I used soft charcoal and a large sheet of newprint to depict this model in a life drawing class. He exuded a deep sadness and his poses seemed natural to his countenance. He was also very thin.
“The bright side of the planet moves toward darkness
And the cities are falling asleep, each in its hour,
And for me, now as then, it is too much.
There is too much world.”
― Czesław Miłosz, The Separate Notebooks
“The politics of the world frustrate me. I control my frustration when I write, but it explodes when I perform.”
A quote from a Benjamin Zephaniah documentary I caught not long ago on BBC iPlayer’s been resonating with me as of late. Granted, I tend to keep politics light here (if anything) but I stand by what I’ve just said regardless.
I am interested in connection between a human and an animal. This unique, individual emotional, almost telepathic connection that is so abstract that only art could possible be bale to materialize it . ..like another different universe...
This piece was done with watercolour crayons, crayons, fineliner, acrylic paint and a touch of posca. I was showing that love can be blind and sometimes almost arrogant and selfish, the arrow has hit the spot on the second attempt but the scars are still to be seen. Although the person playing cupid aint always an outside force. I enjoy playing with the titles and am constantly changing and thinking of what it will be called when doing the piece, but i do like my wordplay. this one was a play on horticulture and felt it all tied in to the final design :))
This is available as an a3 sized print.
