A colour sketch of woodland near my home. I'm still not sure whether to turn this into a larger piece or not - or maybe I could switch medium and try it in watercolour?
My last finished painting of 2020. A morning in the woodlands of Ystradfawr Nature Reserve near my home. This is the final result of one of my colour sketches - Spring on the Line. It sold to lady in a care home who's lost her mobility. I hope it gives her a bit of the great outdoors when she's sitting in her room.
I found a very nice picture taken by Jose Herrera of Cecilia on Behance. It inspired me to draw this picture and practice the anatomy and shape of the human body.
A landscape that I did about my father while he was alive. He was a sheep farmer and he planted tress on his hill farm.This is done in memory of him as he died from cancer.Its a finished piece and based on sketches I did. Its an acrylic painting and 1/10 in a body of work.
One of my early oils from 2017. I was still getting used to the medium. I liked how the oils worked well for the misty distant hills, and I used glazing for the first time on the clouds.
The reference for this painting was a quick snap I took at the roadside on a trip up to Angelsey. Didn't really manage to capture the scale or the atmosphere.
I first bought some cheap soft pastels back in 2018 and did a couple of sketches. I bought a nice set of Rembrandt pastels a few months later — didn't use them. I bought some pastel pads, none if which seemed right. September 2020, I bought a couple more sets of bargain pastels and tried a couple of pieces — no good, still couldn't bring myself to use them. Jess bought me pastel pencils for Christmas — I was too scared to use them. I even bought a pad of Pastelmat which is supposed to be THE paper to use for pastel paintings in January. I was too scared to use that as well!
FINALLY, after a few unsuccessful attempts at working with watercolour (brush issues), I cast aside my fear and thought I'd mess around with pastels. Some time later, and this was the result. I've finally broken through my pastel fear-barrier.
I've got to say, I love soft pastels and I'm excited about doing more pieces in this medium.