obey His teachings, to serve his will. I chose the grapevine to represent the heart of spiritual allegiance to God, because grapes are nourishing to the body. Jesus also used a grape vine in one of his parables. He paralleled the spiritual relationship he had with his disciples and the grapevine. He told them just as branches of a vine must depend on the base of the vine to live and bare fruit, so they must abide him to have abundant life. Abiding in Christ is not a religious act. It is outside of religion. It is an intimate relationship. Example: you can belong to a fan club of Paul McCartney and know a lot of things you have heard about him, but he doesn’t even know you exist. Where, if Paul is your father, and you have a good parent to child relationship, then you know him intimately. So, abiding in God, we commune with him through read his word and living by its teachings. It is spending time in prayer. Sharing our hearts with God and spending time listing to him. Trusting in him as our provider and giving thanks for his provision. Living our lives, with the purpose of pleasing him with the work of our hand and loving our neighbors in the workplace as well as in the community. Just as a healthy grapevine continues to grow and produce much fruit. Having an imitate relationship with God should be more and more evident in the way we live our lives. So, when the angel of death pays you an unexpected visit, he escorts you to Jesus’s throne, you know for certain he going to welcome you with loving arms and said welcome home my faithful servant. Now to which door I chose for my life? It’s the one that is open. This bible verse one of a couple that inspired me to design this illustration. 1 Corinthians 3:12-13 King James Version 12 Now if any man builds upon this foundation gold, silver, precious stones, wood, hay, stubble. 13 Every man's work shall be made manifest: for the day shall declare it, because it shall be revealed by fire; and the fire shall try every man's work of what sort it is. This verse is not referring to the rebellious people who have rejected God, this is referring to people who are children of God, who failed to serve God faithful. Written by Stephen J. Vattimo. 3 Jan 2024 .

Here are the two tall animatronics. Jester (the one on the left) and Dellusion (the one on the right). They run a pizzaria. Jester and Dellusion are both sentient, but the others aren't. I'm still working on a final version of the shorter animatronics. But for now, have these two! I'm still trying to find a satisfying color palette for Dellusion, so if you have any ideas, let me know! Tomorrow, if I haven't finished the shorter animatronics, I'll post the piskel sprites I've made for them. This picture was drawn with FireAlpaca.

I am working on old house depictions and how it all goes together.

Work

René Descartes (1596–1650) Descartes was a late riser. The French philosopher liked to sleep until mid-morning, then linger in bed, thinking and writing, until 11:00 or so. His comfortable bachelor’s life ended abruptly in late 1649, Descartes accepted a position in the court of Queen Christina of Sweden. Descartes accepted a position in the court of Queen Christina of Sweden,Arriving in Sweden, in time for one of the coldest winters in memory, Descartes was notified that his lessons to Queen Christina would take place in the mornings—beginning at 5:00 A.M. He had no choice but to obey. But the early hours and bitter cold were too much for him. After only a month on the new schedule, Descartes fell ill, apparently of pneumonia; ten days later he was dead. - From Daily Rituals: How Artists Work by Mason Currey “Dubito, ergo cogito, ergo sum. (English: "I doubt, therefore I think, therefore I am")” ― Rene Descartes #dailyrituals #inktober #reneDescartes @masoncurrey #wouldratherdiethangetupearly