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SEARCH RESULTS FOR

contrast

Mary Heath B. Mary Heath B.
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Second Chance

Starting this past winter I began redoing some of my old artwork. This one was painted about 15 years ago--is quite pale. Soon I'll be brightening it, adding more value contrast. After each redo is done, I choose the next. Anyone else out there do redos? I'd love to hear about your experiences.

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Miracle Miracle
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Contrasts of spring

I don’t see much photography on here, but thought I’d put it out there anyway

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Jessica Andhika Jessica Andhika
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Mosaic Rabbit

The 1st of my Mosaic series. Playing with colours that I find soothing, but with slight contrast.

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Bilaal Sulaiman Bilaal Sulaiman
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My perspective

The drawing contrasts what an individual see's and what the general public see's when viewing a particular topic. outside the frame of the glasses everything is plain black and white and has no important information that grabs your attention but inside the frame of the persons glasses there's a personalized idea or version of each person in the corridor. the drawing gives off the idea of seeing the world through another's eyes and using glasses as the medium to display that.

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Godel Santos Godel Santos
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Warrior

hope you like the contrast,,,,n pencil n idea,,,

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enjo elfar enjo elfar
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Contrast

Utilizing the use of contrast in elements such as shadow, colors, shapes, and texture.

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Neil Tackaberry Neil Tackaberry
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Shock

The look of shock. High contrast drawing with graphite pencil on paper, (size A5). Drawn in 2004.

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Sam Tansley Sam Tansley
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Flower in contrast

Could anyone tell me how to get the background in more contrast

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Rhoda Chan Rhoda Chan
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Red pepper bell

Just experimenting with pastel!

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Stephen Stephen
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The Three Witnesses

TheStephen Vattimo 7 mins The Three Witnesses Acrylic on Canvas Size :48"x68" Year finished: 2004-14 This painting illustrates three witnesses who are taking part in the salvation of a homeless person. the figure in the background is angled, this imposed by them being Positioned on second-floor balconies, symbolizing they are not humans, they are a higher class of beings. To the left side of the painting a demon and to the right side an angel of God . the kingdoms they serve are identified by the breastplate emblems of their armor. The demon has a dragon head overlaid on a pentagram. The angle of God has a lions head overlaid on a cross. The demon face is partly hidden by a hood which represents deception, where in contrast the angle of God is wearing nothing on his head that hiders the view of his face., representing honest. Angel is always involved in the affairs of the human race. The demon is warring against man to turn their heart against God, and lead them to destruction. God's angel is always warring lead mankind to salvation through Jesus the Christ, and lead him away from the path of destruction that comes from sinful living. The ally way is representing three kingdoms, to the left, the kingdom o Hell. The center road, the kingdom of mankind. To the right side, the kingdom of Heaven. The path of these kingdoms is represented by the direction of stairs. To go the way of Hell is to take the stairs down to the sub-level door. To the go, the way of heaven is to take the fire escape upward. The lighting and the condition of the structures of the walls also identify the nature of the kingdoms they represent. The kingdom of Hell is represented by the dark and crumbling wall. Man's kingdom is represented by a boarded up windowed wall that is a dead end. Symbolizing that mankind only has two roads to chose from, there is no such thing as a third reality. The left side of the paint is a cardboard box and a newspaper floor which serve as a makeshift shelter for the homeless man. The turned over bottle reveals which devise he had that lead him to a life of living in the street. The tipped over trash can which spills its trash onto the light source that is lighting the alleyway, which is in the shape of a cross, represents mankind's sin which Jesus The Christ paid in full the debt which God demand for the payment for sin which is death. So that The guiltless took the place of the guilty, that by faith in this truth all will escape Hell and enter the Kingdom of God as children and heirs of The Highest God. The Homeless man, who is dirty,ill-clothed, cold, tired, hungry, hopeless, symbolizes the condition of Mankind outside a flourishing relationship with God. The Christian witness is better dressed implying he is walking with God, and his life is blessed through God provision. The witness is showing compassion and the love of Christ to this homeless man by wrapping his arm around the shoulder of the dirty smelly homeless man. He points the homeless man in the direction of the path that leads to salvation through faith in the work of Jesus The Christ which is His work on the Cross, receive Jesus as his Lord and Savior. That through a relationship with the Christ, He can receive the guidance, the strength, the willpower to leave his old life of being a drunkard and living in the street. Because in Christ old thing pass away, and all thing are made new. The light that falls on the Christian witness and the homeless man and opens up in the shape of the cross in the alleyway, comes from a heavenly source outside the picture. Written by Stephen J.Vatttimo June 16, 2014

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Chemical Sister Chemical Sister
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Antistress doodles #4

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Jenn Adkins Jenn Adkins
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Deer in the woods

Trying on this illustrative style with bold contrasting colors. Unfinished, but I like it, so I decided to share.

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Artem Lugin Artem Lugin
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Sky

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Hayley Patterson Hayley Patterson
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Everything Is Normal

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erik cheung erik cheung
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Smoke

Like smoke, the line finishes as soon as it began. There is no room for any colour shapes, or anything else to be done to it; any additions would disturb the coherent of the flow. Contrast, balance and flow all met there. Art simply surfaced at that very moment and left a trace. This very line represents 3 decades of work!

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erik cheung erik cheung
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Disintegration

Another transitional one from 2017 in the size of 18" x 24". Looking back, this work starts showing me some glimpses. Abstracts do have an impersonal quality to it. Since it is not grounded with our everyday familiar objects or people, not knowing the visual language would be hard to understand the merits. I guess that is why I fell back to semi figurative.

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Adriana J. Garces Adriana J. Garces
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Untitled in July

Mini painting, markers on paper. Sketched onto a 2 x 4” agenda- calendar page. ❤️✌

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emine serpek emine serpek
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Untitled

I like red lipstick :) portrait with contrast doodles ..

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Eliza Eliza
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Untitled

Yellow contrast

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Sanna Pyykkö Sanna Pyykkö
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Untitled

Street Style Helsinki illustration. I liked the contrast between the pale look and 50s feeling glasses. Girlish and strong at the same time.

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Little Lewis Little Lewis
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Untitled

contrast

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