My first attempt at pixel animation in a long time. This is a still from the animation. it is a bit rusty and I should probably add some more movement to it but for a general concept, for now I'm happy.
I find backgrounds in paintings challenging so I deliberately tried to make a more complex background with this one. I sometimes have difficulty deciding when to finish and in this case maybe I overworked the background a bit too much. Still, I feel I learned a lot from the process.
This is a piece I did for a short film about the life of a victim of sexual abuse, after all the court cases and conviction. The film wanted to show the side that you don't see, the director wanted me to paint a picture capturing that emotion. Although I have never been through it personally so I cant speak on the feeling, I hope this makes you think about someone who has been having a battle in their mind. Give them some love !
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The tables were covered in white paper. Crayons, pastels, and smooth sticks waited quietly. Then came Lucy’s glittery purse—her 8-year-old hands had filled it with stones to pass along, one by one, to the strangers around the table.
We traced them. Pushed them. Held them.
Then we let the colors lead:
-Red for emotion.
-Yellow for curiosity.
-Blue for memory.
Each color came with music, with story, with space.
At the Museum of Wisconsin Art, we made marks not for meaning but for presence.
Thank you to Ann Marie and MOWA for the invitation and trust. And thank you to the participants—some new friends, some old students—for showing up and making lines that listened before they spoke.
