This is part of my daily Sketchgrind day 14. That's how I see collaborating with other artist is like, its tricky to get all the aspects together but if you finally get stuck - that's it. I also made a mini animation https://youtu.be/7z4c4dtWUXg If you want to see more check out my Patreon Page https://www.patreon.com/uliunique
I always admired those hand-painted signs outside the barbershops, so I made my own. Actually, you look like you need a fresh new hairstyle yourself. I can hook you up
Sketch of a flag surrounded by sadness. Featured in ART GALLERY GERMANY by Mark Fischer, WORLD OF ART & PHOTOGRAPHY and ART GALLERY CHINA by Mark Fischer.
Sometimes, a good goodbye is also a fresh hello.
As we wrapped up our "Sacred Spaces" paintings, I asked our student teacher to design a one-day project—something playful, earthy, and engaging to ease the class into her care. She brought mud. Literally.
Using mud and simple stencils, students pressed images—flowers, insects, wings—onto the sidewalk behind our school. There's something timeless about making marks with the ground itself. It felt ancient and immediate at the same time.
These prints won’t last long, but maybe that’s the point. A fleeting image, a shared laugh, a new hand guiding the next phase of learning.
Art is about making marks. Not all of them need to be permanent.
I love creating work that starts from a point in nature and develops into something more abstract, something that can be interpreted in many different ways. It’s interesting to hear what people see, what connection to their own life they bring when viewing a work.
A solitary rowboat drifts across a muted, restless surface, unanchored and unattended. Rendered in charcoal, ink, and subtle white highlights, the vessel exists in a quiet state of motion—moving, yet going nowhere. The surrounding water is suggested through loose, rhythmic lines, emphasizing atmosphere and isolation over realism.
The boat is sharply defined against the hazy background, its dark contours and interior shadows contrasting with the soft, unsettled environment. Oars rest unevenly, implying recent human presence while reinforcing absence. The name Perditas—Latin for “lost”—is affixed to the hull, anchoring the emotional weight of the piece without explanation.
This work explores themes of solitude, uncertainty, and endurance. With no shoreline or destination in sight, Perditas becomes a reflection on drifting—physically, mentally, and emotionally—inviting the viewer to confront their own sense of direction within an undefined space.
This piece continues my ongoing tool series, focusing on objects shaped by use, precision, and repetition. The speed square—an essential instrument of measurement and accuracy—is rendered with attention to wear, markings, and subtle imperfections left by time and handling.
Isolated against a minimal background, the tool becomes both subject and symbol: a quiet reflection on structure, angles, and the human need to measure and make sense of the physical world. Like the others in this series, it honors everyday labor and the overlooked beauty found in functional objects.
Her name is Wendy, and I don’t know how I got the idea for her...I just wanted to draw really fluffy hair and she came out of it. Lol...It's also been forever since I've on here...I've been busy with work, but I'm finding that drawing again is really helping me wind down. So I'll probably be posting more again.
