I found a Gap ad in a 90s Vanity Fair magazine; the background was completely white, perfect for doodling a background on it. I also highlighted the woman's freckles and lips with a bronze Sharpie.
I want the composition to be thoughtful but on the sad side. My skill practice was brush strokes and blending (but not overdoing the blending) as I try to figure out how I stylize as an artist. Still working in the realm of realism and proportions as I am a newbie, but wanna flex into stylization a bit more. I did this through Rebelle 5, which is absolutely amazing, IMO.
I had to improvise a bit. I found myself rummaging for colored pencils so I drew my outfit today with the ones I had. Notice that I am painting because I’m out of pencils. My oversized sweatshirt is really a periwinkle blue.
"The Explorers" 14ft tall by 48ft long mural painting in Vienna, Austria alongside my friend Dead Beat Hero this past weekend. His comic book style robot characters emerging from the river into my crazy cartoon world.
This was one of dozens of daily sketches I did in a small book for my daughter's Christmas present a couple of years ago. Love the wacky gulls. So many in my area.
David Lynch (1946-2025)
I like things to be orderly,” Lynch told a reporter in 1990. For seven years I ate at Bob’s Big Boy. I would go at 2:30, after the lunch rush. I ate a chocolate shake and four, five, six, seven cups of coffee—with lots of sugar. And there’s lots of sugar in that chocolate shake. It’s a thick shake. In a silver goblet. I would get a rush from all this sugar, and I would get so many ideas! I would write them on these napkins. It was like I had a desk with paper. “
- From Daily Rituals: How Artists Work by Mason Currey
“I don't think it was pain that made [Vincent Van Gogh] great - I think his painting brought him whatever happiness he had.”
― David Lynch
Thank you for all your amazing art!
#dailyrituals #inktober #DavidLynch #goals @masoncurrey
christmas ‘24 destination spent with my people - thankful for the few days of quality family time, endless memories made, the many many laughs, and the beautiful view we were blessed with from our airbnb! enjoy a little watercolor I did while there, a breathtaking view from the Ozarks!
Dmitry Shostakovich (1906–1975)
Shostakovich’s contemporaries do not recall seeing him working, at least not in the traditional sense. The Russian composer was able to conceptualize a new work entirely in his head, and then write it down with extreme rapidity—if uninterrupted, he could average twenty or thirty pages of score a day, making virtually no corrections as he went.
But this feat was apparently preceded by hours or days of mental composition—during which he “appeared to be a man of great inner tensions,” the musicologist Alexei Ikonnikov observed, “with his continually moving, ‘speaking’ hands, which were never at rest.”
Shostakovich himself was afraid that perhaps he worked too fast. “I worry about the lightning speed with which I compose,” he confessed in a letter to a friend. Undoubtedly this is bad. One shouldn’t compose as quickly as I do. Composition is a serious process, and in the words of a ballerina friend of mine, “You can’t keep going at a gallop.” I compose with diabolical speed and can’t stop myself.… It is exhausting, rather unpleasant, and at the end of the day you lack any confidence in the result. But I can’t rid myself of the bad habit.
- From Daily Rituals: How Artists Work by Mason Currey
#dailyrituals #inktober #shostakovich @masoncurrey
Immanuel Kant (1724–1804)
Kant’s biography is unusually devoid of external events.
As Heinrich Heine wrote: The history of Kant’s life is difficult to describe. For he neither had a life nor a history.
In actual fact, as Manfred Kuehn argues in his 2001 biography, Kant’s life was not quite as abstract and passionless as Heine and others have supposed…. If he failed to live a more adventurous life, it was largely due to his health: the philosopher had a congenital skeletal defect that caused him to develop an abnormally small chest, which compressed his heart and lungs and contributed to a generally delicate constitution. In order to prolong his life with the condition—and in an effort to quell the mental anguish caused by his lifelong hypochondria—Kant adopted what he called “a certain uniformity in the way of living and in the matters about which I employ my mind.”
This routine was as follows: Kant rose at 5:00 A.M., after being woken by his longtime servant, a retired soldier under explicit orders not to let the master oversleep. Then he drank one or two cups of weak tea and smoked his pipe. According to Kuehn, “Kant had formulated the maxim for himself that he would smoke only one pipe, but it is reported that the bowls of his pipes increased considerably in size as the years went on.”
- From Daily Rituals: How Artists Work by Mason Currey
#dailyrituals #inktober #ImmanuelKant @masoncurrey
