Canvas mounted on wooden frame. Size: 25 x 30 cm Materials: acrylic, Chinese ink, brush, pen and marker. Is sold the original piece. For this reason, there may be slight differences from one piece to another.
Here on this acrylic/ink on canvas piece, you can see a Loupee realizing that it truly, in fact, is very ugly. Actually so ugly, that it began to melt its surrounding reality causing its shadow to lose its true vibrancy. All it wanted was to see was its pupils. No one can relate to this situation any better than you can.
Zelfmedelijden is Dutch for Self-pity. The person is drowning in their own self-pity. They are depressed and poison themselves with their pity. It hurts, but is hard to stop. Addicted to pain.
September 2019, acrylics on canvas
The Tool Bench marks my 50th canvas—completed exactly one year to the day after I finished my very first one. This piece is a tribute to work, memory, and the quiet corners where both creativity and responsibility live.
Drawn entirely freehand, it’s built like a snapshot of a lived-in workspace: mismatched tools, worn wood, scribbled reminders, and the little personal things that actually make a place yours. The clipboard holds a “Honey-Do” list that never seems to end. The Polaroid-style sketch of my wife sits taped to the wall like a reminder of why the work matters. The shadows on the back wall match the tools lying on the bench—suggesting a moment in progress, a task paused, life happening between motions.
A portrait of everyday power. This hammer isn’t just a tool—it’s a symbol of the work ethic that built me, the late nights, the factory shifts, and the determination behind every canvas. Graphite, grit, and precision shading bring out every dent and edge. Simple object, serious presence.
