I modified the challenge a wee bit. I didn't use the same paper for the various drawings since I was using (top row, left to right) hard graphite pencils (3H to HB), watercolor pencils, (bottom row, left to right) brush pens and ballpoint pen. These media work best on very different paper textures and moisture absorbing qualities. The second picture shows the object of my study --- and the apparatus I use to hold botanical subjects. "Third hand" tools are very useful and cheap. This one was under $10 and serves my purposes well. Just FYI. (Each drawing/painting was scanned and composited in Photoshop.)
Love dahlias, not just because they are so ornate, but also because they bloom so very late. The tuberous begonias and potted dahlias are still in full bloom at the start of November, how cool is THAT? (For the northern hemisphere and 47th parallel, no less!) This is a stylized drawing in colored pencils.
20. Ghost traitors.
Prompts are from @JanelleCShane generated using the OpenAI net GPT-3.
https://www.instagram.com/p/CVViLYFrwMw/?utm_source=ig_web_copy_link
I chose to build on the liminality of the door and its status in the imagination as a link between two worlds or identities. In this section I am using the fibres of gloves to create different forms of hands and transparent boxes to represent the idea of space.
Through my art I try to express the limited space in which I live, thus focusing on the sense of self that is to be achieved by isolating one's cognitive processes through dialogue with space. The relationship between solitude and space is a subjective process of self-consciousness that involves the absence of social attributes and interaction with others. In other words, it is a non-objective state of space in which the self can find expression. Loneliness therefore manifests itself in a reluctance to approach groups.
these little friends did find some snacks in the kitchen. they are preparing them for the transport, so they can take some of them with them hehee! it was so fun drawing these little friends. wish you a wonderful day and thank you for looking at this drawing :)
Two possibilities exist : either we are alone in the universe or we are not. Both are equally terrifying.
~ Arthur C. Clarke
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Sci-Fi orb created in @blender.official
Galacons are these giant space robots, and there's two variants. The Solar Galas are much larger and thinner, and sport huge solar sails like frills along their necks and tails, a few even have sails on their long limbs, somewhat like wings. The Solar Galas are surprisingly passive, despite hosting hundreds of concealed turrets (some with EMP missiles), blue/white laser flames from their mouth cannon, and smaller lasers from the lights down their body and limbs. The Solar Galas can hold fleets of cruisers in their chest-like docking bay, and smaller ships down the rest of its body to the hips. Solar Galas are still dangerous though, as their diet consists of metallic asteroids, and small ships can be mistaken as food. Magma Galas (not featured in drawing) are much more bulky, sporting massive drills on either side of the head, as well as drills instead of front claws. They also have much larger and more powerful lower jaws, also used to tear through planets to eat the cores. Though they're much smaller, most have huge tails to store lava/magma, and most can spew superheated laser-like blasts of white magma from their mouths and tails. Magma Galas also have extremely tough armor all down their body, the largest having plates nearly 80 miles thick. They are hyper aggressive until they find a planet to bore into and slowly devour, however if attacked while feeding they won't hesitate to vaporize their enemy.
it is a zentangle that I worked very hard on while on a car ride with my grandma papa and my mother in the grocery store in a building and in the car. those spikes are the sun and so is that arch. it is supposed to be a sunset. the humps are the ground /hills. thank you for your views, likes, and followers! thank you for your support!!!
Many beginnings.
Beginning 6.
The best ice cream in the world is made from the clouds you gather at dusk on the beach. Everyone knows that.
* Starting is easy, it's the middle that is often a muddle. And I won't even mention the endings. Here are some beginnings for children stories that flitter through my head. https://www.instagram.com/p/COxp0KSh4KR/?utm_source=ig_web_copy_link
This is a digital drawing of another species I designed. Please do not use or claim the species as your own. I took great care creating this creature and I love it to bits. I made a base for this creature too, so if anyone has any color suggestions, I would love to hear them. Just drop a comment. Thanks so much and have a great day.
I recently discovered oil pastels and am being amazed every day at how versatile they are. While cleaning my desk this morning I found some blank ATCs (Artist trading cards, 2.5x3.5") and wondered if I could work small with such a bulky medium. Turns out, absolutely yes.
Drawn with FireAlpaca. This and Album 6 are sort of supposed to be the end of a number of albums... like, Album 6 is the end of Albums 1-5, and Album 10 is the end of Album 7-9.
Thankfully attempt number 2 came out better compared to attempt number 1, thank God!. I will say that I accidently went a little ham with the ball point pen on the first object.
too simple of a titled, what are you thinking, its basically taken about ten times already ! Okay, just relax, I don't have a real title for it , if it could be UNTITLED , I'd do that in a heartbeat .
I first bought some cheap soft pastels back in 2018 and did a couple of sketches. I bought a nice set of Rembrandt pastels a few months later — didn't use them. I bought some pastel pads, none if which seemed right. September 2020, I bought a couple more sets of bargain pastels and tried a couple of pieces — no good, still couldn't bring myself to use them. Jess bought me pastel pencils for Christmas — I was too scared to use them. I even bought a pad of Pastelmat which is supposed to be THE paper to use for pastel paintings in January. I was too scared to use that as well!
FINALLY, after a few unsuccessful attempts at working with watercolour (brush issues), I cast aside my fear and thought I'd mess around with pastels. Some time later, and this was the result. I've finally broken through my pastel fear-barrier.
I've got to say, I love soft pastels and I'm excited about doing more pieces in this medium.
