I generally make marks on something every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day. I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk.
I generally make marks on something every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day. I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk.
I generally make marks on something every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day. I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk.
I generally make marks on something every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day. I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk.
I do generally put pen (or some kind of tool), to paper (or some kind of surface), every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day. I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk.
I do generally put pen (or some kind of tool), to paper (or some kind of surface), every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day. I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk. (Including the "waste" page because I often like it as much/more.)
I do generally put pen (or some kind of tool), to paper (or some kind of surface), every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day. I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk. (Including the "waste" page because I often like it as much/more.)
I do generally put pen (or some kind of tool), to paper (or some kind of surface), every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day. I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk. *including the whole spread, as sometimes I like the "waste" page most.
I do generally put pen (or some kind of tool), to paper (or some kind of surface), every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day. I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk.
I do generally put pen (or some kind of tool), to paper (or some kind of surface), every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day.
I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk.
I do generally put pen (or some kind of tool), to paper (or some kind of surface), every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day.
I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk.
I do generally put pen (or some kind of tool), to paper (or some kind of surface), every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day.
I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk.
I do generally put pen (or some kind of tool), to paper (or some kind of surface), every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day.
I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk.
I do generally put pen (or some kind of tool), to paper (or some kind of surface), every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day.
I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk.
My drawings lately have been more pixelated because I've been drawing on a different software than usual. I've been drawing on aggie.io with my friend, which is where I do most of my drawings because I am otherwise unmotivated. This will be changing soon! I got a new computer with a TV for a monitor! It's way easier to draw and runs much faster.
I do generally put pen (or some kind of tool), to paper (or some kind of surface), every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day.
I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk.
I have a buddy, Rad, who has farm and has always been into motorcycles. Rad hardly ever uses the computer, so I make And send him postcards via snail mail. I informed Rad that I was into Medieval art and found this ancient illustration he might find interesting.
Humble Thy Self In The Sight Of The Lord
This Pen And Ink was rendered from a image Of the painting entitled," The Prayer At Valley Forge" by artist Arnold Fryberg. I drew this rendering from my computer screen. It took a couple of hour to draw. I carved this image on a pumpkin at the annual Chadds Ford Historical Society Great Pumpkin Carve.
So this rendering was done as a guide not a finished piece . As you look over this picture you will notice the ink ran in a few places, that is be cause it was raining while I was carving the pumpkin. Even though I had clear plastic laid over the picture, rain still got it wet.
It seem like almost ever time I took part in this event it has rained .
The reason I chose to carve this image is be cause the battle of the Brandywine was fought around the town of Chadds Ford, and because George Washington was a renown Christian man of Prayer.
Just as the thirteen colony were freighting their way through hell to gain their independence from England, I feel our nation is going through Hell to maintain the principle the founding fathers had laid as the foundation of this country.
Our country is in trouble and no political party can save this nation, only The American People who humble themselves before God, repent of their rebellious ways against God, and pray for His forgiveness, and seek Him to guild our nation out of the dark,and back into the light. Then will our nation be able to receive blessings from the hand of God.
Stephen J. Vattimo July 16, 2012 See Less
This picture was drawn by me with Pentool SAI software on my computer, the picture designed by me from the cameraman is the beautiful female character Dieu Thuyen sipping a glass of wine while waiting for her father to return from a victorious war. Dieu Thuyen is one of the most talented beauties I have ever known, so in the photo I added an oval lute and used pink as the main color for the embellishment. giving Dieu Thuyen a proud beauty. The pictures I draw and create are posted here for all to see and for me to judge, this photo is my own drawing will be protected under section 512(c) of the Millennium Copyright Act . the digital age (“DMCA”).
Artist: Phan Thy -
Email: thichanime100k@gmail.com -
Copyright belongs to me - Phan Thy -
Do Not Reup
My latest illustration! I recreated my character Okimoto Manami (a computer graphics piece back in 2013) in a traditional Japanese setting. She is in a traditional house overlooking a garden that has a pond, a cherry blossom tree and a flower bush. She also has Ikebana (flower arrangement) peony piece near her. Theres also peony designs on her kimono.The kind of kimono she’s wearing is a furisode.I have advanced quite a bit in the past eight years and I prefer using traditional mediums these days! Colored pencils used: Caran d’ache luminance, Posca colored pencils, Faber Castell polychromos, etc..
This is a little collage (did you know Maxfield Parrish invented collage, not Picasso?) of a characters from one of my children's books. I wondered if this would inspire a book. Not yet.
A small drawing of Ayano Aishi from Yandere Simulator. I made this so that I could use it as a little sticker to put on my computer :) The lighting's a bit bad but don't mind that.
Gourd-face started out as a tiny doodle in my sketchbook but I couldn't stop thinking about him. So I drew several gourd-faces. This one has the unfortunate circumstance of growing on his face. Poor Gourdy. I drew him with pencil and then colored on the computer. Cheers!
Christmas is getting close now, which is why I'm opening these up! I really need a budget for X-Mas shopping :3
I PAY WITH PAYPAL AND KO-FI
So the budget that I need is 50 USD Lets see if I can make it :P
Well actually more if I want to continue drawing, my computer is 7 years old and will die soon and since my art tools are my computer, mouse and Microsoft paint I will need to save up for another one as well XD
As you see they are hip-ups/halfbodies, however here are the prices for other commission types:
Headshot/Portrait: 2 USD
Ex. At the top but the body stops at the shoulders.
+ 1 USD for Additional character (Up to 3)
Bust/Waistup: 3 USD
Ex.
sta.sh/0fmesdmqg5l
+1.50 USD for Additional character (Up to 3)
Hipup/Halfbody: 4 USD
Ex.
The picture on top.
+ 2 USD for Additional character (Up to 3)
Kneeup: 5 USD
Ex.
sta.sh/01v0zn4cxkwg (A bit older drawing)
2.50 USD for Additional character (Up to 3)
Fullbodies: 6 USD
Ex.
sta.sh/01l5np7libm5
sta.sh/0k4t3zcb6sk
sta.sh/01wqafsay981
sta.sh/0i1cc8jbrf4
+ 3 USD for Additional character (Up to 3)
Do not draw:
-NSFW (You know complete nudity)
-Overly fat or muscular characters (I can try but just not the extreme you know)
- Furries/Anthro
-Extreme gore (Some blood, bandages, scares and such are fine)
Except that I can draw a bit of everything.
What you get list when your commission is finished list:
-Your drawing without watermark (Both sketch and finished version)
-High quality image (Original file)
-Transparent image + simple background image.
If anybody wants a commission please comment down below.
Waiting list
I do not have a premium account yet but I wanted to follow up on Electric Galactic City. This was the original before computer manipulation. It is 24" x 36" mat board. It was one of the many spacey ideas I was working on at the time. It is watercolor pencil and some pen and ink. I failed to complete it as ideas came faster than skills at the time, a long time ago.
My sister and I found this great ATLA fanart online where none of the characters had any faces. We then downloaded it to her computer and opened it in some cool software on her computer where we gave them faces. We are ATLA fans, so please don't take this as an insult to Team Avatar; it's only a joke.
This started off as a black ink drawing, but after scanning into my computer, I played around in Pixelmator to add the background and some effects to achieve the final result. This was going to be my first attempt at either Inktober ot Artober. Many thanks for looking !
