Colored pencil drawing of pomegranates "in progress." Prismacolor and Verithin pencils with some fine lines done with Tombow Irojiten pencils. I like the harder colored pencils for fine detail, but the blending of high wax and oil pencils can't be beat for blending.
Drawing of leaves and nuts from the Marri tree, found in the Southwest region of Western Australia. This majority of trees that surround my property are the Marri from the Myrtaceae family is endemic to this area. They grow upwards of 40 metres and are a favourite food to the protected Red-tailed Black Cockatoo.
A bonsai tree sits in a black pot against a bright yellow circular background with humorous text surrounding it. The words "Why aren't they called... Bonsai People?" suggest a playful twist on the terms little person, person with dwarfism or person of short stature.
Drawing trees and other landscape elements was my daily routine for the last two months.
For two months, I've been developing my style.
It's essential to create consistently in one style for a long time. It's the way you get to know better:
- yourself,
- what you like,
- what you enjoy.
Inspired by Ruth Wilshaw and her book "Creative Gouache" I tried to get a gouache effect in my digital illustration. I think I did it. I'm nicely surprised with the final look.
That's why experimenting is so astonishing.
I started a project of hunt illustrations, where things in the image need to be found. In this, the objects were: Lost iPhone, murder weapon, portal to another world, glass half empty and banana. (This is the pre-digital illustration which I don’t usually share but felt like a change!)
Homegrown elephant garlic drawing done in graphite pencil (H and HB). I enjoy drawing little roots and entanglements---following each one to its logical conclusion. A little OCD, I know.
Drawing made to commemorate this year's world environment day. The theme for 2020 was diversity and this drawing is a call to action, a call to reflect on our actions and make positive changes to our daily lives.
