P. G. Wodehouse (1881–1975)
Once, when he was beginning a Wooster-Jeeves novel, he experimented with using a Dictaphone. After he had dictated the equivalent of a page, he played it back to check it over. What he heard sounded so terribly unfunny that he immediately turned off the machine and went back to his pad and pencil.
After this, according to the biographer Robert McCrum, “he might snooze a bit in his armchair, have a bath, and do some more work, before the evening cocktail (sherry for her, a lethal martini for him) at six, which they took in the sun parlour, overlooking the garden.
- From Daily Rituals: How Artists Work by Mason Currey
“He had just about enough intelligence to open his mouth when he wanted to eat, but certainly no more.”
― P.G. Wodehouse
#dailyrituals #inktober #PGWodehouse @masoncurrey
This was one of dozens of daily sketches I did in a small book for my daughter's Christmas present a couple of years ago. Love the wacky gulls. So many in my area.
One of dozens of cartoons I created the last couple of years. A little voice is telling me to get these published in a book. If the voice gets louder, it will happen. In the meantime, I'm brainstorming and filling my sketchbook.
This painting is based on an empty street at noon, when the sun is right above us scorching heat. the street look empty looking for a shade. I chose to show the street at 2pm where the sun slightly leans towards down.
The whole painting is done on parallel lines. If you notice closely the lines of building and the road meet parallelly.
Hi. Am I hard to see? You are free to look closer.
This is how I will most frequently present myself as, drawn here in an effort to rejuvenate past drawing abilities . Both Ego and Shadow are delicately present as one, although still not the truly completed form. That is still outside my own grasp within the field of creativity.
Everything here has some meaning, including the blank background. A "Domain" in the form of a canvas. The ability to bend reality. A shadow that opens the door to the extraordinary. The simple tools to channel one's creativity. Most importantly, an Avatar of one's being.
Originally painted in watercolor on watercolor paper and then filtered digitally.
Inspired by Sara Berrenson and her book on how to Watercolor Flowers.
a trans skull, bc I'm still a boy when it's not pride month. this isn't part of my big story thing, just something I made for fun since I haven't posted in a while. I'm considering starting a sticker/patch business, so comment if u would be interested in seeing that or not.
#blackcappedchickadee Facts
A bird almost universally considered “cute” thanks to its oversized round head, tiny body, and curiosity about everything, including humans. The chickadee’s black cap and bib; white cheeks; gray back, wings, and tail; and whitish underside with buffy sides are distinctive. Its habit of investigating people and everything else in its home territory, and quickness to discover bird feeders, make it one of the first birds most people learn. Want to know more check out this link https://www.allaboutbirds.org/guide/Black-capped_Chickadee/overview
The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “.
Some of her work focuses on women, and they incorporate criticism and cultural protest.
Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia.
Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics.
The structural composition of some of the works is influenced also by her many years of working in the architects’ office.
Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.
