So I did one of these with a couple of friends over on dA, where we each sketch something then ink the lines of someone else, and digitally colour the third, and as they both chose to draw their characters I scrapped the squid-creature idea to jump on the bandwagon as well! I need no excuses to draw Verus
Hello. I am a total beginner when it comes to artwork. This is my very first attempt at creating a road going down an autumn forest with colored pencils. I know I'm not the best artist but I hope to learn more.
This two horses are bit older but still not so bad in my eyes. Will draw when have my other artwork done again a horse... maybe some differences to past. The left horse was from a friend a horse. "Buddy" unfortunately dont living anymore.
The first stage of clay is slip. Slip is watery clay; it is most often used to "slip and score", which I used to attach the features of the mug to the mug itself.
The second stage of clay is wet. Wet is moist, very plastic clay. Wet is the type of clay I love to use, just because it feels so fresh, and because it is moist enough that I don't have to soften it with water.
The third stage of clay is leather hard. Leather hard is the stage my mug was in after being left on the shelf for twenty-four hours or so. It is easier to cut but very difficult to sculpt.
The fourth stage of clay is greenware. Greenware is completely dry clay that is fragile and breakable. I would say that greenware is an overdose of leather hard for the clay. In other words, leaving clay out for a longer amount of time can turn leather hard clay into greenware.
The fifth stage of clay is bisque. This is the clay after its first firing. If it was grey clay, it is now white in this stage. It is now completely hard and no longer soft in any way. Bisque, luckily, is only one stage away from glaze...
The sixth stage of clay is glaze. This is the final firing and results in a smooth texture and a shiny look. I loved the way my glaze came out. While I was painting the mug, it was more of a ruddy red-brown but when it glazed, it turned out to be this beautiful spotted green.
Geometric pen drawing detailed with stippling. What started out as a simple mountain doodle turned out to be a bit more chaotic than I'd anticipated but I like the end result!
Here's a traditional art sketch card, produced on a 4 X 5 inch blank licensed card. The cut lines are set at 2.5 X 2.3 standard trading card size. Artwork is Copic marker and Prismacolor colored pencil. This card was created as a random insert for the 2018 Rittenhouse Archives Star Trek Captains collection Card series. This card features my favorite Star Trek bad guy Harcourt Fenton Mudd or Harry Mudd. See more at Sketchcardsandcovers.com
There is a purpose in the rope being tied loosely. The individual has the liberty to free themselves but remains enslaved by their own choice. Many times we know exactly what to do, but refuse to do just that. Sometimes we want freedom, but we use our liberty to remained chained to what we hate.
