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Réalisation du portrait de @ Laurent Bignolas dans le cadre de la préparation de l’exposition : « Les chroniqueurs de #Télématin sur #France 2 et la dissipation et vapeur de la mémoire télévisuelle. Laurent Bignolas est un journaliste, syndicaliste et animateur de télévision français dans l’émission Télématin sur France 2.

Big Ed's prompt: Fredbird

Big Ed's prompt: Philly Phanatic

Kings crowning. Made me think of the animated Robin Hood by Disney, where the crown was to big for the head of lion John, but it held on his ears.

Today’s Inktober prompt was collide. So, here’s probably the biggest collision in comics.

Memories of sunsets over Lake Michigan

I started off with a circle on a big paper and somehow came to this, I really enjoy looking at this an I hope you do toooo.

I've come to learnt of an acronym to help me move forward whenever Fear is holding me back. Fear is False Evidence Appearing Real.

A portrait for a friend. Their grandma is a big John Wayne fan so I put them together in a portrait for her birthday.

I have not drew these kinda characters for a while when 2020 hit. I was a big mlp fan when I was little, but then stopped during 2020 when I got interested in something else like drawing furry characters (like purp kit etc.). But yeah, here it is! anyways, I'll be drawing sum more characters like this sometime :)

Happy feast of St. John of the Cross, one of the doctors of the church. Well known for his work on the "Dark night of the Soul" which is different than "Spiritual Desolation" that St. Ignatius talks about. We all have our crosses to bear but we don't always see the fruit. It's a fitting day for me as I got a big cross today but with God's grace I can support it. Please pray for my healing of headaches and depression, they are really getting in the way. St. John of the Cross, pray for us. #Stjohnofthecross, #john, #cross, #darknight, #darknightofthesoul, #saints, #saint, #saintoftheday, #carmelite, #catholic, #christian, #cattolico, #cattolica, #santi, #sangiovannidellacroce

This is for BJW [initials] one of my writers and irl friend. Yes, I have drawn her before, but this was again as a gift! [If you read this far thanks for checking out my art! I'll let you in on a secret: BJW might just be the voice actor for Mel....] ( ͡° ͜ʖ ͡°) She helped with Mels character, because she's amazing at improv and surprised me by auditioning for Mels voice... It's a big responsibility- so I wanted to thank her

Rockstar Games

i really enjoy drawing this cartoon bird, gonna slap some stickers around my town, pics to come of that soon! i think everyone is looking for some sikk grindage in their own special way

The First Glorious Mystery: The Resurrection! While Jesus' body was entombed he descended into the Underworld in order to free and bring to heaven all the righteous that died before Him. Jesus is victorious over death, Robed in Heavenly white, He is surrounded by a mandorla of star-studded light, representing the Glory of God. Christ is shown dramatically pulling Adam, the first man, and Eve from the tomb. Jesus does the work, that is why He is pulling Adam from the tomb by the wrist, and not the hand. Surrounding him are Holy Men and Women of the Old testament and who died before. St. Joseph is also there almost saying to the others "That's my boy! :)" Haha. John the Baptist and King David are present. On the other side we have little Abel next to Eve, Judith with her sword, Esther in royal purple and Ruth. I'd like to include even more but I'll need a much bigger piece of paper or canvas. :P This Icon is also called the "Harrowing of Hades" “Harrow” comes from the Old English word used to describe the ploughing of a field with a cultivator which is dragged roughly over the ground, churning it up. In the icon, Christ is shown with the instrument of His death plunged deep into Hades. Beneath Christ’s feet – which still carry the marks of His crucifixion – lay the gates of Hades, smashed wide open in the shape of the Cross. Christ has trampled death by death. Within the dark underworld are scattered broken chains and locks; Hades is not destroyed – it is still there – but its power to bind people is gone. There are no chains, no locked doors. Christ is always there to lift us from the darkness of this world. Fiat #Easter, #Resurrection, #Jesus, #Catholic, #Christian, #Rosary, #Glorious, #Freedom, #Salvation, #Adam, #Eve, #Abel, #Joseph, #David, #John, #Ruth, #Judith, #Esther, #Sketch, #DigitalArt, #Holy, #Hades, #Underworld, #Abraham's Bosom, #Death, #Life, #Victory,

sorry for the poor quality, i had to make the image bigger // i made the hand too small r i p // i've been watching her videos for like a year and a half, and oh my gOD she's improved so much, i'm proud of her // subscribe to her too, plz x

After yet another afternoon of mind-drifting, I found something I wasn't expecting. One thing over the years, memories are bound to forgotten if I don't recognise its importance in practice. In this case, it was a basic yet very crucial element for my dynamic pieces: curly lines. Continuing from the "spirit" of that character drawing yesterday, I started early today with trying to draw the character in its updated form. Suddenly, I ran into a roadblock: I was unable to bring it to life. Running through nearly a dozen sketches, something felt missing. A bit frustrated, I just lounged around the place and listened to some music played on my phone. Turning it off after a while to prevent the media distraction trap, I just started to let my thoughts wander and looked through different things, asking myself some things... My work felt a little blocky lately. It almost felt like I was focusing too much using certain details as a starting point to improvise from. This results in me struggling to build outwards into a full picture. Often, I find myself losing track of the original concept, which frustrates me. One thought then got into my head. It was something I enjoyed in the past years, which was the concept of "Flow". Suddenly, I felt signs of an answer. The original drawing "White Bird" came into my mind, reminding me of how I started drawing that important piece. I still have a strong impression on how I started it. It started as flowy lines to carve out an outline, vibe, or energy, or whatever my mind finds to describe. Later, I would slowly narrow out the details and sharpen its precision, almost like carving a figure out of nothing. And there it was. Sketching the core or skeleton of an idea, adding the main shape, before narrowing down the to details and precision. A very basic skill in drawing that I have forgotten, as dumb as a nitwit. If I had the core idea there from the start, I wouldn't have lost it right? Putting it into practice, I saw its immediate effects. Curly lines were the only thing I used, and suddenly the White Bird was flying and "alive" again as it should be. Man, I have recorded these for years, within my personal achieve of sketches. Yet, I somehow forgot them like an idiot? I am just speechless. It almost feels like I am back to square one, although there was a takeaway. I have learned the lesson of forgetting this basic practice, which led me astray for all these months. Seriously, I really have to remember how important it is. Putting that aside, I have noticed that I have these 2 styles. One was that "start from a detail and spread out", and the other was the "start from the big picture and narrow down". I had instances of success in both, which gave me a slight dilemma on which to choose. It is obvious that I can't limit myself to either, that would be falling for the stupidity of Duality. My own solution, would be to use either when the situation calls. I can't forget either, I just need to know when is the correct time to use it... ==

... is a tease for a dwarf; starvation for a giant. x x x This drawing isn't about cakes or Smurfs. People have different needs in life. People have different perspectives and different thresholds for things like fulfillment and pain. x x x "There is nothing in the world bigger than the tip of an autumn hair, and Mount T'ai is tiny." -Chuang Tzu

What do you see?

That six fanarts meme was so much fun to do, I did two of them! The first one I did was of some Muppets! ---- tooiebird.com

2nd pencil sketch commission of Eris. She really loves space and has big dreams.~

I've got a big fluffy bathrobe and I'm not afraid to wear it, all day if necessary

Quick little doodle of the Holy Family: Jesus, Mary and Joseph. I had to make one because it's all about that Holy Family! :P (I have a big devotion to them) I'll probably make a much more detailed one in the future but this will do for now. ^_^ Holy Family, pray for us!

Every working day, I post what I call a #legobiscuit to my Instagram here: instagram.com/legotrip The best of these eventually get the full Photoshop treatment. It's Easy To Be Funny When Your Life is One Big Fucking Joke. Sorry that I swore.

big hair big y e s

It's always fun to come to the Art gallery of the assheads, marginal artists of the World of Fantasy. Today I have seen the picture you are looking at, it made me interesting, as more people worked on it, not considering the picture as a whole, nor the work of its predecessors. Then, out of a large cardboard box, an old man came out and came to me. There were two big holes in the box, so I realized that the guy was looking at me from the box for a while. - Do you like the picture? - he asked. His eyes, red from lack of sleep, staring at me. On the old clothes he wore on himself, there was a stain of color. - I was impressed with - I said cautiously, knowing the unpredictable nature of people who deal with art - Did you do it? His face was stretched into a smile, a few teeth that he had left, flashes from the mouth cavity. - Yes - proudly erect his chicken breast an old man - Inspiration wore me all the time! He looked at me with a look that required my other questions about the image, need to tell any story, to anyone, about his work, was in it taut like a catapult. - What inspired you? - I ask the old man, and he barely welcomed the question and said: - Last week I was visiting my friend Jergon, the King of the Dwarves. (His statement that the mighty King of the Dwarves his friend was so incredible, that it must have been true. Assheads usually have unusual life stories.) "It is well known to you that the dwarves appreciate their privacy, keep their place of residence confidential and may be ruthless if you disturb them. As a friend of Jergon, "the old man says," I have surely passed the territory of the dwarves. As I approached his home, I noticed more and more than the vicinity of his underground apartment - in the old roots - was edited by the gardening techniques of the dwarves. Dwarves worship their king and their nature makes them do something for him every day. For example, to clean the weed and planted rare plants and flowers around his house. Some day they polished the old root under which the King lives. So the environment of his house went out completely artificial, unnatural. The king is angry because he now has no privacy, his home has become like a public park, sweet hide, dear dwarves, was taken away from him. He told me. "Dear friend, if you think it's nice to be a king, you are not right. Everything has its own price." This visit inspired me to paint this work. - I nodding my head as if to understand how much potential was in that situation, so inspiration was a natural consequence. - Art freedom is expressed here - I said to the old man - maybe with the King of the Dwarves, on it, the picture was even more effective. The old asshead looked at me strictly and asked: - Did you see the King of the Dwarves? "I did not even see an ordinary dwarf," I admitted. The old man looked at me for a moment or two with a disappointed look, then he turned and entered the box. I felt a look from the box on my back as I left the gallery.

Big nose...

Big Ed's prompt: Phoenix Suns Gorilla