This is the other half of Return of the Polar Bear, a drawing in my moleskine. It is after Pieter Bruegel the Elder, an artist from the 16th century. I began it as a way to try out his intricate use of line and hatching. The subject matter altered some along the way - his etching didn't have any animals, and of course mine had to be all about the animals. I also simplified. It turned out to be a wonderful lesson.
White and sanguine conte pencils on toned paper. These ruins captured my drawing itch with the quality of the light filtering brilliantly through the tangled growth outside, and the open shade within. At a metaphorical level, the image is about the sense of having a laborious path set in stone for me by custom, convention, and culture, while way is wide open to the chaotic fertility of nature, should I choose to follow my own feet and heart.
A page from my sketchbook during my Foundation Diploma in Art & Design in London. Diluted ink is a great medium. It always gives this authentic look. I think I used colouring pencils below to give it a strong colourful look. Love this one.
This is a scanned pencil sketch of a picture that I still want to work out. The whole thing is supposed to be a kind of fantasy landscape. The castle depicted does not have to be historically correct either. I will try to work it out in Procreate. It's a great programme, but unfortunately I'm not yet as proficient as I'd like to be ... As soon as there's any progress, I'll post it here!
Regards
Christian
