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Appropriationnisme ou le « Remake » Édouard Manet : le déjeuner sur l’herbe
Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre.
En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich.
Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse.
English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work.
As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich.
In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.
https://www.pierretomyleboucher.fr
Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre.
En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich.
Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse.
English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work.
As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich.
In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.
Ink and Graphite. HJ or BJ? Decisions Decisions. Even though life gets difficult at times, you still always have the power in your hands to make the right decisions for the circumstances that you CAN control...
You CAN judge a book by its cover---when the cover is done right. Here we have a novella about the difficulties one artist has to bring his avant-garde art to the public.
The Golden Hate on a Materic Wall, acrylic on canvas (80x100 cm), drawing on paper with frame and glass (35x50 cm), materic painting with carbonate calcium , gesso and wax
If I put the right filter on, you can't see the mess I made of the mane, but I picked a different one so you can see it. One Shetland pony-style unicorn for National Unicorn Day.
Lurking under the sea, she waits... Made using ink and coffee on hand-cut watercolor paper measuring 5x7 inches (C)2018. (In the collection of Candice C.)
I was overthinking of what to doodle which is seldom the case as you can see, there’s still a doodle as the finishing even so with that doodler’s block going on.
Drawn with acrylic
(Old art) Quick sketch of a friend's OC. In return, they made me one (1) meme, if I remember correctly. Though the drawing was fun and the meme was rather amusing, my artistic dignity is more important than receiving payment to create art. As you can see, I prefer more to show off my older art, as I have more gems from my old days of yore, yet I personally believe that I have some recent sketches that are absolute gems, and deserve to be put upon this glimmering community soon.
A heavy WIP of my illustration based on the Broadway musical "HEATHERS" song, "Meant To Be Yours." When it comes to digital art, everything I've done has all been self taught. I began this piece when I first began on my I-pad and am still at it till I can make this piece what I envision it to be. I learned a lot of shadowing and effects on this piece, and I can't wait to complete it! What do you think thus far?
I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.
The inspiration for this collection came from a conversation I had with the Founder and Executive Director of the Underprivileged And Underserved Foundation (UAUF), George Goodwine. While discussing race and whether or not every opportunity was fair based upon someone’s familial structure or “starting line,” I was asked the following questions. How does someone overcome these hurdles? How can the playing field be leveled to make things fairer, when others may only have 50 hurdles to overcome in the same competition?
My response was simple. “The person in front of 150 hurdles has two choices. They can either get discouraged before they begin, or start jumping. In the midst of the race they might get tired, unsure, or discouraged, but if they press on to the finish line they may become more physically fit than the person who jumps over 50.”
I used to dance ballet and at the time, there were a lot of hurdles I had to overcome solely based upon inconveniences that came with being raised in low-income, single parent home. Above are pencil sketches and sharpie drawings that I have drawn from actual photos. I plan on making these images my own by adding more abstraction and vibrant color to them.
Over the course of the project, stay tuned to see how these pictures will transform into a work of ART!!! Check out my artwork at theservingartist.com
