Today is such a fun day, on September 20, 2018 I decided to stand on the balcony taking a landscape picture of my city. This landscape picture was taken by me one afternoon when the sun was about to set. The images here are all copyright of the photographer who created them In the absence of these digital files will be used, copied, displayed or pulled from this site without consent. of the photographer who created them. These landscape paintings are fully owned by photographer Nguyen Duc Nhan
Contact Email: ducnhandz130905a@gmail.com
Link url to my personal Facebook post: https://www.facebook.com/Nhandzvcl13/posts/2174868016064757
A dense cluster of geometric buildings sits beside the phrase "Offline is the New Rich" highlighting a contrast between urban and online life, and simplicity. To the right, a small house stands alone surrounded by trees and clouds.
Nikola Tesla (1856–1943)
After he had started his own company, Tesla arrived at the office at noon. Immediately, his secretary would draw the blinds; Tesla worked best in the dark and would raise the blinds again only in the event of a lightning storm, which he liked to watch flashing above the cityscape from his black mohair sofa.
Tesla ate alone, and phoned in his instructions for the meal in advance. Upon arriving, he was shown to his regular table, where eighteen clean linen napkins would be stacked at his place. As he waited for his meal, he would polish the already gleaming silver and crystal with these squares of linen, gradually amassing a heap of discarded napkins on the table. And when his dishes arrived—served to him not by a waiter but by the maître d’hôtel himself—Tesla would mentally calculate their cubic contents before eating, a strange compulsion he had developed in his childhood and without which he could never enjoy his food.
- From Daily Rituals: How Artists Work by Mason Currey
“Of all things, I liked books best.”
― Nikola Tesla
“One must be sane to think clearly, but one can think deeply and be quite insane.”
― Nikola Tesla
#dailyrituals #inktober #NikolaTesla @masoncurrey
Hello again, Gale. I've mailed a photograph of the window with this letter. I hope both reach you safely on Par Tritus. Eclipse City thrives, contrary to Luncara's beliefs. Tell James that I've missed her. But the Jagged sets and my light is spread thin, so I must conclude this letter. Best wishes to you, James, and the king. Sincerely, Cyrus
Himalayas Set 1 * This is the walk the construction workers take from their village to Mcleod Ganj every working day. So much respect for their tenacity.
I've been working on portraits so much that it's taken up most of my drawing time. I miss the simpler things like trees and mountains so today at lunch I drew this tree.
Okay, I understand that comparing any real-life animatronic bands to FNaF is practically a sin, but I made this doodle subconsciously and I'm in love with it. Introducing Rock-afire Freddy. FNaF animatronics have many differences to real life animatronics, like how FNaF animatronics are made of segments, while real animatronics consist of one big fur piece, much more flexible. And that many of the animatronics from FNaF are completely able to walk around --- but in real life, the animatronics only have moving parts that are essential to their performance. This sort of also leads to another difference; FNaF animatronics from a specific generation all have the same endo, while real endoskeletons for animatronics have their own endoskeleton --- which have several differences from FNaF endos, like having upper jaws (which real endos don't), having teeth (real endos just have a plate which can move the mask jaw), being very bare and with few wires (real endos are very complex, and unlike FNaF where the animtronics are probably powered by electricity, real animatronics usually run on pneumatics). Anyways, enough of me rambling.
This art is linked to my previous work. The protogonist has entered the other side of the world. A weird place but it seems familiar as this world is nothing but his consciousness and diary is just a portal which let him in here
I was going to do a full landscape sketch of the ascent to Cadair Idris, but I kind of chickened out. Still, I quite like the simplicity of this little sketch.
A cartographic representation of the experience of moving to a new city in a foreign land. This work, dubbed as 'Introspectionism', provides the viewer with a snapshot over time of the inner workings of the process of the strange becoming slowly more familiar and the foreign becoming Home.
