artists

Here is my submission to the 10th anniversary Plushform show at Rotofugi Gallery. I was invited by Shawn @shawnimals to participate in this fun show. He is the creator of the Plushform DIY plush figure being customized by 40 artists at Rotofugi, a designer toy store gallery in Chicago. The original Plushform show was in 2008. I was waiting for their official announcement before posting my final so I could link people to the site for more info. I was told they are working on it and will announce soon. This will be for sale at the show.

This is a painting I did in Procreate based on another artists' character.

Man oh man, it's been a week. The chaos is strong with this one. It was really fun to draw this, there's something so calming about shading with graphite; it felt like the only time I was present this week. But hey, I suppose that's why art is here. As a side note, thank you so much for 70 followers! It's truly incredible to part of an amazing community of artists, and I genuinely appreciate everyone's support and feedback. Here's to creating more art!

A colour pencil drawing using Derwent Artists pencils on thick cartridge paper. I wanted to show the car speeding down the highway, and so tried to make the tress appear as though they are a blur - Many thanks for looking !

Mixed media. Acrylic, pencil, digital. This is a piece from the book “Mail Me Art - Medium Without A Message” by @littlechimpsociety. I think it was the second call for entries/book.There are now 4 books filled with awesome art drawn and painted on outsides of envelopes and packages by artists all over the world who then mailed them to the UK totally exposed to the postal service. The original was all analog. I brought this into Procreate and reworked it. I may do more when I get a chance but I’m pretty satisfied with it now.

Color pencil drawing using Derwent Artists pencils on thick Cartridge paper. Many thanks for looking !

An ink sketch of one of my new favourite artists, Billy Eilish

I share with you a very special project I had the pleasure to participate in 2021, an initiative of @humanityonthemove.hom with @thisisastromag There were more than 70 artists who, in collaboration with refugees, worked together to build artistic pieces. The result was a virtual exhibition, which culminated in an online auction to support @donate4refugees . With all the art pieces sold, they managed to raise 3336 euros. Here is the result of my collaboration with F.!

This watercolour painting was inspired by another artists brilliant work (I'm afraid I don't know the name). Absolutely loved doing this piece. My mother asks why I always do sad paintings and thinks I should do more happy ones. What do you think? Comment Below

A color pencil drawing of a pretty girl in a black pullover.Derwent Artists pencils used on thick artists cartridge paper. Many thanks for looking !

Did you ever have a page in your sketchbook that was so bad and so embarrassing that you tore it out and chucked it? This was one of those pages that made me cringed every time I came to it. So today I said to myself, "ENOUGH!" and ripped it out of my moleskine. But something wouldn't let me throw it in the can. Now, I'm not one of those artists that can't bring himself to throw away any of his stuff because each and every piece, good or bad holds some kind of sentimentality or sense of importance. This particular page was a result of a crappy angst filled day and stuff poured out of me. For some reason, it felt like I was throwing away some piece of my soul. There were parts that were overworked and others that were painfully too personal. So I decided to cut it up and put it back together in no particular order, however it seemed best. As I was pasting the pieces down it occurred to me that this had a comic book feel so I scanned the final and added the black borders in photoshop which I really dug. I like that it is cryptic and jumbled up like my brain can so often be. This reminded me of the awesome @johnhendrix who said something in his book, Drawing Is Magic that stuck with me. He said, "Don't worry about doing anything wrong. If you're hoping your sketchbook turns into a glossy display of only your best drawings, you are not carrying a sketchbook, you are carrying a portfolio." In other words, explore, take chances, loosen up and have fun. Try your best to go at it like an uninhibited child. In so doing, you will stretch as an artist by avoiding repetition and predictability. We all know how to do what we already know. To sum up, I created a bad page, and whether or not I was able to fix it, it expanded me. So, follow your pencil, pen, or whatever and let them take you to places you never imagined when you started. Then, maybe you will end up staring happily at the final and with childlike wonder, say, "man, where did that come from?"

Oh boy, markers (NOT a go-to), least favorite color, and a subject that isn’t on my radar. This was a hard one what with 3 negatives going for it. But, hey, it’s a challenge, right? Choosing a subject came first….we have a house full of Indonesian masks and sculptures. (My husband studied gamelon music in Indonesia.) Garuda, the “mount” of Vishnu and popular with Balinese artists seemed a good choice, esp. since he can be green, red, yellow or orange. I rarely choose yellow/orange for anything---artwork, décor, clothing...though I do have a soft spot for sunflowers. First I drew a bunch of images based on one of our wooden Garuda sculptures and then made a simplified marking pen outline and colored it with markers.

I love the flow and painterly look to artists like @loisvb and @pernilleoerum so this doodle is inspired by them. Love these brushes by @jingsketch !!

Joseph Cornell (1903–1972) Cornell worked nights at the kitchen table, sorting and assembling materials for his boxes. It was not easy going. Some nights he felt too fatigued from his day job to concentrate on his art and would sit up reading instead, switching on the oven for warmth. In the mornings, his quarrelsome mother would scold him about the mess he’d left at the kitchen table; without a proper workroom, Cornell was forced to store his growing collection of magazine clippings and dime-store baubles out in the garage. In 1940 Cornell finally mustered the courage to quit his job and pursue his art full-time—and even then his habits changed little. He still worked nights at the kitchen table, while his mother and brother slept upstairs. In the late morning he would head downtown for breakfast at his local Bickford’s restaurant, often satisfying his sweet tooth with a Danish or a slice of pie (and lovingly cataloging these indulgences in his diary). - From Daily Rituals: How Artists Work by Mason Currey #dailyrituals #inktober #JosephCornell @masoncurrey

A color pencil drawing of Debbie Harry - singer with the group Blondie. Reference used was from back in the 1970's. Derwent Artists color pencils on thick cartridge paper. Many thanks for looking.

A color pencil drawing of a girl. Drawn with Derwent Artists color pencils on thick Cartridge paper.

I share a space with a few other artists in my religious community. It's a nice, airy space. I like having my tools at hand for anything I want to do.

A ship at sea I did as a study. When I was learning to draw I reproduced orter artists work.THe orgional belongs to someone else.

Samuel Beckett (1906–1989) On a late-night walk near Dublin harbor, Beckett found himself standing on the end of a pier in the midst of a winter storm. Amid the howling wind and churning water, he suddenly realized that the “dark he had struggled to keep under” in his life—and in his writing, which had until then failed to find an audience or meet his own aspirations—should, in fact, be the source of his creative inspiration. “I shall always be depressed,” Beckett concluded, “but what comforts me is the realization that I can now accept this dark side as the commanding side of my personality. In accepting it, I will make it work for me.” - From Daily Rituals: How Artists Work by Mason Currey #dailyrituals #inktober #samuelbeckett @masoncurrey

Close to a month ago, I had found out my design was selected for the Art Stop Program, and, yes, this is mainly what I've been working on since. I've never worked on a piece this large before, 72in x 24in, and I rarely make sketches of pieces before creating the final work. It's definitely a cool feeling to look at the finished board and see how the drawing actually came to life. (The Art Stop Program selects a handful of entered designs for the artists to create on a larger board, and these boards will then be inserted into bus stop benches around Niles, IL.) I can't wait to see the bench this will be in, and I'm so lucky I got to be part of the program.

Graham Greene (1904–1991) In 1968, an interviewer asked if he was “a nine-till-five man.” “No,” Greene replied. “Good heavens, I would say I was a nine-till-a-quarter-past-ten man.” - From Daily Rituals: How Artists Work by Mason Currey #dailyrituals #inktober #GrahamGreene #goals @masoncurrey

One of our most popular artists is Juan Jose Sanchez. He has a unique and recognizable style that is very aesthetically pleasing. Sanchez’s artwork can brighten any room and truly make you feel like you just stepped into the forests of the island.

One of the students from my lifedrawing class, I have a tendency to draw the other artists in the room and not the model. #drawing #lifedrawing #sketching #tonedpaper #lifemodels #prismacolor #prismacolorpencil #saddbackcollege #saddlebackarts #drawingfro

I saw other artists use a white out pen to add small details to their finished drawing so I decided to experiment. Unfortunately, it doesn't always work.

Mostly wet on wet technique and then wet on dry for the white paint. I used a Mont Marte Round 2 brush and Reeves watercolor paint tubes. Also concocted my very own magic watercolor paint that made the black background somewhat similar to gouache. I learned this painting from one of the best artists named Maria Raczynska.

This drawing was done with pen and colored pencil. I wanted to create a self-portrait that could also serve as a profile picture for my art accounts. My other self-portraits tend to be realistic, so I decided to try and depict myself in my own illustrative style instead. My artistic influences for this piece include tattoo styles, pinup art, and art nouveau as well as inspiration taken from some of my favorite portrait artists, Sargent and Rockwell.

Artist @asherbingham.fineart initiated a project offering free paintings of homes lost in the recent Los Angeles fires. Since announcing this on IG, she has received over 1500 requests and enlisted volunteer artists nationwide to assist. This is one of 35 homes I've painted.

David Lynch (1946-2025) I like things to be orderly,” Lynch told a reporter in 1990. For seven years I ate at Bob’s Big Boy. I would go at 2:30, after the lunch rush. I ate a chocolate shake and four, five, six, seven cups of coffee—with lots of sugar. And there’s lots of sugar in that chocolate shake. It’s a thick shake. In a silver goblet. I would get a rush from all this sugar, and I would get so many ideas! I would write them on these napkins. It was like I had a desk with paper. “ - From Daily Rituals: How Artists Work by Mason Currey “I don't think it was pain that made [Vincent Van Gogh] great - I think his painting brought him whatever happiness he had.” ― David Lynch Thank you for all your amazing art! #dailyrituals #inktober #DavidLynch #goals @masoncurrey

Dmitry Shostakovich (1906–1975) Shostakovich’s contemporaries do not recall seeing him working, at least not in the traditional sense. The Russian composer was able to conceptualize a new work entirely in his head, and then write it down with extreme rapidity—if uninterrupted, he could average twenty or thirty pages of score a day, making virtually no corrections as he went. But this feat was apparently preceded by hours or days of mental composition—during which he “appeared to be a man of great inner tensions,” the musicologist Alexei Ikonnikov observed, “with his continually moving, ‘speaking’ hands, which were never at rest.” Shostakovich himself was afraid that perhaps he worked too fast. “I worry about the lightning speed with which I compose,” he confessed in a letter to a friend. Undoubtedly this is bad. One shouldn’t compose as quickly as I do. Composition is a serious process, and in the words of a ballerina friend of mine, “You can’t keep going at a gallop.” I compose with diabolical speed and can’t stop myself.… It is exhausting, rather unpleasant, and at the end of the day you lack any confidence in the result. But I can’t rid myself of the bad habit. - From Daily Rituals: How Artists Work by Mason Currey #dailyrituals #inktober #shostakovich @masoncurrey