This piece is on a canvas. I use acrylic Paint. Checkout my ArtPal, click on the site link on my page. This piece is on sale on my site. Part of the proceeds of every sale goes to a very good cause.
So I'm a little behind the curve, but here's my day 1 for Inktober. This was my first time using my fountain pen for drawing, so I can't complain too much. There's definitely some room to grow. Lined with a TWSBI Eco: fine nib with Organics Studio Walden ink on Tomoe River paper. I'm a sucker for sheen, what can I say. The sad attempt at shading was done with a wet paper towel, so I'm guessing I could try upgrading my technique there ;D
Sometimes, on the pathway to success, we will meet obstacles. Before we can reach our destination, we often have an ocean of things to overcome. We'd have walls to break down, oceans we have to swim over. This illustration is to remind everyone that no matter what obstacles we will meet, never lose heart and faith in the things you love.
Doodled this after my husband died of cancer. It's not only about embracing loneliness. It's about embracing all areas of my life which I have considered dark and not user friendly. Faber Castel black pen and a scribble of purple
The background of this painting is applied with paint rollers. The flying creatures were made from paint sprinkles. It was painted on an 18x12” canvas sheet.
This is a work I made as a reaction to a questionaire about suicide. I got over it, but I have been there, done that. Despair, the feeling of drowning, reaching out but never getting the help you need, deep dark depression, the grey-brown brainfog. Yet: there is some light, there always is, but I'm too scared to look at the light. I didn't varnish this pastel-drawing, just to accentuate the fragility of mental health. What you need to know it that I got out of this and so can you if you are this deep in trouble. I'm doing much better. January 2020, pastel on A3 paper.
Sometimes simplicity is the best medicine....like this simple door and this simple cat staring at the door.............I can stare at this image of the cat staring at the door all day....................Is that weird?
I use to draw to create. Now, when I do, it's to speak to myself. To relieve some tension. To say something I can't say out loud. I'm not looking for anything here. I just hope that throwing these things out into the world will somehow take them off of my mind. Sorry, and thank you.
So... its a draw this in your style! not much to say about it. It was really hard because of the face, but I'm always improving! Feel free to give me critique's I'm open to anything that can help me! and also... I already know the head is um... kinda weird haha...
I really enjoyed the Inktober challenge and this was my favorite drawing from the month. Been trying white ink for a new challenge, on grey toned paper. I've also challenged myself to draw more animals, so that's been fun. I can't remember drawing an elephant before, but my joke was that this one is ready for Coachella!
Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre.
En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich.
Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse.
English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work.
As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich.
In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory
Inspired by the Neo-Classical period, I pushed myself as an artist to portray subjects in an idealistic fashion combining drama and artificial lighting. The subject is my sister who modelled as a reference, enabling me to control the shadowy effect over her face. The dim lighting and dark background resonated with the period style, focusing on the facial parts that are visible. The end result looks like she is emerging from the darkness. A somber atmosphere is illustrated through visual expression.
Adding the fast drying oil on the brushes improved the blending of the colours on the canvas which was especially useful when it came to applying strokes on the face smoothly. Visit https://www.martiaposts.com for more
American soda fountain in London from a historic photo by George Grantham Bain from Library of Congress collection.
Pen: Uniball
Sketchbook: Moleskine
Watercolor: Sakura Koi
#sketch #sketchbook #watercolor #watercolour #aquarelle #doodleaddicts #showup4art #Moleskine #SakuraKoi #Uniball #ColorEludesMe
