The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “.
Some of her work focuses on women, and they incorporate criticism and cultural protest.
Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia.
Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics.
The structural composition of some of the works is influenced also by her many years of working in the architects’ office.
Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.
‘Anatomy of a Steelside’
A little something related to a book I’m writing, ‘Nighthammer’ – in the world of my book, various factions wage war via flying battleships known colloquially in-universe as ‘steelsides’.
These flying platforms are essentially a science-fantasy version of early/mid 20th century navies in our world. Large propellers inside funnels keep the thing flying, while huge, side-mounted paddles push the steelside, ponderously, through the skies.
I’m still figuring out some of the looks and some of the tech, but it always helps to have your own schematics!
. . . Whimsy and nostalgia all entwined in an inky world of discovery . . . This piece was the last piece of artwork my Grandmother got to see of mine before she passed into the Lord's presence this past summer
Post-Apocalyptic Pastime
In a world where decay replaces diamonds and cracked walls echo memories of youth, a lone figure stands ready to swing. Post-Apocalyptic Pastime reimagines America’s favorite game as an act of defiance—finding hope, peace, and play amid the ruins. The graffiti and broken skyline hint at what was lost, but the stance of “LEE 01” reminds us that even in the aftermath, the spirit to keep playing endures.
This is a canvas made with a page from my Route 66 travel journal. As I was creating this, the Cubs won the World Series, so I had to add the hat...we'd waited a long time to see those hats on the lions.
Something I drew for Halloween upon request from followers on social media. I really wanted to mimic that uneasy otherworldly tone the film had, but I don't think I pulled it off very well.
Life is hard enough already without anyone else having a say in it. But when you are judged by the world so constantly, you learn to shut yourself out... you fake a smile, but deep down inside you just wanted to be appreciated...
I began to draw my first series "Questioner" based , which was inspired by various bizarre questions on Quote. It must be the questions that is forever innovating in the world.
