Caged is a collection of healing through deep inner journey work. Note: this is part of the process included while writing the final draft of my upcoming novel.
I take pride in experimenting with different photo exposures to bring out new dimensions in my creations. My work never feels complete, as there's always more room for exploration. I invite you to view my upcoming uploads from all angles as I bring them to life through my artistic expressions, such as dance, writing, or meditation.
(2B pencil on 132mm x 86mm paper) I did think of writing something in the speech bubble but decided it worked best as a kind of "silent scream" so I left it blank.
The idea is to show a figure crossing over two ` scripts’ with a bilingual suggestion. By standing in between worlds, we see opposing viewpoints.
Many artists have incorporated typography as symbols in their paintings since the 60s, but no one has attempted to approach lines in this `written’ manner. How different it is are the two writing styles of the East and the West; one with angular lines while the other in a smooth flow! This work juxtaposes the symbolism of cultures – script. At the same time, it questions the need to grasp the full meaning of the script to appreciate the aesthetic flow of calligraphic lines.
Whether the script in the background is an actual sutra is not the concern, even if it is, would it be readable to most? I question the use of lines in Calligraphy. Without the recognition of the exact words or meaning, can we still appreciate the quality and skills involved? Armed with a Chinese writing foundation, I adapted the use of the eight strokes (the basis of construction to Chinese character). The `writings’ resembles Chinese/Japanese writings but in fact, they are not. I needed a texture. With language as a symbol of culture, by visually adapting these kind of lines endears us to the image.
The Edge of Night
We are living in the days on the edge of night
You can see the darkness swallowing up the light
As the world of man accepts wrong for right
Time is short, and it is foolish to waste it
By debating with skeptics that faith in God is intellectually
bright
We are living in the days on the edge of night
The enemy’s delusion is thick
So, walk by faith and not by sight
Don’t lie around sunbathing in the light
We must pick up the banner of Christ
And work as long as there is light!
(January 23, 1994)
Keep Your Eyes on the Lamp Bearer.
Don’t walk around aimlessly.
Don’t leave your armor on your bed chamber’s floor.
Keep your eyes and ears focused on Jesus.
He is the lamp bearer, who illuminates the path you should travel.
Don’t walk around aimlessly!
Don’t leave your armor on your bedchamber’s floor.
Specters are crouched in the shadows of the thicket that line your path.
They plot to ambush you as soon as you wander aimlessly into the thicket.
Keep your eyes and ears focused on Jesus.
He is the lamp bearer, who illuminates the path you should travel.
If you have walked into a fog and lost your focus,
If you have walked aimlessly into the shadows the thicket If you find yourself in the
clutches of the specters of the dark
Don’t be anxious.
Don’t lose hope.
Humble yourself and call out to your commander.
He will send in his angelic army to retrieve you
To restore you back to the ranks of His army
Don’t walk around aimlessly.
Don’t leave your armor on your bedchamber’s floor!
Keep your eyes and ears focused on Jesus.
He is the lamp bearer, who illuminates the path you should travel.
(December 3, 2016)
‘Anatomy of a Steelside’
A little something related to a book I’m writing, ‘Nighthammer’ – in the world of my book, various factions wage war via flying battleships known colloquially in-universe as ‘steelsides’.
These flying platforms are essentially a science-fantasy version of early/mid 20th century navies in our world. Large propellers inside funnels keep the thing flying, while huge, side-mounted paddles push the steelside, ponderously, through the skies.
I’m still figuring out some of the looks and some of the tech, but it always helps to have your own schematics!
Was working on expanding the character design of my steampunk vampire Lumin Vasile. I'm finally working my way up to writing a script for a webcomic featuring him. I'll need to do a few more outfits for him but I think I have a better sense of his style from this outfit alone.
By utilizing the beauty and flexibility of the Kufi writing style, the word "FATMA" is illustrated in a triangular shape. The word is sculpted on wood via simple tools and was colored with pencils and markers. For my beloved Mom.
Vent art! Not sure what else to say about this. It's almost my birthday, at the time of writing. It'll be on November 13th. I probably won't post that day, but we'll see.
Pen on lined paper, I liked the aesthetic of this, what would normally be writing by pen familiarly associated with this lined paper, is instead a loosely sketched portrait.
It’s easier to remain silent for someone
whose words only ever got twisted.
(spoke in other forms though)
Running from what?
Nothing. And everything.
Until they fell off the edge - or flew-
and plunged into an epiphany where words can’t
even translate,
can’t touch you.
“Don’t you come looking for me”
on the wind.