ze

In this memory-driven piece, Patmore reconstructs the bathroom from his third-grade elementary school, capturing the sterile brightness, the tiled repetition, and the institutional reminder to “WASH YOUR HANDS.” But the scene is not pristine — a leaky sink, an out-of-order stall, and a taped-up sign reveal the quiet decay behind childhood places we assume were orderly and safe. Patmore blends nostalgia with unease, transforming a simple restroom into a study of what it means to grow up: how the lessons we learn early (“hygiene,” discipline, responsibility) stay with us even after the walls begin to crack. The small pop of blue tape emphasizes the DIY fragility of rules meant to guide us. This piece stands at the intersection of memory and maintenance — of spaces, of bodies, and of ourselves.

This piece critiques the modern tendency to hide identity behind brands and consumerism. * Visual Focus: The mask is partially obscured by a fitted baseball cap, with the bill pulled down to cover one eye. The cap itself is a symbol of brand identity and fast-fashion culture. The uncovered eye retains an unsettling, almost mechanical gaze. * Symbolism: * The Cap: Represents the societal practice of hiding behind brands and allowing consumerism to dictate self-worth and block out unwanted truths. The act of seeing is deliberately curtailed. * The Mask: Emphasizes that the consumer identity is often a façade-a manufactured mask that prevents others from truly "seeing" the individual, while simultaneously restricting the individual's full sight of the world.

"Nowhere Fast" is a compelling still life that blends mundane domesticity with surreal, slightly ominous undertones. The scene is anchored by a wooden table where a spilled glass, a pack of matches, and an ashtray with a smoldering cigarette suggest a moment of interrupted pause or quiet, long-term stagnation. Dominating the foreground is an oversized, weathered cigarette carton boldly labeled "WARNING", its subtle but unsettling presence hinting at a consumption that leads nowhere. In the background, a vintage RCA television set displays a stylized amanita mushroom, a recurring symbolic motif that adds a layer of psychedelia and altered perception to the otherwise drab setting. The earthy, muted color palette and soft lighting create a feeling of weary introspection, capturing a sense of being perpetually stuck in a cycle. The piece masterfully uses everyday objects to explore themes of vice, time, and the quiet, slow march toward an uncertain destination.

Purple Haze

A birthday card I made for my friend in Australia.

I painted the Los Angeles skyline as it radiated through the clouds and haze.

Sujoy Bera 3D Visualizer Interior Designer

Sujoy Bera 3D Visualizer Interior Designer

“You saved me, my heroine!” For a guy who almost got eaten, he looked way too pleased. “That’s worthy of, well, an award, you know!” He tapped his split lip thoughtfully, lying on the ground as if nothing had happened. “Ah, Zero Year may be over, but I think it’s only fair for me to name a month after you. What do you say?” His impractical coat was all messed up, his hat laying a little to the side, just as dirty and caked with snow. “It’s january, isn’t it? It’s Amberary now! Maybe not for all of Gotham, but for me for sure.” He grinned. What the hell is he saying? Why bringing up those old words? Ridiculous. Amber failed to hold back surprise in her eyes, but she almost managed to stop herself from smiling in time. Almost. He noticed. “… Get up.” --------------------------- Long story short: Amber saved Ed from predators, and he decided to be extra with his flirting. I remembered Edward's words from “Zero Year” about naming months after gothamites heroes and an idea came to me… This scene will definitely be in a fanfic, for which I have an underdeveloped idea, and which I will definitely not write. %) In any case, this is roughly how I imagine ZY!Eddie flirting, in addition to all the other headcanons. My vision of him is too different from ​​how most of the fandom sees him . xD I’m trying to jump above my head again, not having the skill in background, clothes, drapery, and full body, especially since I almost never drew two interacting characters. My most ambitious work so far. But I’m happy!

Work made to order for a person who asked to visualize his skin from the game Minecraft

Sujoy Bera 3D Visualizer Interior Designer

Initiate of the Order of the Saints of the Scrapyard. All members of the order are entitled to the scrap of the mechs they fell (with the pieces they decline to use or take with them being tithed). To join the ranks proper, an initiate must fell an enemy pilot and bring their mech to heel (often by detonating the cockpit and going from there)). Initiates are given little more than a fusion engine (that may double as a shaped charge (or a death sentence depending on their luck)), a kinetic energy recycler (and shield for it to power), a small pile of scraps to build the rest of their sled, and a book of prayers for the scrapyard saints. Most will not graduate their initiation, ending their short stint as little more than ash on the breeze.

If Terios wasn't a skin on "Sonic x Shadow Generations", I can see him being Shadow's older brother, trying to help his younger brother socialize more.

Dancing (old)

I made this because It came from my dream. I even felt that it was actually Elmo. It wasn't a nightmare but felt like a lucid dream

BEFORE and AFTER !! "She is a girl" - 2009 (5.8x2.2mt) Shoe polish on Wallpaper

I am delighted to share that I Am a Dragon! has been named to the Pennsylvania Center for the Book's 2024 Baker's Dozen: Thirteen Best Books for Family Literacy! Here is the list ( I am in such a good company!): - “10 Dogs” by Emily Gravett - “ABC and You and Me” by Corinna Luyken - “Bear with Me” illustrated by Kerascoët, Sebastien Cosset and Marie Pommepuy, - “The Concrete Garden” by Bob Graham - “How to Count to ONE (And Don't Even THINK About Bigger Numbers!)” by Caspar Salmon and illustrated by Matt Hunt - “I Am a Dragon! A Squabble and a Quibble” by Sabina Hahn, published by HarperCollins. - “If I Was a Horse” by Sophie Blackall - “The Kitten Story” by Emily Jenkins and illustrated by Brittany Cicchese - “Mr. S” by Monica Arnaldo - “Night in the City” by Julie Downing - “Ruffles and the Cozy, Cozy Bed” by David Melling - “Simon and the Better Bone” by Corey R. Tabor - “You Go First” by Ariel Bernstein and illustrated by Marc Rosenthal

Julia Ota, a Korean girl who was brought back to Japan during the Imjin Wars (1592-1598). She was adopted by one of the Japanese commanders, Konishi Yukinaga, and was baptized as a Christian in 1596. She eventually became a lady-in-waiting to Tokugawa Ieyasu, but was later exiled to Izu Islands for refusing to recant her faith. Wherever she went, she became admired for her charity and evangelism, and she was revered as divinity on the islands up after her death up to the 20th century.

Watercolour and the tiniest bit of coloured pencil and acrylic marker on watercolour paper. Size A4. Done with negative painting technique. This was inspired by a figure found in a Kinder egg from my daughter. It seems to be common sense these days to scan and fix your artwork digitally before posting it on any social media. I don't do that. I kind of like the little (or bigger) imperfections in my work, and I also believe that uploading traditional work that has been digitally fixed gives people the idea that such perfect pictures can be achieved in a traditional way.

Sujoy Bera 3D Visualizer Interior Designer

Sujoy Bera 3D Visualizer Interior Designer

Zebra SARASA 0.5 pen on dot grid paper

Zebra SARASA Clip Gel Retractable 0.5mm on dot grid paper

Size A4, done with fineliner and highlighter pen.

Watercolorized inked drawing of a dog skiing, and having a great time.