Definitely doodling---This is my first mandela and it ranged from great fun to great frustration. It ended up a little "waby swaby," but I suppose that's in keeping. It's 12 inches across with 32 points. Drawn with a micron pen, then colored in markers (in whatever colors I happened to have) and has colored pencil shadows. I scanned it into PhotoShop and played with altering colors. Made a green one for my green-crazy friend and a subdued desaturated one for myself. It's quite printable on my oversized color laser printer---so ill be a fun "social distancing" poster gift for my friends. Each one with a personal color range.
Zoomed in shot of "Pattern Interrupt". 2020. Size: 32" x 40" / Micron pens on archival museum board. This piece was all drawn freehand - no rulers or measuring tools were used to create this artwork.
Every day in 2017 I drew in a Moleskine Japanese (Accordion Fold) Album (pocket size) with the goal of completing one continuous drawing all year. I filled up nearly six complete sketchbooks, completing a drawing that is 5.5 inches high and more than 600 inches wide. Now, what do I do with it?
What happens when Jimmy is reading Ezekiel in the morning then discovering @themarcuskingband and @billystrings and doodling on the same day? There is no logical reason to throw all this randomness together in one drawing. This stream of consciousness improv drawing can get weird at times. All I can say is if you were in my head 24/7 it would all make perfect sense. I have become comfortably weird.
Here is my submission to the 10th anniversary Plushform show at Rotofugi Gallery. I was invited by Shawn @shawnimals to participate in this fun show. He is the creator of the Plushform DIY plush figure being customized by 40 artists at Rotofugi, a designer toy store gallery in Chicago. The original Plushform show was in 2008. I was waiting for their official announcement before posting my final so I could link people to the site for more info. I was told they are working on it and will announce soon. This will be for sale at the show.
#25 Christmas Art Contest - I'm pretty sure I drew this in 2023 if I'm not mistaken. It was for a Christmas art contest at magma.com and drawn directly on their website using an iPad pro. And well, although I met all the requirements I didn't place in the top four. The rules stated that we had to pair up with another member from the website art community to draw a Christmas themed picture relating to anything from our childhood. What you see is only half the picture. My project-partner Andy added his portion to the collaboration, but I removed his pen strokes just for my website. That's why on the right side of the picture the Christmas tree and edge appear unfinished.
This image is huge, like 5000 pixels. This website will resize the image losing details, but if you would like to zoom-in to a higher resolution, try this link to get a closer look. Safe link to mega-upload file storage:
https://mega.nz/file/vqoXGIgD#bx6hdvKVKX8__hfBAYEVtp49NESS26w4iudrlM-oI_4
It's an odd feeling to reexperience the old anger and frustration I thought I had overcome, but, in all reality, I've been letting it creep back in for a while now. There was a moment of fear, it's still in the back of my mind, I'm afraid to slip back into the mental place I was a couple of years back. I'd like to say I've finally realized that it's ok to be afraid, and even a bit frustrated, but it's a matter of how I handle those emotions and my own reactions that make the difference.
Samuel Beckett (1906–1989)
On a late-night walk near Dublin harbor, Beckett found himself standing on the end of a pier in the midst of a winter storm. Amid the howling wind and churning water, he suddenly realized that the “dark he had struggled to keep under” in his life—and in his writing, which had until then failed to find an audience or meet his own aspirations—should, in fact, be the source of his creative inspiration.
“I shall always be depressed,” Beckett concluded, “but what comforts me is the realization that I can now accept this dark side as the commanding side of my personality. In accepting it, I will make it work for me.”
- From Daily Rituals: How Artists Work by Mason Currey
#dailyrituals #inktober #samuelbeckett @masoncurrey
The DODOSAURUS lived during the late Triassic period when dinosaurs ruled the earth with the average brain size of a peanut. This peaceful carnivore spent most its time roaming the desert lands of what is now South America hunting mice and various rodents. It wasn't until the reptile was discovered by early prehistoric humans that this majestic creature became a valuable and easily hunted food source until it was eventually hunted to extinction. ☠☠☠
RIP Dodosaurus
Temperature, polarity, pressure, molecule size, and stirring all increase solubility. Yup. The background is stained from food coloring swirled in shaving cream, some AP Chem practice problem notes, and some shapes for spice. Also, I submitted 3 college apps yesterday, so here's to that.
Overview:
The title of this piece is directly inspired by the lyrics of the song "Rabbit In Your Headlights" by UNKLE. I liked the fact that I shook the static sensation of this shot using some vibrant colours and decoration. The subjects seems to be frozen in time, waiting for someone that will save them.
Based off the urban legend of Edward Mordrake who was a man from the 1800's that had a twin on the back of his head. The twin supposedly would laugh, cry and tell whispers. This then led to Mordrake secluding himself in a room before deciding to take his own life at the age of 23.
"Retro 1" is a quick freehand drawing I created last year. Size of the original is 9" x 12". I used Posca pens on archival paper. Limited edition prints are available. Want to see a time-lapse video of the process? Check it out on my Instagram: https://www.instagram.com/p/CMNAQpjh-Jl/?utm_source=ig_web_copy_link
This is an original painting of a secluded cove in the trees. I’ve tried sharing my art before and for criticized and accused of plagiarism when I drew an original animal that resembled that of another. I assure that my works are original. If they aren’t, I will give credit where credit is due.
