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The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “. Some of her work focuses on women, and they incorporate criticism and cultural protest. Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia. Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics. The structural composition of some of the works is influenced also by her many years of working in the architects’ office. Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.

Pencil & marker on paper

"Nowhere Fast" is a compelling still life that blends mundane domesticity with surreal, slightly ominous undertones. The scene is anchored by a wooden table where a spilled glass, a pack of matches, and an ashtray with a smoldering cigarette suggest a moment of interrupted pause or quiet, long-term stagnation. Dominating the foreground is an oversized, weathered cigarette carton boldly labeled "WARNING", its subtle but unsettling presence hinting at a consumption that leads nowhere. In the background, a vintage RCA television set displays a stylized amanita mushroom, a recurring symbolic motif that adds a layer of psychedelia and altered perception to the otherwise drab setting. The earthy, muted color palette and soft lighting create a feeling of weary introspection, capturing a sense of being perpetually stuck in a cycle. The piece masterfully uses everyday objects to explore themes of vice, time, and the quiet, slow march toward an uncertain destination.

Beginning of spring. Whimsical rainbows and floral life

Abstract painting "The Dark City". Canvas on cardboard, acrylic, 30x40 cm, 2023

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Here's a traditional art sketch card, produced on a 4 X 5 inch blank licensed card. The cut lines are set at 2.5 X 2.3 standard trading card size. Artwork is Copic marker and Prismacolor colored pencil. This card was created as a random insert for the 2018 Rittenhouse Archives Star Trek Captains collection Card series. This card features my favorite Star Trek bad guy Harcourt Fenton Mudd or Harry Mudd. See more at Sketchcardsandcovers.com

whatman, markers, 32x31 cm, 2023

The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “. Some of her work focuses on women, and they incorporate criticism and cultural protest. Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia. Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics. The structural composition of some of the works is influenced also by her many years of working in the architects’ office. Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.

Poor blobfish! (For this series, I'm trying to hone my beginner skills by focusing on the architecture of each strange creature through reference photos, while also using it as a log for interesting animal facts.

Looking out for inspiration like ⬆️

24x30 canvas A weathered steer skull fixed against a wagon wheel, drawn in graphite, charcoal, and ink, evokes the grit and resolve of westward migration. The skull stands as a quiet emblem of endurance, sacrifice, and survival, while the wheel anchors the piece in motion and passage. Westbound ’49 references the year many headed west in search of promise, capturing the stark beauty and cost of that journey in restrained black and white.

“I don’t believe matriarchy is the answer.”

I drew one of my toys, (almost!) every day for a year. They were all done on 6"x6" card stock with alcohol based markers. I researched every one to try and find the company, etc. These are a few of the Disney characters in my collection.

Quartz crystal. Another prompt that became a value study. Watercolor and gouache. March 8, 2020.

Just me and my little world

Commissioned watercolor print

Art from the depths of my sketchbook.

Lois's last book: "The style of Loish. Finding an artistic voice." is just AMAZING! It's: - inspiring, - full of tips on how to start searching own style, - full of Lois's thoughts and experiences on her way to finding the artistic voice. So I wanted to try something new in my digital art journey. I experimented with new techniques. I tried to use a brush type that gives a transparency effect. I chose one picture from Loish's book as a reference. And here it is - a colorful landscape. Thank you, Lois, for creating and sharing your phenomenal and inspiring art!

I just wanted to capture the beauty of the architecture. These are some random sketches i made to express my view.

Against the weight of a storm-dark sky, tender stems lean forward—some bending, some breaking, some still reaching. They hold their fire at the tips, waiting to bloom, waiting to burn, waiting to belong to light. Perhaps this is all of us: stretching through shadows, searching for the thin, golden line that divides earth from eternity.

Graphics on artificially aged paper. Mixed media, ink, acrylic, 70x53 cm, 2025

Holbein watercolors on Arches 100% cotton cold pressed watercolor paper

This creation of mine is Adeline. She is from Paris,France in the year 1838. Made with watercolors (Jazperstardust, Rublev,Daniel Smith, etc...) and a bit of pencil (just the outline). Made her on my new Arches watercolor paper.

I learned about Christoph Niemann Sunday Drawings and decided to d my own. I recommend you check them out. Here's a link to some of them: https://www.bing.com/images/search?q=Christoph+Niemann+Sunday+Drawings&form=HDRSC2&adlt=strict&first=1&scenario=ImageBasicHover

The Cloisters with an accidental ink blot from another drawing today

Sunset. Gouache study... March 3, 2020.