It's been a while since I draw on kraft paper.
So, here is the result on the thinking process: How can faun shield themselves from sunlight if they can't put a hat on?
Answer: They tie branches to theirs horns.
...
I should be the one shielding myself from the sun just so it can't kill anymore neurones.
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Ça faisait vraiment un moment que je n’avais pas dessiné sur du kraft.
Donc voilà le résultat de la réflexion: Comment les faunes font pour se mettre à l’abri du soleil s’ils ne peuvent pas mettre de chapeau?
Réponse: Ils s’attachent des branches dans les cornes.
…
Je crois que c’est moi qui devrait me protéger la tête du soleil, histoire que ça ne cogne pas trop sur mes pauvres neurones.
A friend asked me to make this. Should I make it into a sticker or print?
Uni Posca marker, watercolor, and neocolor watercolor crayons.
I added this guy to redbubble, he is available as a sticker, notebook, phone case, etc.
BEING GREEDY CHOKES ANANSI From Favorite Folktales around the world by Jane Yolen. One time, Anansi lived in a country that had a queen who was also a witch. And she decreed that whoever used the word five would fall down dead, because that was her secret name, and she didn’t want anyone using it. Now, Buh Anansi was a clever fellow, and a hungry one too. Things were especially bad because there was a famine, so Anansi made a little house for himself by the side of the river near where everyone came to get water. And when anybody came to get water, he would call out to them, “I beg you to tell me how many yam hills I have here. I can’t count very well.” So, one by one he thought they would come up and say, “One, two, three, four, five,” and they would fall down dead. Then Anansi would take them and corn them in his barrel and eat them, and that way he would have lots of food in hungry times and in times of plenty.
Luisa was my favorite character in this beautiful, fun Disney animation. I drew this in Adobe Fresco in about 6 hours. Still learning the program and testing brushes. Be sure to check out the time-lapse of the drawing on my Instagram. Cheers!
Joseph Cornell (1903–1972)
Cornell worked nights at the kitchen table, sorting and assembling materials for his boxes. It was not easy going. Some nights he felt too fatigued from his day job to concentrate on his art and would sit up reading instead, switching on the oven for warmth. In the mornings, his quarrelsome mother would scold him about the mess he’d left at the kitchen table; without a proper workroom, Cornell was forced to store his growing collection of magazine clippings and dime-store baubles out in the garage.
In 1940 Cornell finally mustered the courage to quit his job and pursue his art full-time—and even then his habits changed little. He still worked nights at the kitchen table, while his mother and brother slept upstairs. In the late morning he would head downtown for breakfast at his local Bickford’s restaurant, often satisfying his sweet tooth with a Danish or a slice of pie (and lovingly cataloging these indulgences in his diary).
- From Daily Rituals: How Artists Work by Mason Currey
#dailyrituals #inktober #JosephCornell @masoncurrey
Nobody puts baby in the corner Print by Barrie J Davies 2020 - unframed Silkscreen print on paper (hand finished) edition of 1/1 - A2 size 42cm x 59.4cm
This is my current project! A coloring book! It will be released through Amazon this November. If you'd like to stay apprised of progress follow me on instagram: @fyre.heart
Needing to get out of the house, I walked down the street to the antique shops that are right around the corner from my house and did some urban sketching.
