I wasn't a big fan of this piece, but my parents really enjoyed it. It's something that they can enjoy without having to like the place where it came from. It's sort of like a still life.
"Foxed Fruits" is a 36cm x 10cm x 19.5cm x 7.5cm oil painting on custom cut plyboard with acrylic Venetian gold embellishments. This piece is available for sale.
Rendition of Michelangelo pre-sculpture sketch work two men fighting 4 ft by 3 ft. Corinthian column added original 3 ft by 2 ft. Done on wall in home with 14 number 2 School pencils over a 2-week..
Bic4 Ballpoint Pen, Sanrio Novelty 10 Colour Ballpoint Pen on Archival 8.5" x 11" paper
Quick ballpoint sketch of Mr. Batman (that’s why it’s a little wonky).
Starring Joy Division: Radio, Live Transmission (1979). Let me tell you a story about dancing to the radio to escape the day. About the feeling that "no language, just sound, that's all we need know, to synchronise". About media enriching your life. About media invading your life. Tricolor linoprint using one lino plate. July, 2020.
Starring Django Django: Marble Skies (2018). Let me tell you a story about chasing dreams and overcoming obstacles. About the recurring feeling of "rain following marble skies". About success and frustration. About fascination and mania. Tricolor linoprint using one lino plate. September, 2020.
These are 5 out of 12 images I did while processing the necessity of healing from life lessons. Heartbreak is prevalent throughout all the levels of tragedies in our lives. At times, the mourning period feels forced-- I never really want my wounds to heal because I feel they're the last of the love I carried for that "thing". The process feels like gold pouring into my gapping heart and I can only scream as it sears through my veins. It hurts to heal. It hurts that it has to happen.
This was Emma Thompson in one of my favourite films, Stranger Than Fiction - she is brilliant! I used just colouring pencils in this one to try out a soft, harmonious look, on the background of blue A4 card. I quite like the relationship between the foreground and background in this piece; had the background been white, I don't think it would have worked as well.
This is another way of working that I really like. Fine liners and chalk (colour) pencils were predominantly used, with a quick smothering of acrylics for her scarf and coarse posca pen marks for the jumper :). About the subject, Handmaid's Tale was one of those rare books that I read more than once growing up and it stayed with me, hence why I decided to draw Margaret Atwood (not seen the series yet though but I hear good things!). I accidentally had her hand cut out while penning the figure - still working on my scale and composition!
